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"Amsterdam's historic network of concentric canals earned UNESCO World Heritage status in 2010. The impressive architecture and facades of this elegant town centre are mirrored by the luxury and chic of the building's interiors. Italian photographer Listri and author Van Ogtrop take the reader on an indulgent photographic tour of this refined environment, where the Dutch Golden Age past meets with contemporary interior design and technologies in the homes of artists, collectors and antique dealers."--Publisher's website.
This title was first published in 2003. Presenting philosophy as an art concerned with one’s way of life, Sellars draws on Socratic and Stoic philosophical resources and argues for the ancient claim that philosophy is primarily expressed in one’s behaviour. The book considers the relationship between philosophy and biography, and the bearing that this relationship has on debates concerning the nature and function of philosophy. Questioning the premise that philosophy can only be conceived as a rational discourse, Sellars presents it instead as an art (techne) that combines both ’logos’ (rational discourse) and ’askesis’ (training), and suggests that this will make it possible to understand better the relationship between philosophy and biography. The first part of this book outlines the Socratic conception of philosophy as an art and the Stoic development of this idea into an art of living, as well as considering some of the ancient objections to the Stoic conception. Part Two goes on to examine the relationship between philosophical discourse and exercises in Stoic philosophy. Taking the literary form of such exercises as central, the author analyses two texts devoted to philosophical exercises by Epictetus and Marcus Aurelius.
Across a series of 12 in-depth interviews with a diverse range of major artists, Dominic Johnson presents a new oral history of performance art. From uses of body modification and physical extremity, to the creation of all-encompassing personae, to performance pieces lasting months or years, these artists have provoked and explored the vital limits between art and life. Their discussions with Johnson give us a glimpse of their artistic motivations, preoccupations, processes, and contexts. Despite the diversity of art forms and experiences featured, common threads weave between the interviews: love, friendship, commitment, death and survival. Each interview is preceded by an overview of the artist's work, and the volume itself is introduced by a thoughtful critical essay on performance art and oral history. The conversational tone of the interviews renders complex ideas and theoretical propositions accessible, making this an ideal book for students of theatre and performance, as well as for artists, scholars and general readers.
In this wide-ranging, brilliantly written account, Nehamas provides an incisive reevaluation of Socrates' place in the Western philosophical tradition and shows the importance of Socrates for Montaigne, Nietzsche, and Foucault.
Vincent van Gogh believed that one had to learn to read, just as one had to learn to see and learn to live. Van Gogh conveyed a message in his work about the path that he himself followed that was "more true to life," the path that human beings walk in their turbulent existence, the pilgrimage along the various stages of the road of life. He does not speak about the meaning of life but about the true art of living. It is fascinating to see and read the moving way in which he wrestled with the deep human questions of the whence, why, and whither of life. He did not see himself doing this on his own but acknowledged kindred spirits and allies in preachers, preacher-poets, painters, writers, and other artists who also attempted to find their own way through life in a similar fashion.Van Gogh was aware, like no other, of his duty and task in life: his vocation as human being and artist. That means that he was well acquainted with loneliness, fear, and despair, including suicidal tendencies. Nevertheless, he understood himself as cut out for faith, rather than resignation. Human beings follow their life's path, through storms and dangers, on land and on sea, where the "star of the sea" (the Virgin Mary) helps them and provides light. Van Gogh rejected the unhealthy, sickly forms of religion, electing instead to embrace authentic forms of piety.
Winner of the 1999 Spiro Kostof Book Award from the Society of Architectural Historians. During the early 1900s, Amsterdam developed an international reputation as an urban mecca when invigorating reforms gave rise to new residential neighborhoods encircling the city's dispirited nineteenth-century districts. This new housing, built primarily with government subsidy, not only was affordable but also met rigorous standards of urban planning and architectural design. Nancy Stieber explores the social and political developments that fostered this innovation in public housing. Drawing on government records, professional journals, and polemical writings, Stieber examines how government supported large-scale housing projects, how architects like Berlage redefined their role as architects in service to society, and how the housing occupants were affected by public debates about working-class life, the cultural value of housing, and the role of art in society. Stieber emphasizes the tensions involved in making architectural design a social practice while she demonstrates the success of this collective enterprise in bringing about effective social policy and aesthetic progress.
Earlier generations of Christians studied classic ars moriendi manuals on the art of dying to help them face and embrace morality. They learned from these books something our own generation is in danger of forgetting: that the manner in which one dies very much depends on the manner in which one has lived. The author explores the connection between living and dying well by recounting the stories of seven exemplary people of our time and the particular virtues they embodied.
A photo book that will take you on a walk through the streets of Amsterdam, the Netherlands, and show you the beauty of this city in each season.Dana Marin is a photographer based in the Netherlands. Passionate about her adoptive city and all it has to offer, she documented her 11 years of living in Amsterdam through thousands of pictures and hundreds of articles, on her blog and various publications, and now she launched her first photo book as an ode to the city she loves so much.
Sixteenth century Venetian Ambassador and Renaissance Christian Luigi Cornaro was celebrated in his time for his stance on dietary self-restraint, moderate living, and living to the age of 103. For these hundred of years his classic book has survived as a renowned text on longevity and an inspiring treatise on the path of temperance that the author believed could lead anyone out of a state of illness and into a healthy long life. The Art of Living Long contains Cornaroís four discourses, respectively concerned with demonstrating his ideas through his own example, exploring the necessity of temperate habits, assuring a happy old age, and exhorting mankind to follow his rule. With introductions by Dr. Gerald Gruman and Joseph Addison, and additional essays by Lord Bacon and Sir William Temple.
In this first English translation of the prize-winning Dutch title Leven is Een Kunst, Paul van Tongeren creates a new kind of virtue ethics, one that centres on how to 'live well' in our contemporary world. While virtue ethics is based on the moral philosophy of Aristotle, it has had many interpretations and iterations throughout history and features prominently in the thinking of the Stoics, Christian narratives and the writings of Nietzsche. The Art of Living Well explores and expands upon these traditions, using them as a basis to form a new interpretation; one that foregrounds art and creativity as paramount to the struggle to act in an authentic and moral way. Acting as both a clear introduction to virtue ethics and moral philosophy and a serious work of original philosophy, this book connects philosophy with real lived experience and tackles, head-on, the perennial philosophical question: 'how do we live well?'