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National Bestseller CNBC and Strategy + Business Best Business Book of the Year It’s the biggest revolution you’ve never heard of, and it’s hiding in plain sight. Over the past decade, Silicon Valley executives like Eric Schmidt and Elon Musk, Special Operators like the Navy SEALs and the Green Berets, and maverick scientists like Sasha Shulgin and Amy Cuddy have turned everything we thought we knew about high performance upside down. Instead of grit, better habits, or 10,000 hours, these trailblazers have found a surprising short cut. They're harnessing rare and controversial states of consciousness to solve critical challenges and outperform the competition. New York Times bestselling author Steven Kotler and high performance expert Jamie Wheal spent four years investigating the leading edges of this revolution—from the home of SEAL Team Six to the Googleplex, the Burning Man festival, Richard Branson’s Necker Island, Red Bull’s training center, Nike’s innovation team, and the United Nations’ Headquarters. And what they learned was stunning: In their own ways, with differing languages, techniques, and applications, every one of these groups has been quietly seeking the same thing: the boost in information and inspiration that altered states provide. Today, this revolution is spreading to the mainstream, fueling a trillion dollar underground economy and forcing us to rethink how we can all lead richer, more productive, more satisfying lives. Driven by four accelerating forces—psychology, neurobiology, technology and pharmacology—we are gaining access to and insights about some of the most contested and misunderstood terrain in history. Stealing Fire is a provocative examination of what’s actually possible; a guidebook for anyone who wants to radically upgrade their life.
Porter focuses on Baldwin's earlier novels and essays (upto 1963), and examines the origins of the writer's thematic and stylistic considerations and traits. He sees Baldwin as influenced most readily by the wrtings of Richard Wright, Harriet Beecher Stowe, and Henry James. Porter also evaluates Baldwin's tricky job of creating fictional art and speaking for social protest simultaneously. ISBN 0-8195-5197-X: $19.95.
A revised and expanded sequel to Stealing Fire from the Gods, this 2nd edition includes important new revelations concerning the ultimate source of unity, the structures of the whole story passage, the anti-hero's journey, the high-concept great idea, the secrets of charismatic characters, and the analyses of many important new stories and successful films.
Alexander the Great's soldier, Lydias of Miletus, has survived the final campaigns of the king's life. He now has to deal with the chaos surrounding his death. Lydias throws his lot in with Ptolemy, one of Alexander's generals who has grabbed Egypt as his personal territory. Aided by the eunuch Bagoas, the Persian archer Artashir, and the Athenian courtesan Thais, Ptolemy and Lydias must take on all the contenders in a desperate adventure whose prize is the fate of a white city by the sea, and Alexander's legacy.
The Western magical traditions are currently undergoing an international resurgence. In Stealing Fire from Heaven, Nevill Drury offers an overview of the modern occult revival and seeks to explain this growing interest in ancient magical belief systems. Gnosticism and the Hermetica, the medieval Kabbalah, Tarot and Alchemy, and more recently, Rosicrucianism and Freemasonry, collectively laid the basis for the modern magical revival, which first began to gather momentum in Europe at the end of the nineteenth century. Western magic has since become increasingly eclectic, drawing on such diverse sources as classical Greco-Roman mythology, Celtic cosmology, Kundalini yoga and Tantra, shamanism, chaos theory, and the various spiritual traditions associated in many different cultures with the Universal Goddess. Drury traces the rise of various forms of magical belief and practice, from the influential Hermetic Order of the Golden Dawn to the emergence of Wicca and Goddess worship as expressions of contemporary feminine spirituality. He also explores Chaos Magick and the occult practices of the so-called Left-Hand Path, as well as twenty-first-century magical forays into cyberspace. He believes that the rise of modern Western magic stems essentially from the quest for personal spiritual transformation and direct experience of the sacred--a quest which the trance occultist and visionary artist Austin Osman Spare once referred to as "stealing fire from heaven." Considered in this light, Drury argues, modern Western magic can be regarded as a form of alternative spirituality in which the practitioners seek direct engagement with the mythic realm.
“[A] gracefully narrated, arrestingly illustrated myth originating from the Karuk people” about a coyote who steals fire and shares it with the world (Publishers Weekly). There was a time when the animals had no way to keep warm in the winter, because the miserly Yellow Jackets kept fire for themselves at their mountaintop home. But wise old Coyote devised a plan to trick the Yellow Jackets and steal a burning ember. As the Yellow Jackets give chase, Coyote passes the ember to Eagle, who then passes it to Mountain Lion, and so on. The animals work together, using their individual strengths and abilities, to get the ember down from the mountain where it is kept inside a willow tree. This delightful retelling of the legend from the Karuk people of Northwestern California is enlivened by beautiful illustrations and includes an afterword by Julian Long, a member of the Karuk tribe.
The Dutch composer, Louis Andriessen, has been writing and talking about his own work and everything which is directly, indirectly, or nothing at all to do with it, for many years now and The Art of Stealing Time is a collection of these articles, lectures and interviews. Andriessen talks about his childhood memories, his literary and cinematic preferences, colleagues he admires and ensembles he has established. He also talks about his own work, from De Staat [The Republic], the piece with which, twenty-five years ago, he changed the face of the musical landscape in the Netherlands up to and including the last opera he created with Peter Greenaway, Writing to Vermeer. Andriessen's style is informal, direct and always engaging, and through his use of anecdote, he is able to convey complex ideas to the widest of audiences, musicians and non-musicians alike. Controversial, funny, stimulating and thought-provoking, The Art of Stealing Time gives us a unique insight into the mind and working methods of one of the most significant composers alive today. This is, without doubt, a book to return to again and again.
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