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At an early age, P. K. Page/Irwin displayed an aptitude for illustration, and even her juvenalia indicated a sharp, painterly eye. But it wasn’t until she visited Brazil in the 1950s as wife of the Canadian ambassador, that she began to hone her artistic practice. Under her married name, P. K. Irwin, she produced a wide array of paintings, drawings and other artworks, experimenting with media and styles as she sought to develop her own visual aesthetic, and to reconcile her celebrated poetic identity with her more private, painterly one. In The Art of P. K. Irwin, Michèle Rackham Hall investigates the artist’s creative development and examines the exotic locales and the wealth of accomplished peers who helped shape Irwin’s artistic output. With rich biographical detail and extensive reference to Irwin’s lyrical life writing, The Art of P. K. Irwin takes readers along on the artist’s journey toward her own aesthetic, one in which "place was her most potent muse, and exile her most fertile state."
Poet, traveller, artist, and mystic - the story of one extraordinary woman's many lives.
In 2001, the International Year of the Poet, P K Page's 'Planet Earth', based on lines by Pablo Neruda was sent into space by the United Nations. Poets, critics, and friends have contributed to this collection about her working life and reveal facets of this enigmatic writer whose glittering surfaces reconcile the mysteries within and without.
`If not ``a shilling life'', a glance at Who's Who in Canada will give you all the facts. Which are more than impressive. P K Page, born in 1916 and very much with us is, in brief, a phenomenon; a force majeur in Canadian literary and artistic life; a National Treasure. Her work to date, sprung from the praiseworthy ambition of the lavishly gifted, bestows upon us rich decades of protean accomplishment, of widespread honour and renown. Let us however concern ourselves here with the essential fictions - with the beginning in delight and ending in wisdom, as Frost has it, of true poems; with this present testament of imaginative, intellectual and spiritual achievement: The Hidden Room: Collected Poems. `To immerse oneself in these two handsome volumes (elegantly complemented and informed throughout by the drawings and paintings of her ``twin sister, / beautiful as Euclid'', the painter P K Irwin) is to plunge into a deep-freighted, breaking wave of swirled delights and parlous undertows. It is, as with all such translucent ramparts of desire and abandon, best met head-on. This is not to say that one must read consecutively through the some four hundred and fifty pages of poetry and the one dangerous, liminal short story. The ordering of the volumes is credited to Stan Dragland, who ``tackled material spanning sixty years and threaded it together in a manner uniquely his own.'' While the overall drift is chronological, the poems have been so intelligently interwoven that each of the volumes is a realized entity, as each is a reflection of the whole.'
This is the second volume in our `Essential Poets' series. Our aim is to provide the best possible introduction to a prominent Canadian poet by selecting key works that carry the essence of an individual poetic voice and sensibility. By offering a small but carefully considered selection it is hoped these chapbooks will invite an intimate acquaintance and ongoing engagement with the poems. Selected by Arlene Lampert and Th?a Gray, the collection is admittedly wildly idiosyncratic and certain to be controversial. Arranged alphabetically for easy reference, these poems do not reflect a `young' or a `mature' voice; for Page, time is not linear and change does not occur along a narrow path. Think of this volume as a sort of pocket P. K. Page making its way into backpacks, carry-on luggage, doctors' waiting rooms ...
DigiCat Publishing presents to you this special edition of "Klee Wyck" by Emily Carr. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Where are the women in Canada’s international history? Breaking Barriers, Shaping Worlds answers this question in a comprehensive volume that explores the role of women in Canadian international affairs. Foreign policy historians have traditionally focused on powerful men. Though hidden, forgotten, or ignored, this book shows that women have also shaped Canada’s relations with the world over the past century – whether as activists, missionaries, aid workers, diplomats or diplomatic spouses. Breaking Barriers, Shaping Worlds examines the lives and careers of professional women working abroad as doctors, nurses, or economic development advisors; women fighting for change as anti-war, anti-nuclear, or Indigenous rights activists; and women engaged in traditional diplomacy. This wide-ranging collection reveals the vital contribution of women to the search for global order that has been a hallmark of Canada’s international history.
Known for her award-winning poetry and her intricate visual art, P. K. Page did not consider herself a writer of fiction, but she nevertheless produced a substantial and varied body of compelling stories. Triptych: Selected Fiction of P. K. Page presents powerful examples of Page’s insightful and provocative fiction. Characterized by the exploration of charged ideas, these works (including a novel, several short stories, and a collection of brief linked narratives) take inspiration from experience both lived and imagined. In them, Page meditates on the notion of memory and the process of remembering, delving into themes of imagination and identity, of art and the environment, all the while maintaining the language and lyricism epitomized in her poetry. With a critical introduction by volume editor Elizabeth Popham, Triptych not only reproduces the captivating and lyrical prose of one of Canada’s most beloved authors, but also provides readers with a tantalizing glimpse into the extension of the poet-artist’s oeuvre and her development as a skillful writer of fiction.
‘How could I have imagined so surrealist and seductive a world? One does not like the heat, yet its constancy, its all-surroundingness, is as fascinating as the smell of musk. Every moment is slow, as if under warm greenish water....’ In 1957, Page moved to Brazil with her husband, the Canadian ambassador. The hot, lush landscape was utterly immersive -- and for the next three years Page recorded her life in an intimate, vibrant, startlingly funny journal. Between her at times theatric responsibilities as the wife of an ambassador, and her futile attempts to organize the ambassador’s palatial home and staff, Page found the time to write in exquisite prose of her responses to the wildlife, the people and the colours of Brazil, in the end illuminating more of her own emotional and artistic journey than of the country itself. Accompanied by several of the illustrations Page created while on her travels, this is a fascinating, beautiful account of life in a magically unfamiliar place. Brazilian Journal is the second addition to a series of volumes to be published over the next ten years as a complement to an online hypermedia edition of the Collected Works of P.K. Page. The online edition is intended for scholarly research, while this new edition offers a beautiful text to be enjoyed by those who love and wonder at the talent of one of Canada’s greatest poets.
Coal and Roses is a collection of 21 intricately formal glosas, arranged to explore the endless possibilities of language. In this slim volume, P. K. Page offers the reader a wildly eclectic overview of the history of poetry, as well as a master class in the evolution of language as evidenced in the poet’s ‘communion’ with her attributed predecessors. Coal and Roses offers a collection of poems that stand by themselves as commentaries on many of the issues endemic to the varying times, places and circumstances of the aforementioned attributees. Life, death, a palpable need for belonging and the inevitable passage of time are all to be encountered, as one might expect in a work that ranges from the sort of trivial, light-hearted sympathy for the trials of day-to-day life to much weightier reflection on the probability of a greater existence. The use of the glosa form serves to emphasize both the continuity and the evolution of life, and of art. Included are twenty-one glosas, borrowing on the works of nineteen artists. Spanning numerous centuries, movements, genres and corners of the world, Page explores the works of Wallace Stevens, Theodore Roethke, Margaret Cavendish and Akhmatova amongst others. Coal and Roses is an exquisite work, respectful of the past and hopeful for the future.