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The Art of Knife Fighting for Stage and Screen: An Actor’s and Director’s Guide to Staged Violence provides detailed information for the safe use of knives and daggers in a theatrical setting and an in-depth understanding of safe theatrical weapons. The book starts with an extensive safety review, then moves on to the basic techniques of dagger fighting, starting with grip and body postures. Readers will then learn about the basic actions of cuts, parries, blocks, and disarms. During this process, they will explore the connection between body and weapon and start learning the elements of storytelling through choreography. Special attention is given to suicides, threats, and murder and how directors, choreographers, performers, teachers, and students can approach these techniques in a way that is physically and mentally safe. The book also covers the use of throwing knives, knife flips, and other tricks to help add a little flair to your fight. The Art of Knife Fighting for Stage and Screen teaches the safe theatrical use of the knife for directors, performers, educators, and students of stage combat.
The Art of Broadsword Fighting for Stage and Screen provides historical and contemporary techniques and styles for the safe training and use of the European broadsword in a theatrical setting. This book starts with a brief breakdown of the history of broadswords, the time periods associated with their use, and the influences of historical masters and their manuscripts. After the brief history section, this book presents the basic techniques of broadsword fighting, starting with grip and body postures. Readers will then move fluidly into the basic actions of cuts, parries, blocks, and disarms. During this process, actors explore the connection between body and weapon and start learning the elements of storytelling through choreography. Special attention is given throughout the text on techniques which need to be approached in a physically and/or mentally safe way by directors, choreographers, performers, teachers, and students. The final chapter focuses on choreographing a fight and utilizing all the material previously covered in this book, with special notes for actors, directors, and teachers about what makes a good fight, how to keep it safe, and how to create the "wow factor" in choreography. The Art of Broadsword Fighting for Stage and Screen is intended for directors, choreographers, actors, students of acting, martial artists, and enthusiasts of stage combat and historical martial arts.
This book is designed to educate the reader about the evolution and development of arms, armor, and personal combat for the stage. It is the perfect guide for locating books, articles, and videos for those involved in the historical reenactment of duels and battles. It simultaneously offers historical context and points the reader toward useful and easily obtainable resources to inform their fights, costumes, and stage weaponry. This resource text is a must have for fight directors, teachers of stage combat, historical re-enactors, costumers, and weapons makers. The body of the work is divided up into five chapters and a series of appendices containing a compendium of useful information for fight directors and weapons makers. Chapter one surveys the evolution and development of arms, armor, and personal combat. Chapters two, three, and four consist of annotations of books, articles, and videos respectively. Chapter five offers concluding remarks on the project.
Authored by professional fight director J. Allen Suddeth, all the aspects of brawn, brawl, and broadswords are covered.
(Limelight). The ultimate guide to stage fighting technique and basic swordplay, this book covers everything an actor must do to give a dynamic and convincing performance as a stage combatant. "[This book] is more than a manual... A necessity! Richard Lane's concepts are vital...'Why' and 'When' are explained and make 'How' easier to understand and execute...Read this, pay heed and you will avoid sin and suffering...I raise my sword on high and salute you, Richard. Well done!" Oscar F. Kolombatovich, former Fencing Master, Metropolitan Opera, New York, and Executive Secretary, Historical Fencing Society
The kukri is one of the oldest combat/utility knives in existence today. Recognized as the national weapon of Nepal, the kukri has been associated with the British Army's fearsome Gurkha brigades since their creation. The unique downward slope of the blade gives the kukri its distinctive look and renowned ability to effect powerful, accurate cuts. In this latest addition to his "Fighting Weapons" series, Dwight McLemore explores the full range of kukri training and deployment. He presents a sprinkling of history with informed discussions of fighting approaches and numerous training exercises on cutting, thrusting, blocking, and the associated movement of a kukri fight. By mixing modern and historical concepts and illustrating the text with hundreds of his highly acclaimed instructional drawings, McLemore has created the first and perhaps ultimate training guide to this unique weapon. The Fighting Kukri is a must for martial artists, blade enthusiasts, historical reenactors, fight directors of stage and screen, and men and women of the armed forces.
Swashbuckling is the definitive guide to stage fighting technique and basic swordplay.
Staging Sex lays out a comprehensive, practical solution for staging intimacy, nudity, and sexual violence. This book takes theatre practitioners step-by-step through the best practices, tools, and techniques for crafting effective theatrical intimacy. After an overview of the challenges directors face when staging theatrical intimacy, Staging Sex offers practical solutions and exercises, provides a system for establishing and discussing boundaries, and suggests efficient and effective language for staging intimacy and sexual violence. It also addresses production and classroom specific concerns and provides guidance for creating a culture of consent in any company or department. Written for directors, choreographers, movement coaches, stage managers, production managers, professional actors, and students of acting courses, Staging Sex is an essential tool for theatre practitioners who encounter theatrical intimacy or instructional touch, whether in rehearsal or in the classroom.
This series of contemporary plays includes structured GCSE assignments for use by individuals or groups. These include questions which involve close reading, writing and discussion. This play places the "Romeo and Juliet" story in a New York gang-warfare context.
How can we make sense of ourselves within a world of change? In Analytical Psychology in a Changing World, an international range of contributors examine some of the common pitfalls, challenges and rewards that we encounter in our efforts to carve out identities of a personal or collective nature, and question the extent to which analytical psychology as a school of thought and therapeutic approach must also adapt to meet our changing needs. The contributors assess contemporary concerns about our sense of who we are and where we are going, some in light of recent social and natural disasters and changes to our social climates, others by revisiting existential concerns and philosophical responses to our human situation in order to assess their validity for today. How we use our urban environments and its structures to make sense of our pathologies and shortcomings; the relevance of images and the dynamic forms that underpin our experience of the world; how analytical psychology can effectively manage issues and problems of cultural, religious and existential identity – these broad themes, and others besides, are vividly illustrated by striking case-studies and unique personal insights that give real lucidity to the ideas and arguments presented. Analytical Psychology in a Changing World will be essential reading for Jungian and post-Jungian scholars and clinicians of depth psychology, as well as sociologists, philosophers and any reader with a critical interest in the important cultural ideas of our time. Chapter 2 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.