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How exceptional brokers and agents have gone beyond using Comparative Market Analysis CMAs at listing presentations and now use them to stand out in a crowded marketplace and grow their businesses.
In The CMA Awards Vault takes the reader from the first radio-only Country Music Association Awards broadcast in 1967 to the glittery spectacle of 2009. The author interviewed dozens of Country Music's biggest stars of the last 50 years to get reactions to their and the CMA's greatest moments, both on and off the stage. Go behind the scenes for the greatest fashion moments and the art of producing the show, plus the greatest performances of the CMA Awards' first 43 years. Tucked into dozens of pockets, fans will find reporductions of old programs, lists of winners, tickets and more.
Featuring new, accessibly written scholarship by the curatorial staff, this book will be the definitive resource on this world-renowned collection.
Through this catalog, readers will experience Aminah Robinson's amazing house, her art, and her profuse journals. In them, as was so often the case, she succinctly defined the importance of art in general and of her relationship with the Columbus Museum of Art.
The Medicalization of dying and the disregard for the life of the soul within contemporary health care prompt the return of the Ars moriendi, or The Art of Dying. This widely influential fifteenth-century text was designed to guide dying persons and their loved ones in Catholic religious practices at a time when access to a priest and the sacraments was similarly limited. This remarkable and inspiring work serves as a valuable resource for Catholic today, encouraging their full participation in the rich sacramental and liturgical tradition of the Church and challenging them to keep their eyes fixed on Christ and the promise of eternal life with him. This new translation includes illuminating annotations on its theological and pastoral content. A scholarly introduction examines the book's history, use, and present application. The book contains exact reproductions of the original medieval woodblock prints. Additional prayers have been incorporated from the longer version of the work, newly translated with Latin originals. The appendix presents confessions of faith, explanations of the sacraments, and guides to the examination of conscience, the rosary, and the divine mercy chaplet.
Only a decade ago, the notion that museums, galleries and heritage organisations might engage in activist practice, with explicit intent to act upon inequalities, injustices and environmental crises, was met with scepticism and often derision. Seeking to purposefully bring about social change was viewed by many within and beyond the museum community as inappropriately political and antithetical to fundamental professional values. Today, although the idea remains controversial, the way we think about the roles and responsibilities of museums as knowledge based, social institutions is changing. Museum Activism examines the increasing significance of this activist trend in thinking and practice. At this crucial time in the evolution of museum thinking and practice, this ground-breaking volume brings together more than fifty contributors working across six continents to explore, analyse and critically reflect upon the museum’s relationship to activism. Including contributions from practitioners, artists, activists and researchers, this wide-ranging examination of new and divergent expressions of the inherent power of museums as forces for good, and as activists in civil society, aims to encourage further experimentation and enrich the debate in this nascent and uncertain field of museum practice. Museum Activism elucidates the largely untapped potential for museums as key intellectual and civic resources to address inequalities, injustice and environmental challenges. This makes the book essential reading for scholars and students of museum and heritage studies, gallery studies, arts and heritage management, and politics. It will be a source of inspiration to museum practitioners and museum leaders around the globe.
Winner of the 2020 Award for Excellence from the Association of Art Museum Curators, Art After Stonewall explores the powerful art that emerged in the wake of the Stonewall Riots and the rise of the LGBTQ liberation movement in the U.S. Art after Stonewall reveals the impact of the Lesbian, Gay, Bisexual, and Transgender civil rights movement on the art world. Illustrated with more than 200 works, this groundbreaking volume stands as a visual history of twenty years in American queer life. It focuses on openly LGBT artists like Nan Goldin, Harmony Hammond, Lyle Ashton Harris, Greer Lankton, Glenn Ligon, Robert Mapplethorpe, Catherine Opie, and Andy Warhol, as well as the practices of such artists as Diane Arbus, Jean-Michel Basquiat, and Karen Finley in terms of their engagement with queer subcultures. The Stonewall Riots of June 1969 sparked the beginning of the struggle for gay and lesbian equality, and yet fifty years later, key artists who fomented the movement remain little known. This book tells the stories behind their works--which cut across media, mixing performance, photographs, painting, sculpture, film, and music with images taken from magazines, newspapers, and television.
"Originally presented by the Guthrie Theatre, this multi-image dramatic staging received rave reviews when it was toured with Leonard Nimoy playing the one extraordinary role. The excitement and color of Van Gogh's life and art enhance this production through the projection of a set of slides that are easily handled and carefully cued to add impact to the words. The slides, an education in themselves, may be rented to use with your production. As the Variety critic put it, 'The actor doesn't have the stage to himself. He plays against the celebrated artist's brilliant painting projected on two large screens.' The total effect is dazzling, yet this remains an especially easy show to present, provided you have a capable actor for the single role"--Back cover.
The most up-to-date guide on making the right capital restructuring moves The Art of Capital Restructuring provides a fresh look at the current state of mergers, acquisitions, and corporate restructuring around the world. The dynamic nature of M&As requires an evolving understanding of the field, and this book considers several different forms of physical restructuring such as divestitures as well as financial restructuring, which refers to alterations in the capital structure of the firm. The Art of Capital Restructuring not only explains the financial aspects of these transactions but also examines legal, regulatory, tax, ethical, social, and behavioral considerations. In addition to this timely information, coverage also includes discussion of basic concepts, motives, strategies, and techniques as well as their application to increasingly complex, real-world situations. Emphasizes best practices that lead to M&A success Contains important and relevant research studies based on recent developments in the field Comprised of contributed chapters from both experienced professionals and academics, offering a variety of perspectives and a rich interplay of ideas Skillfully blending theory with practice, this book will put you in a better position to make the right decisions with regard to capital restructuring in today's dynamic business world.
Extraordinary photos that reveal the social, economic, and cultural realities of the Black South A True Likeness showcases the extraordinary photography of Richard Samuel Roberts (1880–1935), who operated a studio in Columbia, South Carolina, from 1920 to 1935. He was one of the few major African American commercial photographers working in the region during the first half of the twentieth century, and his images reveal the social, economic, and cultural realities of the black South and document the rise of a small but significant southern black middle class. The nearly two hundred photographs in A True Likeness were selected from three thousand glass plates that had been stored for decades in a crawl space under the Roberts home. The collection includes "true likenesses" of teachers, preachers, undertakers, carpenters, brick masons, dressmakers, chauffeurs, entertainers, and athletes, as well as the poor, with dignity and respect and an eye for character and beauty. Thomas L. Johnson and Phillip C. Dunn received a 1987 Lillian Smith Book Award for their work on this book. This new edition of A True Likeness features a new foreword by Elaine Nichols, the supervisory curator of culture at the Smithsonian National Museum of African American History and Culture in Washington, D.C. A new afterword is provided by Thomas L. Johnson.