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Originally published by Prentice-Hall, 1972.
A beautifully illustrated, new edition of the best single-volume guide to Byzantine art, providing an introduction to the whole period and range of styles.
Examining how monuments preserve memory, these essays demonstrate how phenomena as diverse as ancient drum towers in China and ritual whale killings in the Pacific Northwest serve to represent and negotiate time.
Mathematics and the Divine seem to correspond to diametrically opposed tendencies of the human mind. Does the mathematician not seek what is precisely defined, and do the objects intended by the mystic and the theologian not lie beyond definition? Is mathematics not Man's search for a measure, and isn't the Divine that which is immeasurable ?The present book shows that the domains of mathematics and the Divine, which may seem so radically separated, have throughout history and across cultures, proved to be intimately related. Religious activities such as the building of temples, the telling of ritual stories or the drawing of enigmatic figures all display distinct mathematical features. Major philosophical systems dealing with the Absolute and theological speculations focussing on our knowledge of the Ultimate have been based on or inspired by mathematics. A series of chapters by an international team of experts highlighting key figures, schools and trains of thought is presented here. Chinese number mysticism, the views of Pythagoras and Plato and their followers, Nicholas of Cusa's theological geometry, Spinozism and intuitionism as a philosophy of mathematics are treated side by side among many other themes in an attempt at creating a global view on the relation of mathematics and Man's quest for the Absolute in the course of history.·Mathematics and man's quest for the Absolute·A selective history highlighting key figures, schools and trains of thought ·An international team of historians presenting specific new findings as well as general overviews·Confronting and uniting otherwise compartmentalized information
An authoritative account of early Christian and Byzantine art.
The main themes of this volume are the identification of 'visions', 'messages', and 'meanings' in various facets of Byzantine culture and the possible differences in the perception of these visions, messages and meanings as seen by their original audience and by modern scholars. The volume addresses the methodological question of how far interpretations should go - whether there is a tendency to read too much into too little or whether not enough attention is paid to apparent minutiae that may have been important in their historical context. As the essays span a wide chronological era, they also present a means of assessing the relative degrees of continuity and change in Byzantine visions, messages and meanings over time. Thus, as highlighted in the concluding section, the book discusses the validity of existing notions regarding the fluidity of Byzantine culture: when continuity was a matter of a rigid adherence to traditional values and when a manifestation of the ability to adapt old conventions to new circumstances, and it shows that in some respects, Byzantine cultural history may have been less fragmented than is usually assumed. Similarly, by reflecting not just on new interpretations, but also on the process of interpreting itself, the contributors demonstrate how research within Byzantine studies has evolved over the past thirty years from a set of narrowly defined individual disciplines into a broader exploration of interconnected cultural phenomena.
"Explores the Byzantine aesthetic of fugitive appearances by placing and filming art objects in spaces of changing light, and by uncovering the shifting appearances expressed in poetry, descriptions of art, and liturgical performance"--Provided by publisher.
The papers in this volumes consider literacy, education and manuscript transmission in Byzantium and its neighbouring worlds, areas which to date have received surprisingly little sustained scholarly treatment among Byzantinists. Contributions include an overview, survey papers and individual case studies, many of which draw on recently discovered or rarely consulted sources: literary sources include astrological texts, saints' lives and florilegia as well as documentary texts, art and archaeological evidence. The contributors' fields reflect the interdisciplinary scope of this volume, covering history, art history, literary studies and palaeography. The volume looks in detail at Byzantium, but also includes papers on Rus, the Middle East, and the Jewish contribution. The book's eastern perspectives offer interesting comparisons and contrasts with the medieval West. The book is illustrated with plates showing illuminated manuscripts and archaeological artefacts. The contributors are Paul Botley, Simon Franklin, Catherine Holmes, Erica Hunter, John Lowden, Paul Magdalino, Margaret Mullett, Stefan Reif, Charlotte Roueche, Natalie Tchernetska, and Judith Waring.
Winner of the 2006 John D. Criticos Prize This book introduces the reader to the complex history, ethnicity, and identity of the Byzantines. This volume brings Byzantium – often misconstrued as a vanished successor to the classical world – to the forefront of European history Deconstructs stereotypes surrounding Byzantium Beautifully illustrated with photographs and maps