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Model-making: Materials and Methods focuses primarily on the wide variety of materials that can be employed to make models; those which have been favoured for a while and those which are relatively new. The book looks at how these materials behave and how to get the best out of them, then illustrates a range of relatively simple methods of building, shaping, modelling, surfacing and painting with them. Useful features of the book include: the different uses of models in various disciplines; the sequence of making; planning and construction, creating surfaces, painting and finishing; methods of casting, modelling and working with metals; step-by-step accounts of the making of specially selected examples; simple techniques without the need for expensive tools or workshop facilities; a 'Directory' of a full range of materials, together with an extensive list of suppliers. This book is intended for students of theatre production, art & architecture, animation and theatre/television set designers where accurate scale models are necessary, and is also of interest to anyone involved with the process of making forms in 3D and the challenge of making small-scale forms in general. Superbly illustrated with 185 colour photographs.
Possibly the best-known automotive model engineer in the world, Gerald Wingrove produces breath-takingly detailed miniatures that are to be found in the foremost collections. Here he presents a showcase of the models he has constructed in 1/15 scale, a size that allows chassis, engine and body detail to be reproduced with perfect accuracy.
Model railroading offers the exciting opportunity to be approached in the same way as any other branch of the art world. As such, the same principles can be applied to elevate your modeling efforts to new levels. Follow along as we delve into scene composition, color treatment theory, weathering, backdrops, layout room preparation, photography, and more!
Steiner (English, Univ. of Pennsylvania) delivers a lucidly written elaboration of "interactive aesthetics" first broached in her examination of the revival of beauty in contemporary art, Venus in Exile (2001). Here the focus is the artist's model, broadly conceived as a paradoxical site of reality/artificiality and power/lack of power. Steiner incorporates a wide range of material to explain early history (the Pygmalion myth, Galatea, Eve, and Pandora), the postmodernist turn (Edie Sedgwick, muse of Andy Warhol and Bob Dylan), and recent developments (Second Life, blogging, Wikipedia, bioethics). Concepts (mimesis, spectacle), literature (Kathleen Rooney's Live Nude Girl of 2008, J. M. Coetzee's Diary of a Bad Year of 2007, Milton, Keats, Henrik Ibsen, Virginia Woolf, Vladamir Nabokov, Nathaniel Hawthorne); art (Michelangelo, Picasso, Henri Matisse, Marcel Duchamp, Robert Mapplethorpe, Hannah Wilke, Vanessa Beecroft, Gillian Wearing, Oron Catts, Helena Almeida, Ann Hamilton, Sylvia Plachy, Hiroshi Sugimoto, Frederick Hart, John Kindness, Peter Eisenman, Rachel Whiteread), theory (Michel Foucault, Jacques Derrida, Jacques Lacan, Frederic Jameson, Judith Butler, Rene Girard), and art history (Michael Fried, Sir Kenneth Clark) are woven into a rich tapestry informed by Steiner's favorite semioticians, Roman Jakobson and Jan Mukarovsky. Summing Up: Recommended. Upper-level undergraduates and above; general readers. General Readers; Upper-division Undergraduates; Graduate Students; Researchers/Faculty; Professionals/Practitioners. Reviewed by E. K. Mix.
The first in a new series, The Art of Painting Miniatures: Faces and Figures provides a fresh look at the art of figure painting. The content is this book is a result of 30 years hands-on experience, critical observation, experimentation and enhancement of what works. The step-by-step painting process will elevate your level of figure painting from a poorly painted face to a realistic one. The goal is to give the figure, in particular the head and face, serious and artistic treatment, emphasizing skin tones, character development and realism. This book is dedicated to the beginner as well as the experienced modelers, who feel a need to tell a story using figures in their vignettes and dioramas; to the textile painters who paint uniforms, banners, flags and other accessories with great detail and but need the concept and techniques to improve their face and figure work; to the advance modeler who understands his level of expertise and depends on another at his level to paint the figures for his dioramas; for the experienced modelers who want to elevate the level of their figures, and learn how to critically look and improve their face and figure work; and lastly, for the masters, these concepts will deepen and drive their techniques to a more profound level of realism.
STEVE HOLLAND: The World's Greatest Illustration Art Model is a visual celebration of the career of the most iconic male model whose face and form were recognized on paperbacks (Doc Savage, The Spider among others), magazines (Male, For Men Only, and more), comic books (The Phantom, Conan, and The Hulk), advertising illustration (The Saturday Evening Post), and even television (1950's Flash Gordon) from the fifties through the eighties. For many growing up in this era, Steve Holland was the face and muscle of male heroism - the archetypal hero that all men could aspire to be. Featuring exclusive biographical material and memorabilia from his family, interviews with the world-famous commercial illustrators who captured his dynamic sensibility, the colorful paintings and covers, and rare reference photos; STEVE HOLLAND: The World's Greatest Illustration Art Model is the definitive story of a true American icon whose impact on pop culture was limitless - right up until his death. For over thirty years Steve Holland wore the crown of male heroism. STEVE HOLLAND: The World's Greatest Illustration Art Model will show you what made him king.
Informed by both structuralism and poststructuralism, these essays by art critic and historian Yve Alain Bois seek to redefine the status of theory in modernist critical discourse. Warning against the uncritical adoption of theoretical fashions and equally against the a priori rejection of all theory, Bois argues that theory is best employed in response to the specific demands of a critical problem. The essays lucidly demonstrate the uses of various theoretical approaches in conjunction with close reading of both paintings and texts.
Work with data like a pro using this guide that breaks down how to organize, apply, and most importantly, understand what you are analyzing in order to become a true data ninja. From the stock market to genomics laboratories, census figures to marketing email blasts, we are awash with data. But as anyone who has ever opened up a spreadsheet packed with seemingly infinite lines of data knows, numbers aren't enough: we need to know how to make those numbers talk. In The Model Thinker, social scientist Scott E. Page shows us the mathematical, statistical, and computational models—from linear regression to random walks and far beyond—that can turn anyone into a genius. At the core of the book is Page's "many-model paradigm," which shows the reader how to apply multiple models to organize the data, leading to wiser choices, more accurate predictions, and more robust designs. The Model Thinker provides a toolkit for business people, students, scientists, pollsters, and bloggers to make them better, clearer thinkers, able to leverage data and information to their advantage.
Based on the recent discovery of his fully-preserved private archive-models, photos, letters, business files, and drawings-this book tells the story of Theodore Conrad (1910-1994), the most prominent and prolific architectural model-maker of the 20th century. Conrad's innovative models were instrumental in the design and realization of many icons of American Modernism-from the Rockefeller Center to Lever House and the Seagram Building. He revolutionized the production of architectural models and became a model-making entrepreneur in his own right. Yet, despite his success and the well-known buildings he helped to create, until now little has been known about Conrad's work and his impact on 20th century architectural history. With exclusive access to Conrad's archive, as well as that of model photographer Louis Checkman-both of which have lain undiscovered in private storage for decades-this book examines Conrad's work and legacy, accompanied by case studies of his major commissions and full-color photographs of his works. Set against the backdrop of the surge in model-making in the 1950s and 1960s-which Jane Jacobs called “The Miniature Boom”-it explores how Conrad's models prompt broader scholarly questions about the nature of authorship in architecture, the importance of craftsmanship, and about the translation of architectural ideas between different media. The book ultimately presents an alternative history of American modern architecture, highlighting the often-overlooked influence of architectural models and their makers.