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Excerpt from The Art of Enamelling Upon Metal With a Short Appendix Concerning Miniature Painting on Enamel I have written this book with a desire that it shall be of use to those who are studying the Art of Enamelling, and in doing so I wish it to be understood that whatever it contains is the result of my own personal knowledge and experience in daily practice. I have kept the technical descriptions of processes as brief as is compatible with clearness. Other methods I have been compelled to omit, owing to the intricacy and complexity involved in their manufacture. These cannot be explained except and save by the aid of demonstration, and even then can only be really understood and appreciated after some years of study and practice. The illustrations I have chosen chiefly from our museums in order that they might be conveniently referred to, and others are from my own work and that of contemporary artists. I tender my thanks to Professor H. von Herkomer, R.A., and M. Ferdinand Thesmar, for their kindness in lending me photographs of their work for illustration. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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Vols. for 1871-76, 1913-14 include an extra number, The Christmas bookseller, separately paged and not included in the consecutive numbering of the regular series.
David A. Scott provides a detailed introduction to the structure and morphology of ancient and historic metallic materials. Much of the scientific research on this important topic has been inaccessible, scattered throughout the international literature, or unpublished; this volume, although not exhaustive in its coverage, fills an important need by assembling much of this information in a single source. Jointly published by the GCI and the J. Paul Getty Museum, the book deals with many practical matters relating to the mounting, preparation, etching, polishing, and microscopy of metallic samples and includes an account of the way in which phase diagrams can be used to assist in structural interpretation. The text is supplemented by an extensive number of microstructural studies carried out in the laboratory on ancient and historic metals. The student beginning the study of metallic materials and the conservation scientist who wishes to carry out structural studies of metallic objects of art will find this publication quite useful.