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Diseases and injuries were major concerns for ancient Egyptians. This book, featuring some sixty-four objects from the Metropolitan Museum, discusses how both practical and magical medicine informed Egyptian art and for the first time reproduces and translates treatments described in the spectacular Edwin Smith Papyrus.
A series of informal "snapshots" illustrating what can be inferred about Egyptians' illnesses and their treatments in the days of the Pharaohs. For a general audience. Paper edition (unseen), $10.95. Annotation copyrighted by Book News, Inc., Portland, OR
The skills of the ancient Egyptians in preserving bodies through mummification are well known, but their expertise in the everyday medical practices needed to treat the living is less familiar and often misinterpreted. John F. Nunn draws on his own experience as an eminent doctor of medicine and an Egyptologist to reassess the evidence. He has translated and reviewed the original Egyptian medical papyri and has reconsidered other sources of information, including skeletons, mummies, statues, tomb paintings and coffins. Illustrations highlight symptoms of similar conditions in patients ancient and modern, and the criteria by which the Egyptian doctors made their diagnoses - many still valid today - are evaluated in the light of current medical knowledge. In addition, an appendix listing all known named doctors contains previously unpublished additions from newly translated texts. Spells and incantations and the relationship of magic and religion to medical practice are also explored. Incorporating the most recent insights of modern medicine and Egyptology, the result is the most comprehensive and authoritative general book to be published on this fascinating subject for many years.
A review of Dr. Carl H. Klein's manuscript translation of the Papyrus Ebers.
Evidence of the medical practice of ancient Egypt has come down to us not only in pictorial art but also in papyrus scrolls, in funerary inscriptions, and in the mummified bodies of ancient Egyptians themselves. Halioua and Ziskind provide a comprehensive account of pharaonic medicine that is illuminated by what modern science has discovered about the lives (and deaths) of people from all walks of life.
The medicine of the ancient Egyptians is some of the oldest documented. From the beginnings of the civilization in the late fourth millennium BC until the Persian invasion of 525 BC, Egyptian medical practice went largely unchanged but was highly advanced for its time, including simple non-invasive surgery, setting of bones, dentistry, and an extensive set of pharmacopoeia. Egyptian medical thought influenced later traditions, including the Greeks. Until the 19th century, the main sources of information about ancient Egyptian medicine were writings from later in antiquity. The Greek historian Herodotus visited Egypt around 440 BC and wrote extensively of his observations of their medicinal practice. Pliny the Elder also wrote favourably of them in historical review. Hippocrates (the ""father of medicine""), Herophilos, Erasistratus and later Galen studied at the temple of Amenhotep, and acknowledged the contribution of ancient Egyptian medicine to Greek medicine.
This book provides an innovative analysis of the conditions of ancient Egyptian craftsmanship in the light of the archaeology of production, linguistic analysis, visual representation and ethnographic research. During the past decades, the "imaginative" figure of ancient Egyptian material producers has moved from "workers" to "artisans" and, most recently, to "artists". In a search for a fuller understanding of the pragmatics of material production in past societies, and moving away from a series of modern preconceptions, this volume aims to analyse the mechanisms of material production in Egypt during the Middle Bronze Age (2000-1550 BC), to approach the profile of ancient Egyptian craftsmen through their own words, images and artefacts, and to trace possible modes of circulation of ideas among craftsmen in material production. The studies in the volume address the mechanisms of ancient production in Middle Bronze Age Egypt, the circulation of ideas among craftsmen, and the profiles of the people involved, based on the material traces, including depictions and writings, the ancient craftsmen themselves left and produced.
In this book, Miranda Brown investigates the myths that acupuncturists and herbalists have told about the birth of the healing arts. Moving from the Han (206 BC–AD 220) and Song (960–1279) dynasties to the twentieth century, Brown traces the rich history of Chinese medical historiography and the gradual emergence of the archive of medical tradition. She exposes the historical circumstances that shaped the current image of medical progenitors: the ancient bibliographers, medieval editors, and modern reformers and defenders of Chinese medicine who contributed to the contemporary shape of the archive. Brown demonstrates how ancient and medieval ways of knowing live on in popular narratives of medical history, both in modern Asia and in the West. She also reveals the surprising and often unacknowledged debt that contemporary scholars owe to their pre-modern forebears for the categories, frameworks, and analytic tools with which to study the distant past.