Download Free The Art Of Rupture Book in PDF and EPUB Free Download. You can read online The Art Of Rupture and write the review.

Ruptures brings together leading and emerging international anthropologists to explore the concept of ‘rupture’. Understood as radical and often forceful forms of discontinuity, rupture is the active ingredient of the current sense of a world in turmoil, lying at the heart of some of the most defining experiences of our time: the rise of populist politics, the corollary impulse towards protest and even revolutionary change, as well as moves towards violence and terror, and the responses these moves elicit. Rupture is addressed in selected ethnographic and historical contexts: images of the guillotine in the French revolution; reactions to Trump’s election in the USA; the motivations of young Danes who join ISIS in Syria; ‘butterfly effect’ activism among environmental anarchists in northern Europe; the experiences of political trauma and its ‘repair’ through privately sponsored museums of Mao’s revolution in China; people’s experience of the devastating 2001 earthquake in Gujarat; the ‘inner’ rupture of Protestant faith among Danish nationalist theologians; and the attempt to invent ex nihilo an alphabet for use in Christian prophetic movements in Congo and Angola. Ruptures takes in new directions broader intellectual debates about continuity and change. In particular, by thematising rupture as a radical, sometimes violent, and even brutal form of discontinuity, it adds a sharper critical edge to contemporary discourses, both in social theory and public debate and policy.
The sublime rests precariously on the edge of the abyss.' This volume is a collaboration between wordsmith Olivia Fane and painter John B. Harris. Fane's first essay is on the philosophical understanding of the sublime. The sublime first became a subject of serious philosophical thought in the eighteenth century, thanks to Edmund Burke and Immanuel Kant. Fane argues for an interpretation of the sublime as the radically other, and argues that its function is primarily epistemological, in that it reveals to us our own being and finitude. She goes on to show how this tallies with ideas of negative theology and post-modernism. In her second chapter,'A Short Essay on Truth', Fane suggests that societies and cultures suffer from a ‘hermeneutic circle of knowledge' — in other words knowledge is based on agreement rather than authentic understanding. She shows how the function of art and religion at their best is to attempt to break through the circle, turning us from sleepwalkers into people who are alive to a truth which is, paradoxically, unknowable. The third chapter, ‘Fear and Longing: A Symposium’ is named after the painting on the book’s cover and is a dialogue between Harris and Fane on the apprehension of the sublime, exploring the syzygy between images and words, intimation and explication.
"Ekphrasis has many faces. Re-enactments in one medium of a work in another can grow tedious. The true process involves touching base, understanding that base, then dancing down a course beginning in that understanding. That is the course followed by the collaboration between artist Michael Haight and poet Cutter Streeby. Here the artist's mostly water color suggestions of flesh and circumstance taken from a series titled Alcoholic Crepuscules prompt poems, prose, and adventures across various fields, essentially thematic but rushing off into associated imagery. It makes for an exciting set of collisions as much as collaborations. There are doors constantly opening onto potentially fierce landscapes the reader senses before being propelled onward."-George Szirtes
This volume examines the flourishing of Futurist aesthetics in the European art and literature of the early twentieth century. Futurism was an artistic and social movement that was largely an Italian phenomenon, though there were parallel movements in Russia, England and elsewhere. The Futurists admired speed, technology, youth and violence, the car, the airplane and the industrial city, all that represented the technological triumph of humanity over nature. This work looks at the prose, visual art, poetry, and the manifestos of Futurists from Russia to Italy. The author reveals the Moment's impulses and operations, tracing its echoes through the years to the work of "postmodern" figures like Roland Barthes. This updated edition reexamines the Futurist Moment in the light of a new century, in which Futurist aesthetics seem to have steadily more to say to the present
Confessions of a DJ -- Auto-tune gives you a better me -- How music travels -- World music 2.0 -- Red Bull gives you wings -- Cut & paste -- Tools -- Loops -- How to hold on? -- Active listening
This publication accompanies the first exhibition dedicated to the manifestation of the Surrealist movement in Egypt. With images of over 200 works, it offers the reader a first-hand look at this artistic world. Through various visual (painting, drawing, photography) and literary media, this catalogue provides visitors with an indispensable companion for understanding the effervescent artistic context of 1930s-40s Egypt. More than example of aesthetic research, the creation of the movement was stimulated by a real revolutionary impetus. It stood against the opinions and conventions of the time. Works from the most important artists are represented, including visual artists Abdel Hadi El Gazzar, Kamel El Telmissany, Fouad Kamel, Ida Kar, Amy Nimr, and Ramsès Younan, as well as poets and writers Albert Cossery,Georges Henein, and Edmond Jabès.
"Ferne is a time capsule of mid-century Detroit, a city poised to explode. Its sounds, scents, and sights spill forth, as vividly experienced by a vibrant young woman whose life would end too soon. Ferne joyously curates her own life; that's the heart of this book. But we also encounter her through the fervent eyes of her daughter, poet and novelist Barbara Henning, who lyrically fills in and fleshes out the social contours and details of the ghostly presence that haunts these pages. Through her daughter's skilled hands, Ferne comes to life again on these pages, bringing with her glimpses of the city she loved so deeply"--
A certain idea of the avant-garde posits the possibility of a total rupture with the past. The Unfinished Art of Theater pulls back on this futuristic impulse by showing how theater became a key site for artists on the semiperiphery of capitalism to reconfigure the role of the aesthetic between 1917 and 1934. The book argues that this “unfinished art”—precisely because of its historic weakness as a representative institution in Mexico and Brazil, where the bourgeois stage had not (yet) coalesced—was at the forefront of struggles to redefine the relationship between art and social change. Drawing on extensive archival research, Sarah J. Townsend reveals the importance of projects and texts that belie the rhetoric of rupture and immediacy associated with the avant-garde: ethnographic operas with ties to the recording industry, populist puppet plays, children’s radio programs about the wonders of technology, a philosophical drama about the birth of a new race, and an antifascist spectacle written for (but never performed at) a theater shut down by the police. Ultimately, the book makes the case that the very category of avant-garde art is bound up in the experience of dependency, delay, and the uneven development of capitalism.
Working Alliance Skills for Mental Health Professionals is intended for students in counseling and for professional level practitioners interested in learning how to establish and maintain the working alliance. The book can also be targeted to the broader mental health care community, including seasoned clinical psychology professionals, training programs in counseling and clinical psychology, and students in social work.
Sonic Rupture applies a practitioner-led approach to urban soundscape design, which foregrounds the importance of creative encounters in global cities. This presents an alternative to those urban soundscape design approaches concerned with managing the negative health impacts of noise. Instead, urban noise is considered to be a creative material and cultural expression that can be reshaped with citywide networks of sonic installations. By applying affect theory the urban is imagined as an unfolding of the Affective Earth, and noise as its homogenous (and homogenizing) voice. It is argued that noise is an expressive material with which sonic practitioners can interface, to increase the creative possibilities of urban life. At the heart of this argument is the question of relationships: how do we augment and diversify those interconnections that weave together the imaginative life and the expressions of the land? The book details seven sound installations completed by the author as part of a creative practice research process, in which the sonic rupture model was discovered. The sonic rupture model, which aims to diversify human experiences and urban environments, encapsulates five soundscape design approaches and ten practitioner intentions. Multiple works of international practitioners are explored in relation to the discussed approaches. Sonic Rupture provides the domains of sound art, music, creative practice, urban design, architecture and environmental philosophy with a unique perspective for understanding those affective forces, which shape urban life. The book also provides a range of practical and conceptual tools for urban soundscape design that can be applied by the sonic practitioner.