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The 2020 special issue of Medieval Warfare is a compilation of the best art from the first fifty issues of Medieval Warfare.
This richly illustrated book explores over seven hundred years of European warfare, from the time of Charlemagne to the end of the middle ages (c.1500). The period covered has a distinctive character in military history. It was an age when organization for war was integral to social structure, when the secular aristocrat was by necessity also a warrior, and whose culture was profoundly influenced by martial ideas. Twelve scholars, experts in their own fields, have contributed to this finely illustrated book. It is divided into two parts. Part I seeks to explore the experience of war viewed chronologically with separate chapters on, for instance, the Viking age, on the wars and expansion of the eleventh and twelfth centuries, on the Crusades and on the great Hundred Years War between England and France. The chapters in Part II trace thematically the principal developments in the art of warfare; in fortification and siege craft; in the role of armoured cavalrymen; in the employment of mercenary forces; the advent of gunpowder artillery; and of new skills in navigation and shipbuilding. In both parts of the book, the overall aim has been to offer the general reader an impression, not just of the where and the when of great confrontations, but above all of the social experience of warfare in the middle ages, and of the impact of its demands on human resources and human endurance.
He begins by analysing the sources for our knowledge of the military history of the period, assessing their reliability: some chroniclers exaggerate, others are careful observers or have access to official records. There follows an examination of the constituent parts of the medieval army, knights and footsoldiers, equipment and terms of service, behaviour on the field, and psychology, before the problematic question of medieval tactics is addressed through analysis of accounts of a series of major battles. Strategy is discussed in the context of these battles: whether to seek battle, fight a defensive war, or attempt a war of conquest.
The glamour associated with knights in shining armour, colourful tournaments and heroic deeds appeal strongly to the modern imagination. However, few pieces of military dress and equipment have survived to provide direct insight into the way that war was waged in the Middle Ages. For a comprehensive view of the nature of medieval warfare we rely on written documentation and the information preserved in paintings, sculptures, carvings, and other pictorial sources. The most numerous by far of these are the miniatures and drawings found in manuscript books, partly because books tend to survive better that other artefacts and partly because many individual volumes contain multiple representations. Pamela Porter presents and describes a variety of evocative manuscript illuminations in an effort to reveal them as a source of information about military dress, equipment, and practices.
Originally conceived as a reward for Ancient History Magazine Kickstarter backers, the 2016 special edition of Ancient Warfare is a compilation of covers, battle scenes and unit reconstructions from the first fifty issues of the magazine. Compiled and edited by Josho Brouwers, with contributions from the rest of the Ancient Warfare staff, this 100-page full-color book features artwork by favorite illustrators such as Igor Dzis, Johnny Shumate, Radu Oltean and Rocio Espin, to name but a few. Also included are articles by the staff with insight into our philosophy for commissioning artwork, and a "behind-the-scenes" look at how illustrations are produced.
George R.R. Martin's A Song of Ice and Fire novels and HBO's Game of Thrones series depict a medieval world at war. But how accurate are they? The author, an historian and medieval martial arts expert, examines in detail how authentically Martin's fictional world reflects the arms and armor, fighting techniques and siege warfare of the Middle Ages. Along the way, he explores the concept of "medievalism"--modern pop culture's idea of the Middle Ages.
Hono sapiens, homo pugnans, and so it has been since the beginning of recorded history. In the Middle Ages, especially, armed conflict and the military life were so much a part of the political and cultural development that a general account of this period is, in large measure, a description of how men went to war.
Curated by two of the leading experts in medieval military history, the readings in Medieval Warfare tell a story of terrors and tragedies, triumphs and technologies in the Middle Ages.
Feudal military practices, which are as varied as those of modern times, are surveyed here for the first time. The author treats in detail the bases on which feudal service was exacted, the mustering and composition of armies and their subsequent operations in the field, and the qualifications of their commanders. He discusses military feudalism as it originated and developed in the Frankish kingdom of the Carolingians and as it operated during the early Capetian period in the Ile de France and the feudal principalities of northern France. He then follows feudal developments, in roughly chronological order, in those states where feudalism was consciously imported—lower Italy and Sicily, England, and Crusader Syria. He finally treats lands in which the military structure revealed some feudal characteristics but where institutions were never more than superficially feudalized—Southern France, Christian Spain, central and northern Italy, and Germany—describing how such factors as native military institutions, the pattern of landholding, economic structure, and manpower problems worked to modify feudal military institutions and practices. This book will illuminate for specialist and lay reader alike a strangely neglected aspect of feudal life.