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Before turning to novel-writing, William Kronick enjoyed a long career as both a documentary and theatrical filmmaker. As writer-director, his highly acclaimed Network Specials ranged from the National Geographic's Alaska! to six Plimpton! entertainments to Mysteries of the Great Pyramid. In the feature arena, he directed the comedy, The 500 Pound Jerk, and the Second Unit on such major productions as King Kong (1976), Flash Gordon and others. His first novel, The Cry of Sirens (2004) was followed by Cooley Wyatt, then N. Y. / L. A. All three explore, in the framework of morality tales, the dynamics of authentic artistic talent, celebrity and commerce in our modern culture. Each one centers on a violent act involving a physical or moral crime committed by the protagonist; both he and the reader must decide what represents appropriate justice. His fourth novel, All Stars Die, tells of two lovers for whom morality is not the issue, but their dark secrets are. The Art of Self-Deception returns to the themes of Mr. Kronick's first three novels.
Explains why self-deception is at the heart of many leadership problems, identifying destructive patterns that undermine the successes of potentially excellent professionals while revealing how to improve teamwork, communication, and motivation. Reprint.
Unknowingly, too many of us operate from an inward mindset—a narrow-minded focus on self-centered goals and objectives. When faced with personal ineffectiveness or lagging organizational performance, most of us instinctively look for quick-fix behavioral band-aids, not recognizing the underlying mindset at the heart of our most persistent challenges. Through true stories and simple yet profound guidance and tools, The Outward Mindset enables individuals and organizations to make the one change that most dramatically improves performance, sparks collaboration, and accelerates innovation—a shift to an outward mindset.
"Educated in philosophy at Yale, Dr. C. Terry Warner has devoted a lifetime to the study of self-deception. In a steady stream of lectures, papers, and seminars over nearly three decades, Dr. Warner has presented the results of his academic inquiry into the foundations of human behavior to both scholarly and non-scholarly audiences. The papers that make up this collection, among others, were all prepared as part of Warner's work at Oxford--either presented in lectures there, prepared for presentation or publication there, or prepared in response to colleagues there--and have been assembled for the use of the serious student of Arbinger's rich and robust philosophical underpinnings"--
A prominent Insight Meditation teacher presents the Buddhist concept of “no-self” in an easy-to-understand way that will radically change your perspective on life Anatta is the Buddhist teaching on the nonexistence of a permanent, independent self. It’s a notoriously puzzling and elusive concept, usually leading to such questions as, “If I don’t have a self, who’s reading this sentence?” It’s not that there’s no self there, says Rodney Smith. It’s just that the self that is reading this sentence is a configuration of elements that at one time did not exist and which at some point in the future will disperse. Even in its present existence, it’s more a temporary arrangement of components rather than something solid. Anatta is a truth the Buddha considered to be absolutely essential to his teaching. Smith shows that understanding this truth can change the way you relate to the world, and that the perspective of selflessness is critically important for anyone involved in spiritual practice. Seeing it can be the key to getting past the idea that spirituality has something to do with self-improvement, and to accessing the joy of deep insight into reality.
Self-deception raises complex questions about the nature of belief and the structure of the human mind. In this book, Alfred Mele addresses four of the most critical of these questions: What is it to deceive oneself? How do we deceive ourselves? Why do we deceive ourselves? Is self-deception really possible? Drawing on cutting-edge empirical research on everyday reasoning and biases, Mele takes issue with commonplace attempts to equate the processes of self-deception with those of stereotypical interpersonal deception. Such attempts, he demonstrates, are fundamentally misguided, particularly in the assumption that self-deception is intentional. In their place, Mele proposes a compelling, empirically informed account of the motivational causes of biased beliefs. At the heart of this theory is an appreciation of how emotion and motivation may, without our knowing it, bias our assessment of evidence for beliefs. Highlighting motivation and emotion, Mele develops a pair of approaches for explaining the two forms of self-deception: the "straight" form, in which we believe what we want to be true, and the "twisted" form, in which we believe what we wish to be false. Underlying Mele's work is an abiding interest in understanding and explaining the behavior of real human beings. The result is a comprehensive, elegant, empirically grounded theory of everyday self-deception that should engage philosophers and social scientists alike.
The world's most infamous hacker offers an insider's view of the low-tech threats to high-tech security Kevin Mitnick's exploits as a cyber-desperado and fugitive form one of the most exhaustive FBI manhunts in history and have spawned dozens of articles, books, films, and documentaries. Since his release from federal prison, in 1998, Mitnick has turned his life around and established himself as one of the most sought-after computer security experts worldwide. Now, in The Art of Deception, the world's most notorious hacker gives new meaning to the old adage, "It takes a thief to catch a thief." Focusing on the human factors involved with information security, Mitnick explains why all the firewalls and encryption protocols in the world will never be enough to stop a savvy grifter intent on rifling a corporate database or an irate employee determined to crash a system. With the help of many fascinating true stories of successful attacks on business and government, he illustrates just how susceptible even the most locked-down information systems are to a slick con artist impersonating an IRS agent. Narrating from the points of view of both the attacker and the victims, he explains why each attack was so successful and how it could have been prevented in an engaging and highly readable style reminiscent of a true-crime novel. And, perhaps most importantly, Mitnick offers advice for preventing these types of social engineering hacks through security protocols, training programs, and manuals that address the human element of security.
Distinguished scholars discuss the problem of self-deception, or rather, self and deception.
Before turning to novel-writing, William Kronick enjoyed a long career as both a documentary and theatrical filmmaker. As writer-director, his highly acclaimed Network Specials ranged from the National Geographic's Alaska! to six Plimpton! entertainments to Mysteries of the Great Pyramid. In the feature arena, he directed the comedy, The 500 Pound Jerk, and the Second Unit on such major productions as King Kong (1976), Flash Gordon and others. His first novel, The Cry of Sirens (2004) was followed by Cooley Wyatt, then N. Y. / L. A. All three explore, in the framework of morality tales, the dynamics of authentic artistic talent, celebrity and commerce in our modern culture. Each one centers on a violent act involving a physical or moral crime committed by the protagonist; both he and the reader must decide what represents appropriate justice. His fourth novel, All Stars Die, tells of two lovers for whom morality is not the issue, but their dark secrets are. The Art of Self-Deception returns to the themes of Mr. Kronick's first three novels.