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One animation empire was built on a mouse, another was built on a rabbit. This one was built on the unlikely combination of a moose and squirrel. It began in the late 1940's, when Jay Ward and his lifetime friend, Alex Anderson, joined forces to create a cartoon series for the fledgling medium of television with a budget that would make "shoestring" look generous. The result was Crusader Rabbit, which debuted on a local NBC affiliate in Los Angeles in mid-summer of 1950. The cheaply produced and minimally animated series became the inauspicious and unlikely beginning of a TV animation powerhouse with a defiantly innovative-and influential-brand of humor that shaped animated comedy for decades. As the 1950's drew to a close, Ward, with now-former partner Anderson's blessing, took two characters from an unsold series they had developed together, teamed with writer Bill Scott and a couple of freelance UPA artists, and created a short pilot film starring a flying squirrel and a hapless but hilarious moose. That pilot, Rocky The Flying Squirrel, launched an animation studio that turned out the funniest, hippest and most satirical cartoons on television and creating a comic vocabulary for generations of children and their parents. The shows produced at Jay Ward Productions featured the wittiest writing in the medium, some of the best character voice work, and ... some of the worst animation. Assembling a staff of first rate writers and artists, Jay Ward was undermined by the cheapest budgets in what was already a low-budget medium. And it showed. In one of the earliest examples of runaway production, Ward was forced to send the animation out of the country. But what was happening with the art off the screen revealed a fascinating dichotomy of the brilliant draftsmanship on the drawing boards and the crude but effective work that was aired. This behind-the-scenes artwork was never meant to be seen by the general public but was merely a means to an end. Now, for the first time anywhere, we are provided an in-depth look at the comic artistry of a talented group of designers, storytellers and directors who created such fondly remembered shows as Rocky and His Friends, Fractured Fairy Tales, Peabody's Improbable History, Dudley Do-right, George of the Jungle and Super Chicken.
For those of us who love The Rocky and Bullwinkle Show, these names conjure up memories of some of the wittiest, most inspired, and relentlessly hilarious half-hours of animation ever produced. There was a kind of gleeful magic to the shows, a cumulative joy that transcended the crude animation and occasionally muddy sound, and it's this quality that was the essence of the legendary Jay Ward and Bill Scott. Jay Ward was the magnificent visionary, the outrageous showman who lobbied Washington for statehood for Moosylvania, and invited the press to a picnic on the floor of the Plaza Hotel's august Grand Ballroom. Bill Scott was the genial, brilliant head writer, coproducer, and all-purpose creative whirlwind, often described as the "soul" of the shows. In fact, Scott even provided the voices for most of the star characters, giving life to Bullwinkle J. Moose, Mr. Peabody, Dudley Do-Right, and George of the Jungle. From their tiny, oddball animation studio, Jay Ward Productions, they created some of the most memorable animation of all time, and gave birth to a family of characters whose undying popularity has cast them forever into the pop culture firmament. With their distinctively unorthodox, artist-friendly philosophy, Ward and Scott attracted some of the most talented writers and voice actors in the industry, and for a time, Jay Ward Productions was a kind of Camelot of cartoons. Now, through exclusive interviews with Bill Scott, Tiffany Ward, June Foray, and dozens of others intimately involved with the Ward epoch, as well as access to original scripts, artwork, story notes, letters, and memos, Keith Scott has created the definitive history of Jay Ward Productions, including episode guides and voice credits for all the Jay Ward cartoons. From the first "Hey Rocky, watch me pull a rabbit out of a hat!" to the last "Watch out for that tree!", The Moose That Roared is not only the record of a legendary chapter in animation history, but also the story of a rare and magical relationship between two artists who were wildly, exuberantly ahead of their time, and the fascinating story of the struggle to bring their vision of bad puns and talking animals to unforgettable life.
Mr Peabody has invented the WABAC, a time-travelling machine that he and his adopted boy Sherman use to explore history. Examining the making of the DreamWorks comedy animation, this book goes behind the scenes in order to shed light on the creative process involved in bringing the film to fruition.
An updated & revised version of the previous edition on the making of Mr. Magoo's Christmas Carol featuring new information, over 130 new images and a soundtrack CD.
Cartoon Research presents "Jay Ward's Animated Cereal Capers." The origins, history and adventures of Cap'n Crunch, Quisp and Quake, and King Vitaman, cartoon commercials produced by Jay Ward Productions from 1963 to 1983. Included inside are original sketches, animation cell art work and complete episode title listing. A fun book that's guaranteed to stay crunchy even in milk.
Cartoon Research presents The Hare Raising Tales of Crusader Rabbit, the first made-for-television animated cartoon series, created by Alex Anderson. The book features the story behind the creation of the character, the series, and a complete episode guide of all 23 adventures. This includes series one, produced by Alex Anderson and Jay Ward's Television Arts Productions Inc. with Jerry Fairbanks, and series two, produced by Shull Bonsall and TV Spots, and how Bonsall acquired the character. The book also presents Anderson's creation of Rocky, Bullwinkle, and Dudley Do-Right. Original sketches, model sheets, and series snapshots.
Foreword by Seth MacFarlane On the twentieth anniversary of the seven-time Emmy Award-winning Fox animated television series comes Inside Family Guy: An Illustrated History, a fully illustrated, full-color visual guide honoring its reign—from storyboards to character sketches to script excerpts to cast and crew interviews—and giving fans exclusive access behind the scenes. This comprehensive guide is an essential collector’s item for the millions and millions of Family Guy fans around the world. Featuring 240 pages of concept art, exclusive interviews with crew and cast members—including Seth MacFarlane, Seth Green, Mila Kunis, Alex Borstein, and Mike Henry—script excerpts, production notes, and countless insights on the making of the episodes as well as fan favorite characters Meg Griffin, Stewie Griffin, Glenn Quagmire, Brian Griffin, Lois Griffin, and Cleveland Brown, this is the ultimate guide to one of the most popular animated shows ever created. Commentary from the crew will walk fans through every step of production, from conception meetings to the final print, detailing not only the artistic process but the history of its creation as well. Featuring storyboards, costume designs, reference photographs, immaculate background paintings and much more, the world of Family Guy and its memorable characters has never been revealed in such gorgeous detail before.
Finding the perfect Christmas tree is very important for Papa Bear and the cubs. But while hunting for that one special tree, the family meets up with other animals that live in them. Papa, Brother, and Sister realize that the trees are perfect homes for the animals and show kindness and love for their fellow Bear Country friends by not cutting them down. The animals from the forest work together to thank the Bear Family in a wonderful and unique way.
Young Hamilton feels the weight of responsibility when he must manage the family empire, even while coping with his personal monster from folklore, the creature called Tailipoe.