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Collecting ten case histories along with over ninety illustrations, this title focuses on the author's anthropological synthesis of psychoanalysis and art theory.
High schooler Natalie Cordova has just been diagnosed with Bipolar disorder. Her mom insists she keep it secret. Putting up a front and hiding her mental illness from her classmates is going to be the hardest thing high schooler Natalie Cordova has ever done. It’s her senior year, and she’s just been selected to present her artwork at a prestigious show. With the stress of performing on her shoulders, it doesn’t help when Natalie notices a boy who makes her heart leap. And then there’s fellow student Ella, who confronts Natalie about her summer car “accident” and pressures her into caring for the world’s ugliest dog. Now Natalie finds herself juggling all kinds of feels and responsibilities. Surely her newly prescribed medication is to blame for the funk she finds herself in. But as Natalie’s plan to self-treat unravels, so does the perfect façade she’s been painting for everyone else. Written from experience, this heartfelt and candid contemporary YA novel explores the stigma surrounding mental illness and offers an uplifting narrative of resilience.
No one is more conscious of the faults of this work than the author. Therefore some self -criticism should be woven into this foreward. There are two possible methodologically pure solutions to this book's theme: a de scriptive catalog of the pictures couched in the language of natural science and accom panied by a clinical and psychopathological description of the patients, or a completely metaphysically based investigation of the process of pictorial composition. According to the latter, these unusual works, explained psychologically, and the exceptional circum stances on which they are based would be integrated as a playful variation of human expression into a total picture of the ego under the concept of an inborn creative urge, behind which we would then only have to discover a universal need for expression as an instinctive foundation. In brief, such an investigation would remain in the realm of phenomenologically observed existential forms, completely independent of psychiatry and aesthetics. The compromise between these two pure solutions must necessarily be piecework and must constantly defend itself against the dangers of fragmentation. We are in danger of being satisfied with pure description, the novelistic expansion of details and questions of principle; pitfalls would be very easy to avoid if we had the use of a clearly outlined method. But the problems of a new, or at least never seriously worked, field defy the methodology of every established subject.
For fans of Louise Rennison, Sarah Mlynowski, and Stephanie Perkins comes a laugh-out-loud, bittersweet debut full of wit, wisdom, heart, and a hilarious, unforgettable heroine. It's kind of crazy how you can pay so much attention to yourself and still not see a thing. Izzy is a hypochondriac with enormous boobs that won't stop growing, a mother with a rare disease who's hiding something, a best friend who appears to have undergone a personality transplant, and a date with an out-of-her-league athlete who just spilled Gatorade all over her. Yes, Izzy Skymen has a hectic life. But what Izzy doesn't realize is that these are only minor symptoms of life's insanity. When she discovers that the people she trusts most are withholding from her the biggest secrets, things are about to get epic -- or is it epidemic?
Being ill isn t a cause for joy, I nevertheless have no right to complain about it, for it seems to me that nature sees to it that illness is a means of getting us back on our feet, of healing us, rather than an absolute evil. --Vincent van Gogh to John Peter Russell, Saint-Remy-de-Provence, February 1, 1890"
Madness and Modernism provides a phenomenological study of schizophrenic disorders, criticizing some standard conceptions of these disorders. Sass argues that many aspects of this group of disorders can actually involve more sophisticated (albeit dysfunctional) forms of mind and experience.
From start to finish, Evidence of Insanity, the hilarious new book by Carol Piner, is a jaw dropping, full-speed-ahead romp through the life of a girl who stares down disaster with righteous rage and prevails over her extraordinary life. Her character is someone who ""dances shamelessly"" through a maelstrom of events that would bring a man down, but she bounces back and keeps going. This is an amazing story that will leave you both laughing and crying at the same time. Do not pick it up late at night or you will be reading until two to three in the morning. And, do not give your copy to a friend. You probably won't get it back. One reader called this book a, ""Pitch Perfect Telling of a Timeless Story."" She was so very right. One reader has carried this book 6,000 miles. So far.
‘A riveting tale, brilliantly told' Philippe Sands The little-known story of Hitler’s war on modern art and the mentally ill.