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Excerpt from The Art of Sermon Illustration Every preacher covets the power to illustrate his sermons and addresses. Few preachers possess it in any marked degree. A fertile illustrator, like the poet and the painter, is born, not made. None the less, it is possible to cultivate the art; and the purpose of this book is to assist those who realise the necessity of being interesting, and are not destitute of imagination, to develop what gift they have. There are pitfalls in the way of the sermon and address illustrator, and the preacher and speaker will be put on their guard against them. The author has gone to the Bible as a store house of illustrations by inspired writers who possessed the art in perfection. Most of all he would send preachers to the Gospels, to Him who spake as never man spake, and without a parable spake He not unto them, for matchless examples of the illustra tion of spiritual truth. None realised as the Master. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Picture this: it’s Saturday afternoon, and you’re putting the finishing touches on tomorrow’s sermon. You’ve been thinking, researching, and praying about this message all week, and thankfully, feel prepared. That is, except for one small detail—you aren’t sure how to begin. For more than 30 years, Tony Evans has been connecting with audiences around the world. Now his tools are available for you. Don’t leave your listeners to connect the dots. Let Tony Evans’ Book of Illustrations help you illustrate your point in a way they can’t forget.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
If the apostle Paul had not punctuated his words with images of the armor of God or the racecourse, would we so easily remember his instruction? The march on Washington might have become nothing more than a ragged hike across a majestic mall if Martin Luther King, Jr. had not led us through a "dream" and onto a "mountaintop." Such is the power of illustrations. They contain a hidden dynamic of living that captures our attention and furthers our understanding in a way that no other sermonic tool can match. Can they be overused and their purpose abused? Yes—and by many they are. But to eliminate them completely would be unwise, maintains Bryan Chapell. Instead, he responds to those concerns by reviewing the theory behind illustrations, sharing why they're important, and demonstrating how you can use them effectively in your biblical preaching. This book clearly affirms that illustrations are integral to powerful preaching—not because they entertain but because they expand and deepen applications in the lives of your listeners. They infuse your words with life without comprising the message, making the truth of the Word ring clearly in people's hearts long after your sermon is done.