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Discusses the artist's work and presents many of his unpublished drawings.
The second in a three-volume series, The Art of Herge is a selection of Herge's outstanding, often unpublished drawings showing the diversity of his work and offering the reader a view of the range of his talent. This second volume covers the years 1937 to 1949 - a fascinating period in the artist's career. It marks the maturity of Herge - in 1937 he was only 30, but he had laid down enough markers to lay claim to his future territory, the strip cartoon. It was also during this period that he began to render the adventures of Tintin in colour.
The first in a three-volume series features a a selection of Herge's outstanding unpublished drawings. Georges Remi, better known as Herge, the creator of Tintin and Snowy, was born a century ago. He left an exceptional legacy in the form of Tintin, but completed a variety of equally impressive work. This first volume covers the years from 1907 to 1937 and his development as a young, promising artist - his schoolboy sketches, his first published drawings and, of course, his early comics.
Although by its title, this book seems to be about a specialized topic, the spread of Mithraic societies and its avatars, in time and geographical expanse, much enhances its relevancy. From Roman legionaries to chivalry orders, from dervish circles to guild organizations, and from Freemasons to French revolutionaries, the hierarchy of Mithraic societies, their initiation rites, and their oaths of secrecy, provided a model for brotherhood organization that was efficient, but also flexible; they could adapt their philosophy to the prevailing politico-religion conditions of the day, because they did not worship any particular god, but could also be comrades in arms with nascent religious movements, such as with Christianity. Mithra was the initial guarantor of their oath, and if need be it could be replaced by Jesus, Allah or any other divinity. Their "religion" was their brotherhood, and as such they usually provided a counter-balance to the power elite, and had the potential to become politically active.
Accompanied by his dog Snowy, Tintin leaves Brussels to go undercover in Soviet Russia. His attempts to research his story are put to the test by the Bolsheviks and Moscow's secret police...
Snowy has sniffed out another mystery, but also discovers a taste for Scottish whisky! After a terrifying chase through the skies, Tintin sets out to investigate the infamous Black Island. But can Tintin and Snowy escape the terrible ‘beast’ that devours every man bold enough to go near?
The first reference work to provide an integrated and authoritative body of information about the political, cultural and economic contexts of postcolonial literatures that have their provenance in the major European Empires of Belgium, Denmark, France, G
The world’s most famous travelling reporter is on the trail of the Blue Lotus. In India, Tintin gets drawn into a dangerous mystery revolving around a madness-inducing poison. He traces its origins to Shanghai and a nefarious web of opium traffickers. But can he outwit the crooks? Join the most iconic character in comics as he embarks on an extraordinary adventure spanning historical and political events, and thrilling mysteries. Still selling over 100,000 copies every year in the UK and having been adapted for the silver screen by Steven Spielberg and Peter Jackson in 2011. The Adventures of Tintin continue to charm more than 80 years after they first found their way into publication. Since then an estimated 230 million copies have been sold, proving that comic books have the same power to entertain children and adults in the 21st century as they did in the early 20th.
A Comparative History of Literatures in the Iberian Peninsula is the second comparative history of a new subseries with a regional focus, published by the Coordinating Committee of the International Comparative Literature Association. As its predecessor for East-Central Europe, this two-volume history distances itself from traditional histories built around periods and movements, and explores, from a comparative viewpoint, a space considered to be a powerful symbol of inter-literary relations. Both the geographical pertinence and its symbolic condition are obviously discussed, when not even contested. Written by an international team of researchers who are specialists in the field, this history is the first attempt at applying a comparative approach to the plurilingual and multicultural literatures in the Iberian Peninsula. The aim of comprehensiveness is abandoned in favor of a diverse and extensive array of key issues for a comparative agenda. A Comparative History of Literatures in the Iberian Peninsula undermines the primacy claimed for national and linguistic boundaries, and provides a geo-cultural account of literary inter-systems which cannot otherwise be explained.