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The impressive emergence of renowned rock band Queen into the world of action-adventure computer games is chronicled in this fascinating, lavishly illustrated book and CD-ROM. This package introduces audiences to the futuristic, post-apocalyptic world of The Eye and presents the behind-the-scenes work that made the game a reality. Queen's innovative music inspired the plot and fanstastic visual landscape.
The impressive emergence of the renowned rock group Queen into the world of action-adventure computer games is chronicled in this lavishly illustrated book and CD-ROM. Introduces audiences to the futuristic, post-apocalyptic world of "The Eye" and presents the behind-the-scenes work that made the game a reality. Included are lush designs, character sketches, and finished artwork, from concept to final execution, capturing the essence of the band and their pioneering foray into action-adventure games. The CD-ROM provides a sneak preview and interactive intro. to the exciting five-disk CD-ROM game "Queen: The Eye", a musical and visual extravaganza inspired by the innovative work of Queen.
The first richly illustrated history of crop art and of generations inspired by Lillian Colton and her arresting portraits of celebrities in seeds.
"Zoraida" is a tale of a romance in the harem and the adventures in the great Sahara desert. "The Great White Queen" – Scars is a young boy who gets sent to a boy's preparatory school outside London where he befriends Omar, a strange kid from Africa. When Omar is called back home by his mother, Scars decides to join him on what he thought it would be a great adventure. "The Eye of Istar" – Zafar-Ben-A'Ziz, called by some El-Motardjim or the translator, has spent a couple of years in London. Upon his return from the land of infidels, Zafar becomes a dervish in the service of Mahdi. "The Veiled Man" is an account of the adventures and misadventures of Sidi Ahamadou, Sheikh of the Azjar Maraude. William Le Queux (1864-1927) was an Anglo-French writer who mainly wrote in the genres of mystery, thriller, and espionage, particularly in the years leading up to World War I. His best-known works are the anti-French and anti-Russian invasion fantasy "The Great War in England in 1897" and the anti-German invasion fantasy "The Invasion of 1910."
The inspiration for the acclaimed OWN TV series produced by Oprah Winfrey and Ava DuVernay "Queen Sugar is a page-turning, heart-breaking novel of the new south, where the past is never truly past, but the future is a hot, bright promise. This is a story of family and the healing power of our connections—to each other, and to the rich land beneath our feet." —Tayari Jones, author of An American Marriage Readers, booksellers, and critics alike are embracing Queen Sugar and cheering for its heroine, Charley Bordelon, an African American woman and single mother struggling to build a new life amid the complexities of the contemporary South. When Charley unexpectedly inherits eight hundred acres of sugarcane land, she and her eleven-year-old daughter say goodbye to smoggy Los Angeles and head to Louisiana. She soon learns, however, that cane farming is always going to be a white man’s business. As the sweltering summer unfolds, Charley struggles to balance the overwhelming challenges of a farm in decline with the demands of family and the startling desires of her own heart.
A stunning novel in the tradition of "Eragon" and "Artemis Fowl"
'The Objective Eye' explores the fundamental concepts we use constantly in our innocent thoughts and conversations about art, as well as in the most sophisticated art theory. The book progresses from pure philosophy to applied philosophy and ranges from the meta-physics of colour to Renaissance perspective.
A brilliant exploration of the natural, medical, psychological, and political facets of fertility When Belle Boggs's "The Art of Waiting" was published in Orion in 2012, it went viral, leading to republication in Harper's Magazine, an interview on NPR's The Diane Rehm Show, and a spot at the intersection of "highbrow" and "brilliant" in New York magazine's "Approval Matrix." In that heartbreaking essay, Boggs eloquently recounts her realization that she might never be able to conceive. She searches the apparently fertile world around her--the emergence of thirteen-year cicadas, the birth of eaglets near her rural home, and an unusual gorilla pregnancy at a local zoo--for signs that she is not alone. Boggs also explores other aspects of fertility and infertility: the way longing for a child plays out in the classic Coen brothers film Raising Arizona; the depiction of childlessness in literature, from Macbeth to Who's Afraid of Virginia Woolf?; the financial and legal complications that accompany alternative means of family making; the private and public expressions of iconic writers grappling with motherhood and fertility. She reports, with great empathy, complex stories of couples who adopted domestically and from overseas, LGBT couples considering assisted reproduction and surrogacy, and women and men reflecting on childless or child-free lives. In The Art of Waiting, Boggs deftly distills her time of waiting into an expansive contemplation of fertility, choice, and the many possible roads to making a life and making a family.
Queen Alexandra used clothes to fashion images of herself as a wife, a mother and a royal: a woman who both led Britain alongside her husband Edward VII and lived her life through fashion. Inside the Royal Wardrobe overturns the popular portrait of a vapid and neglected queen, examining the surviving garments of Alexandra, Princess of Wales – who later became Queen Consort – to unlock a rich tapestry of royal dress and society in the second half of the 19th century. More than 130 extraordinary garments from Alexandra's wardrobe survive, from sumptuous court dress and politicised fancy dress to mourning attire and elegant coronation gowns, and can be found in various collections around the world, from London, Oslo and Denmark to New York, Toronto and Tokyo. Curator and fashion scholar Kate Strasdin places these garments at the heart of this in-depth study, examining their relationships to issues such as body politics, power, celebrity, social identity and performance, and interpreting Alexandra's world from the objects out. Adopting an object-based methodology, the book features a range of original sources from letters, travel journals and newspaper editorials, to wardrobe accounts, memoirs, tailors' ledgers and business records. Revealing a shrewd and socially aware woman attuned to the popular power of royal dress, the work will appeal to students and scholars of costume, fashion and dress history, as well as of material culture and 19th century history.