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This book provides a complete overview of the miniature painting process, including how to paint still lifes and portraits, use of different media, colour harmony and application of gold leaf.
An innovative study of how the Victorians used books, portraits, fairies, microscopes, and dollhouses to imagine miniature worlds beyond perception In 1856, Elizabeth Gaskell discovered a trove of handmade miniature books that were created by Charlotte and Branwell Brontë in their youth and that, as Gaskell later recalled, “contained an immense amount of manuscript, in an inconceivably small space.” Far from being singular wonders, these two-inch volumes were part of a wide array of miniature marvels that filled the drawers and pockets of middle- and upper-class Victorians. Victorian miniatures pushed the boundaries of scientific knowledge, mechanical production, and human perception. To touch a miniature was to imagine what lay beyond these boundaries. In Worlds Beyond, Laura Forsberg reads major works of fiction by George Eliot, Jane Austen, Charles Dickens, and Lewis Carroll alongside minor genres like the doll narrative, fairy science tract, and thumb Bible. Forsberg guides readers through microscopic science, art history, children’s culture, and book production to show how Victorian miniatures offered scripts for expansive fantasies of worlds beyond perception.
Miniatures are not simply small paintings: special techniques are used to achieve their unique glow and luminosity. This book explains how to paint in detail in a small format with colour and precision. It gives an introduction to the history and traditions of miniatures set by Holbein, Hilliard and Oliver. Advice is given on materials, paints, bases and framing and there are step-by-step demonstrations of stippling and hatching, watercolour and oil painting, and colour mixing. There is a focus also on portraits, still life and silhouettes. Drawing on her extensive experience, Pauline Denyer-Baker shares her passion for painting miniatures, and inspires both beginners and more experienced artists to master and enjoy this historic art form. With further advice on the importance of drawing and sketchbooks, and featuring work from leading artists with a range of styles and subjects, this is an inspirational guide aimed at all artists, particularly those interested in miniatures and portraits.Fully illustrated with 254 colour images.
"Most often, portrait miniatures were painted in watercolor on thin disks of ivory. They were sometimes worn as jewelry, sometimes framed to be viewed privately. Many were painted by specialists, although renowned easel artists - including Benjamin West, John Singleton Copley, and Charles Willson Peale - also created them to commemorate births, engagements, marriages, deaths, and other joinings or separations. The book traces the development of this exquisite art form, revealing the close ties between the history of the miniature and the history of American private life."--BOOK JACKET.
Using step-by-step demonstrations and a wide selection of paintings, the author examines the work and techniques of 28 eminent miniaturists. Each painting is reproduced actual size, with close-up details showing the methods and techniques used.