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For the courtiers of King Henry VIII, the writing of verse was a sign of a ready wit and social gracefulness. But their verse could also give coded expression to desires and resentments produced by competition amongst an elite for the favour of an increasingly tyrannical king. This study focuses primarily on the work of the two most successful courtier poets, Sir Thomas Wyatt (c.1503-1542) and Henry Howard, Earl of Surrey (1517-1547). Although Surrey admired and imitated Wyatt, each represents a significantly different element in the Henrician court. Wyatt was a 'new man', rising in the service of the King, while Surrey was a member of the old peerage, jealous of the erosion of traditional powers and privileges. The book offers readings of the full range of each man's writing, from amorous Italianate songs and sonnets, to classicizing epigrams and satires, and Reformist psalm paraphrases. The poetry is considered in the contexts of their careers, of the writing of contemporaries, and of the political and social conditions within which they lived. Dr Heale's analysis makes it clear that the lightest court song is often freighted with complex significance, while the poems of plain-speaking reflection prove to be wily approximations of the truth. This accessible and informative text will be a helpful resource for both undergraduate and postgraduate students of English literature and history, especially those taking courses on Renaissance and Early Modern writing, Tudor literature, and the Tudor court. -- Book cover.
The Painted Church at Honaunau is a major tourist attraction on the Island of Hawaii, but, aside from tourists and residents of the Islands, there are all too few who are aware of the fact that such a major monument of folk art exists. Even among the privileged who have seen the Honaunau church, the other structures of similar type on the island are little known. Here for the first time is a complete discussion of the group in its entirety.
This authoritative catalogue of the Corcoran Gallery of Art's renowned collection of pre-1945 American paintings will greatly enhance scholarly and public understanding of one of the finest and most important collections of historic American art in the world. Composed of more than 600 objects dating from 1740 to 1945.
Originally published to commemorate the bicentennial of Pittsburgh's founding, Drums in the Forest is now reissued to mark the 250th anniversary of the French and Indian War. It comprises two parts: the first, by Alfred Proctor James, provides the historical background leading up to the capture of Fort Duquesne by the British; the second, by Charles Morse Stotz, is a description of the five forts built at the forks of the Ohio between 1754 and 1815.
A biography mostly from Fred's own journals and diaries. Even after 98 years riding, roping and painting, a life of adventure and acclaim, premier western artist Fred Oldfield never expected an easy trail, even when struck by the loss of his beloved Red Head Alice, after 56 years of marriage, or when he had to deal with the problems of advancing age. Fred Oldfield never gave up. He was completely at home with himself and when a friend would ask, "Hey, Fred, "how're ya doing?" His inevitable reply was," Better than I deserve." Judge for yourself.
An informative history of early Highland regiments of the British army in North America. It collects essays on Highland weapons, uniforms, equipment, bagpipes and specialist soldiers, with a biographical register of various officers that served in the three regiments, including regimental muster rolls and returns.
"The Brontës had their moors, I have my marshes," Lorine Niedecker wrote of flood-prone Black Hawk Island in Wisconsin, where she lived most of her life. Her life by water, as she called it, could not have been further removed from the avant-garde poetry scene where she also made a home. Niedecker is one of the most important poets of her generation and an essential member of the Objectivist circle. Her work attracted high praise from her peers--Marianne Moore, William Carlos Williams, Louis Zukofsky, Cid Corman, Clayton Eshleman--with whom she exchanged life-sustaining letters. Niedecker was also a major woman poet who interrogated issues of gender, domesticity, work, marriage, and sexual politics long before the modern feminist movement. Her marginal status, both geographically and as a woman, translates into a major poetry. Niedecker's lyric voice is one of the most subtle and sensuous of the twentieth century. Her ear is constantly alive to sounds of nature, oddities of vernacular speech, textures of vowels and consonants. Often compared to Emily Dickinson, Niedecker writes a poetry of wit and emotion, cosmopolitan experimentation and down-home American speech. This much-anticipated volume presents all of Niedecker's surviving poetry, plays, and creative prose in the sequence of their composition. It includes many poems previously unpublished in book form plus all of Niedecker's surviving 1930s surrealist work and her 1936-46 folk poetry, bringing to light the formative experimental phases of her early career. With an introduction that offers an account of the poet's life and notes that provide detailed textual information, this book will be the definitive reader's and scholar's edition of Niedecker's work.
ROBERT KIRK (KIRKWOOD), an enlisted man, served with the 42nd and 77th Highland Regiments in North America. He covered 5000 miles by foot, canoe, whaleboat, and transport ship. He was wounded, captured by Shawnees, and nearly scalped, but he lived to write his memoirs, which are published here for the first time since 1775. This book constitutes a superb team effort with paintings by renowned artist, Robert Griffing; an excellent and insightful introduction by best-selling British historian, Stephen Brumwell; and annotations, biographical notes, and essays by historians, Lt. Col. Ian McCulloch and Timothy Todish.