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The Second Volume of the collected drawings from the Kill Tony podcast done live from the world famous Comedy Store in Los Angeles, Califoria and all over ther world.
A long forgotten art collection once belonging to a famous Italian artist of centuries ago is discovered within an age old mausoleum containing various ghastly masterpieces depicting ghoulish fanged, clawed beasts with eyes red as blood, preying on humans, spreading their evil to the far corners of the world. A demon with a steel heart stands in the centre of the grand hall, containing with it a dark secret. What was meant to be a night of celebration turns into a nightmare as an ancient prophecy is fulfilled. Under no circumstances can the evil be able to break from the walls, otherwise mankind will be doomed to oblivion. In a night of madness and bloodshed, the odds of survival greatly slim, only one question lingers in the tomb of despair. Will the nightmare end?
In the latest mystery from S. J. Rozan, Bill Smith and Lydia Chin must track down a serial killer stalking women in New York's contemporary art scene. Former client Sam Tabor, just out of Greenhaven after a five-year homicide stint, comes to Bill Smith with a strange request. A colossally talented painter whose parole was orchestrated by art world movers and shakers, Sam's convinced that since he's been out he's killed two women. He doesn't remember the killings but he wants Smith, one of the few people he trusts, to investigate and prove him either innocent or guilty. NYPD detective Angela Grimaldi thinks Sam's "a weirdo." Smith has no argument with that: diagnosed with a number of mental disorders over the years, Sam self-medicates with alcohol, loses focus (except when he's painting), and has few friends. But Smith doesn't think that adds up to serial killer. He enlists Lydia Chin to help prove it. Smith and Chin delve into the world surrounding Sam Tabor, including his brother, two NYPD detectives, and various other artists, dealers, collectors, curators, and art connoisseurs. No answers appear. Evidence is found and lost again. And more bodies turn up. Sam Tabor might be just a crazy artist. But someone is killing people in his orbit. If not Sam, who? Why? And who will be next?
A black hole comedy. The power of the gravity of this book will suck you in and spagettiphy your mind and your dreams. Will illuminate you and throw you back to reality like a true superhero. A young handsome guy who lived his childhood under the regime of dictatorship and his 'communist' father, has a dream to become a Hollywood Star. A war happens and the 'communism' falls, and with it the control of the father ends, and now is the right time for the handsome guy to pursue his dream. Illegally he crosses many European borders and sails all the way to Mexico and illegally again for the last time crosses the last forbidden border, that America-Mexican border. He starts slowly to dissolve into the American style and live his dream, but his ugly past life and his ideology and his dream in his head starts fighting and colliding and slowly starts loosing into the reality called American Dream.
The Manly Art is another collection of writer Keith G. Laufenberg's short stories, only this time with the defining factor being that they all involve the sport of boxing. Having been in the sport himself, beginning at age 17, when he entered Marine Corps boot camp, and ending after seven years, fought as a professional, he is afforded a closer more intimate look into the boxers lives. In "Sonny Liston's Eyes," the reader is taken into the Underworld of the sport when a writer interviews an ex-mobster-who is dying of lung cancer-and claims to have killed Sonny Liston, as well as JFK and Martin Luthur King Jr. He tells an incredible story but backs it up by saying he has absolutely verifiable evidence that he will produce for the writer. In "Frankenstein" we see why a young amateur boxer should have picked boxing over football. He has little say in the matter though as his father and uncle have trained him his entire life for football and it, along with the other stories, will keep you glued to the page.
Italian and Irish criminals engaged in a brutal war for decades, and it frequently involved the Church of Rome. How will the Italian underworld react when the most influential Irish Catholic family in the world tries to elevate one of its own, a United States senator, to the most powerful office in the worldPresident of the United States? Anthony Martino, a brilliant yet ruthless killer, was called on to prevent the senator from becoming president. Faced with the possibility of battling Irish criminals, the FBI, and members of the Irish Republican Army, he decides to cooperate with the Irish. In the end, will he kill the senator anyway? Irish politicians and Italian criminals had much in common, the most obvious of which was their religion and the manner in which they practiced it, embraced it, and at times corrupted it for their own evil purposes. The Italian-Irish-Church triangle of hypocrisy was held together by a desire for power. Yet there were also a few good men, especially some priests, who were motivated by a simple desire for the greater good. Thinking the triangle had done much that was of value, they did their best to preserve it. The Popes representative to the United Nations, Archbishop Calogero Ferraro, was one such priest. Desperately wanting another Roman Catholic president, he directs the Italians and the Irish to put aside their differences. Will they cooperate, or will the Italian-Irish criminal war explode once again, turning the senator and Anthony Martino into two of its victims?
Laugh at the Devil, the second installment in the saga of criminal Anthony Martino, continues the exploration of the sacred and the profane. This gritty novel, not for the faint of heart, exposes the horrific activities of Pennsylvania's anthracite region's criminal element while recounting a moving individual quest for spiritual resolution, which coalesces Native American and Christian mysticism. -Dr. Anita Vickers, Literature Professor, Penn State Fearing nothing but God, Monsignor Lessari, and the darkness that could seize his soul, Anthony Martino battles Sheriff Bull Terrance, Judge Archer, and those who would take the life of his deceased friend's unborn child. Through it all he relies on the Monsignor for spiritual guidance and the forgiveness of his sins-including murder. Anthony Martino was a solitary killer until he met Samantha, a skilled thief with a dark desire Anthony was willing to satisfy. As the bodies pile up, Anthony tells a friend, "These killings are getting to me." Will he be able to continue until his loved ones are safe? When he is told that one final killing must be done, he fears for his soul. Will Anthony do it, or will he hear the thunder and be destroyed by the lightning?
This transnational collection of essays, interviews, and creative pieces on the 1982 Siege of Beirut explores literary representations of the siege by a diverse set of writers alongside journalism and other media including film and art. The book investigates and promotes an awareness of an ethics of representation on questions of extreme emotional investment, comparing representations of the siege to representations of other traumatic events, visiting responses from those of different cultural backgrounds to the same event and considering implications with respect to comparative approaches. Chapters explore how literature, journalism and art contribute to overcoming the dangers of forgetting and denial, memorial excess and fundamentalism, the radicalization of violence, and the complete breakdown of trust on international levels, asking how they challenge geopolitical, intellectual, and psychological states of siege and instead promote awareness, acknowledgement, mourning, and justice across divided communities. The book extends the use of postcolonial methodologies affiliated with history, international relations, and psychoanalysis (memory, trauma) to Middle-Eastern studies, and visits the siege’s effect on different forms of memory and memorialization: selective memory, trauma, gaps and fissures in historical accounts, recording of eyewitness reports, and artistic re-imaginings and realizations of alternative archives.
In The Art Prophets, Richard Polsky introduces us to influential late twentieth-century dealers and tastemakers in the art world. These risk takers opened doors for artists, identified new movements, and resurrected art forms that had fallen into obscurity. In this distinctive tour, Polsky offers an insightful and engaging dialog between artists and the visionaries who paved their way. Table of contents Ivan Karp and Pop Art Stan Lee and Comic Book Art Chet Helms, Bill Graham, and the Art of the Poster John Ollman and Outsider Art Joshua Baer and Native American Art Virginia Dwan and Earthworks Tod Volpe and Ceramics Jeffrey Fraenkel and Photography Louis Meisel and Photorealism Tony Shafrazi and Street Art
These are the chronicles of Tony Stark: the playboy, the genius inventor, the philanthropist, the director of S.H.I.E.L.D., the futurist, the hero. This Handbook is the definitive resource to the world of Iron Man, featuring Tony's closest allies (Happy and Pepper Hogan, War Machine, the Order) and deadliest foes (Justin Hammer, Mandarin, Obadiah Stane)! Includes a complete gallery of the Iron Man armors, and all-new schematics of key armors and the S.H.I.E.L.D. Helicarrier! Also featuring 1993's original Iron Manual, plus unrevealed armor concepts from the Iron Man/Force Works Collector's Preview. Collects the Iron Manual, the All-New Iron Manual, and material from the Iron Man/Force Works Collector's Preview.