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Edwin Putnik, like most other contributors to the The Art of series, has been a member of many prestigious symphony orchestras and university faculties. The Art of Flute Playing can aid students of all degrees of advancement. Part I is devoted to Basic Principles and Pedagogy, Part II to Artist Performance. Part I is particularly helpful not only to beginning flute students, but also to non-flutists teaching in school music programs.
A comprehensive instruction manual for learning to play the Native American flute, including information on tunings, fingerings, performance technique, tablature, style, history, standard notation, traditional ornaments, and a section on the care and maintenance of the flute. Also features sixteen transcriptions of songs from Nakai's recordings, and an analysis of his career as a recording artist and performer by the ethnomusicologist David P. McAllester.
Originally published in 1752, this is a new paperback edition of the classic treatise on 18th-century musical thought, performance practice, and style
The instrument -- Performance -- The music -- Repertoire catalog -- Fingering chart for the Boehm flute -- Flute manufacturers -- Repair shops -- Sources for instruments and accessories -- Sources for music and books -- Journals, societies, and service organizations -- Flute clubs and societies.
Both Santa Fe and Taos are well known as important twentieth-century American art colonies. Until the publication of Santa Fe and Taos, their fame rested more upon the reputations of resident and visiting artists than on the contributions of the writers, playwrights and poets who lived side-by-side with the artists. Notable among writers who paid extended visits to the colony were D.H. Lawrence, Willa Cather, Robert Frost, Thornton Wilder, Carl Sandburg, Sinclair Lewis and Edna St. Vincent Millay.
The best way to learn to make Native American Flutes is to learn from someone who already makes them. This time honored tradition is how they have been made for the last 8000 years or so. This book leads the reader down the path of flute making which its creator had originally taken and with the experience of 28 years of work in the craft, he provides an edge for those wanting to learn how to make Native American Flutes. From beginning to end and with many types of flutes as well as materials to make them out of, this book teaches both advanced as well as the upcoming flute maker just starting the journey.