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After the hell of the Nazis and the terror of Communism, it is possible that a new catastrophe has appeared on the horizon: this time it is neoliberalism that wants to create its own ‘new man’. For two centuries, Kant’s critical subject and Freud’s neurotic subject provided us with philosophical templates for modernity, but today modern capitalism is systematically destroying these two subjects and replacing them with something new. The two subjects of modernity both presupposed some reference to a higher value or power (like Reason) which provided a symbolic guarantor, but neoliberalism, by emphasizing the exchange of commodities in the marketplace, destroys all transcendental references of this kind. Now human beings no longer look beyond themselves and no longer have to agree about symbolic values: they only have to get on with the circulation and consumption of goods. Deprived of his faculty of judgement and urged to enjoy himself without restraint, the ‘new man’ of neoliberalism takes centre stage in the era of global capitalism. In this biting critique of our contemporary condition Dufour shows that the radical transformation of the subject brought about by neoliberalism – what he calls ‘the art of shrinking heads’ – contains a new kind of violence which has far-reaching consequences for our ways of living together.
"This fascinating facsimile diary offers a first-hand account of Robert Ripley's travels to far-flung exotic corners of the globe in search of the weird and the wonderful during the 1930s. Inside, Ripley's own drawings, cartoons, and memorabilia evoke the strange and bizarre world that unfolded before his eyes ..."--P. [4] of cover.
Author of Madness, Rack, and Honey ("One of the wisest books I've read in years," according to the New York Times) and Trances of the Blast, Mary Ruefle continues to be one of the most dazzling poets in America. My Private Property, comprised of short prose pieces, is a brilliant and charming display of her humor, deep imagination, mindfulness, and play in a finely crafted edition. Personalia When I was young, a fortune-teller told me that an old woman who wanted to die had accidentally become lodged in my body. Slowly, over time, and taking great care in following esoteric instructions, including lavender baths and the ritual burial of keys in the backyard, I rid myself of her presence. Now I am an old woman who wants to die and lodged inside me is a young woman dying to live; I work on her. Mary Ruefle is the author of Trances of the Blast; Madness, Rack, and Honey: Collected Lectures, a finalist for the 2013 National Book Critics Circle Award in criticism; and Selected Poems, winner of the William Carlos Williams Award. She has published ten other books of poetry, a book of prose (The Most of It), and a comic book, Go Home and Go to Bed!; she is also an erasure artist whose treatments of nineteenth-century texts have been exhibited in museums and galleries as well as published in the book A Little White Shadow. Ruefle is the recipient of numerous honors, including an Award in Literature from the American Academy of Arts and Letters, a Guggenheim fellowship, a National Endowment for the Arts fellowship, and a Whiting Award. She lives in Bennington, Vermont and teaches in the MFA program at Vermont College.
After the hell of the Nazis and the terror of Communism, it is possible that a new catastrophe has appeared on the horizon: this time it is neoliberalism that wants to create its own 'new man'. Dufour shows that radical transformation of the subject brought about by neoliberalism contains a new kind of violence.
Our history is littered with heads. Over the centuries, they have decorated our churches, festooned our city walls and filled our museums; they have been props for artists and specimens for laboratory scientists, trophies for soldiers and items of barter. Today, as videos of decapitations circulate online and cryonicists promise that our heads may one day live on without our bodies, the severed head is as contentious and compelling as ever. From shrunken heads to trophies of war; from memento mori to Damien Hirst's With Dead Head; from grave-robbing phrenologists to enterprising scientists, Larson explores the bizarre, often gruesome and confounding history of the severed head. Its story is our story.
Almost fifty years ago, America's industrial cities—Detroit, Philadelphia, Cleveland, Baltimore, and others—began shedding people and jobs. Today they are littered with tens of thousands of abandoned houses, shuttered factories, and vacant lots. With population and housing losses continuing in the wake of the 2007 financial crisis, the future of neighborhoods in these places is precarious. How we will rebuild shrinking cities and what urban design vision will guide their future remain contentious and unknown. In Design After Decline, Brent D. Ryan reveals the fraught and intermittently successful efforts of architects, planners, and city officials to rebuild shrinking cities following mid-century urban renewal. With modern architecture in disrepute, federal funds scarce, and architects and planners disengaged, politicians and developers were left to pick up the pieces. In twin narratives, Ryan describes how America's two largest shrinking cities, Detroit and Philadelphia, faced the challenge of design after decline in dramatically different ways. While Detroit allowed developers to carve up the cityscape into suburban enclaves, Philadelphia brought back 1960s-style land condemnation for benevolent social purposes. Both Detroit and Philadelphia "succeeded" in rebuilding but at the cost of innovative urban design and planning. Ryan proposes that the unprecedented crisis facing these cities today requires a revival of the visionary thinking found in the best modernist urban design, tempered with the lessons gained from post-1960s community planning. Depicting the ideal shrinking city as a shifting patchwork of open and settled areas, Ryan concludes that accepting the inevitable decline and abandonment of some neighborhoods, while rebuilding others as new neighborhoods with innovative design and planning, can reignite modernism's spirit of optimism and shape a brighter future for shrinking cities and their residents.
Goosebumps now on Disney+! What has two eyes, a mouth, and wrinkly green skin? Mark's shrunken head! It's a present from his Aunt Benna. A gift from the jungle island of Baladora.And Mark can't wait to show the kids at school!But late one night the head starts to glow. Because it's actually no ordinary head. It gives Mark a strange power. A magical power. A dangerous power...Now with all-new bonuses including an author interview, gross-out facts, and more!
Emmy was a good girl. At least she tried very hard to be good. She did her homework without being told. She ate all her vegetables, even the slimy ones. And she never talked back to her nanny, Miss Barmy, although it was almost impossible to keep quiet, some days. She really was a little too good. Which is why she liked to sit by the Rat. The Rat was not good at all . . . Hilarious, inventive, and irresistably rodent-friendly, Emmy and the Incredible Shrinking Rat is a fantastic first novel from acclaimed picture book author Lynne Jonell.
Perfect for fans of Alma and How She Got Her Name and Your Name is a Song, this picture book encourages readers to take up space and support each other with respect and kindness When Zimdalamashkermishkada starts at a new school, he knows he’ll have to introduce himself to lots of new people. He trips over his long name and decides to shrink it down to the shorter, simpler Zim. The nickname works fine for introductions, but deep down, it doesn’t feel right. It’s not until a new friend sees him for who he truly is that Zimdalamashkermishkada finds the confidence to step proudly into his long name. The Boy Who Tried to Shrink His Name is a warm and uplifting story that encourages young readers to celebrate their authentic selves, and proclaims that no one should ever have to shrink themselves to fit in.
From head trauma to scientific wonder—a “deeply absorbing . . . fascinating” true story of acquired savant syndrome (Entertainment Weekly). Twelve years ago, Jason Padgett had never made it past pre-algebra. But a violent mugging forever altered the way his brain worked. It turned an ordinary math-averse student into an extraordinary young man with a unique gift to see the world as no one else does: water pours from the faucet in crystalline patterns, numbers call to mind distinct geometric shapes, and intricate fractal patterns emerge from the movement of tree branches, revealing the intrinsic mathematical designs hidden in the objects around us. As his ability to understand physics skyrocketed, the “accidental genius” developed the astonishing ability to draw the complex geometric shapes he saw everywhere. Overcoming huge setbacks and embracing his new mind, Padgett “gained a vision of the world that is as beautiful as it is challenging.” Along the way he fell in love, found joy in numbers, and spent plenty of time having his head examined (The New York Times Book Review). Illustrated with Jason’s stunning, mathematically precise artwork, his singular story reveals the wondrous potential of the human brain, and “an incredible phenomenon which points toward dormant potential—a little Rain Man perhaps—within us all” (Darold A. Treffert, MD, author of Islands of Genius: The Bountiful Mind of the Autistic, Acquired, and Sudden Savant). “A tale worthy of Ripley’s Believe It or Not! . . . This memoir sends a hopeful message to families touched by brain injury, autism, or neurological damage from strokes.” —Booklist “How extraordinary it is to contemplate the bizarre gifts that might lie within all of us.” —People