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Everyone can draw and paint, including you! Even if you have never drawn or painted before, you can start creating your own beautiful artwork. Let the Willenbrinks show you how! Beginning with materials and basic techniques, these pages will teach you everything you need to know to get started in drawing, watercolors and oil painting. Follow along with 75+ demonstrations and mini-demonstrations as you learn how to draw and paint a wide variety of subjects: people, landscapes, buildings, still life and more. Every essential art topic is covered, from sketching and shading to composition and color. Simple step-by-step instruction and many enormously useful lessons and tips will have you making your own masterpieces in no time! You may be an absolute beginner, but great results are absolutely within reach!
Originally developed in the 18th century as a visual supplement to botanical nomenclature, botanical illustration and art uniquely fuse art and science by documenting the parts, details, and life cycles of plant species. In Drawing and Painting Botanicals for Artists, eminent botanical artist and veteran workshop instructor Karen Kluglein reveals her secrets for rendering leaves, flowers, berries, and branches both accurately and beautifully. The book begins with a brief history of the art form, followed by guidance on developing observational skills for this genre, key botanical terms and concepts, and the differences among botanical illustration, botanical art, and flower painting. The chapters that follow offer detailed guidance and demonstrations for drawing and painting botanicals in a variety of mediums: Drawing. Explore loose gestural drawing, precise measuring and rendering, and working from photographs with graphite, colored pencil, finepoint markers, pen and ink, and silverpoint. Painting. Master color mixing, washes, layering, gradations, values, and adding details in watercolor, gouache, and acrylic, plus guidance on adding “personality” to your work and knowing when a painting is done. Drawing and Painting Botanicals for Artists shows artists at all skill levels how to translate careful observations into stunning works of art.
This all-inclusive book covers everything about portraiture in the most popular drawing and painting media.
Unique perspectives from an acclaimed art historian on the relationship between drawing and painting From Drawing to Painting interweaves biographical information about five renowned French artists—Nicolas Poussin, Antoine Watteau, Jean-Honoré Fragonard, Jacques-Louis David, and Jean-Auguste-Dominique Ingres—with a fascinating look at dozens of their drawings and the links that they have to their paintings. This book explores drawing as a site of reflection, the space between the idea of a painted image and its realization on canvas. How, why, and for whom did these artists draw? What value did they place on their drawings? How did their drawings get handed down to us? In what way do they enable us better to understand the artists’ intentions, their creative processes, and to penetrate their worlds? Pierre Rosenberg determines that each artist approached drawing in a distinctive way, reflecting his individual training, work habits, and personal ambitions. For example, Poussin viewed his drawings simply as working documents, Watteau preferred his drawings to his paintings, and Fragonard made a lucrative business selling his graphic work. For David and Ingres, drawing had a considerable pedagogical function, whether in copying the great works of their predecessors or in sharpening their own techniques. From Drawing to Painting Offers an unprecedented view of the artistic process, and makes an important and beautiful addition to any art library. Please note: All images in this ebook are presented in black and white and have been reduced in size.
Bursting with practical techniques, engaging artist profiles and inspirational galleries, Drawing and Painting combines an authoritative approach with a contemporary aesthetic guaranteed to appeal to all artists. The book's up-to-date approach is a far cry from the dry instructions and dated artwork that feature in more traditional art books. In contrast to other, project-orientated titles, Drawing and Painting places the emphasis on the techniques themselves, encompassing drawing, sketching and a range of painting styles. From pen and ink to oils and acrylics, specially commissioned photography and artwork accompanies step-by-step techniques, while profiles of contemporary artists provide insight into various working methods, materials and techniques. Acknowledging the growing interest in digital tools as a medium, information is provided throughout the book on how effects can be created using Smart Pens, tablets and apps.
The decision to learn to draw and paint invariably brings up a lot of questions for the beginner. "What medium should I try? What materials will I need? How do I make the first marks on a blank sheet of paper?" The most important question of all, of course, is: "Do I have any artistic talent?" In this book Mike Chaplin answers all those questions and more, ranging from basic markmaking with drawing tools, watercolors, pastels, and oils to tackling complicated subjects such as perspective in an easily comprehensible way. Which media you eventually decide you want to use the most will depend on your own temperament and your preferred style of working, but all have something special to bring to a subject and your art will greatly benefit from trying them all. Meanwhile, Mike's accessible style of teaching will demonstrate to you that you can indeed draw and paint through learning the necessary techniques in a simple and structured way. A member of the prestigious Royal Watercolour Society of Great Britain, Mike Chaplin combines a notable career in art with communicating his knowledge and enthusiasm to artists in workshops in the UK and internationally.
Eric Mantle presents the basics of classical theory in a clear & and concise manner for all beginning drawing and painting students. His book features diagrams that illustrate every concept. Students will see the complexities of color theory and understand how to create the illusion of volume and depth on a 2-dimensional surface. As an art student, Professor Mantle recalls, "I was frequently frustrated by instructional books that gave lengthy verbal descriptions of visual concepts and then showed small and/or unclear diagrams of those concepts. As an art teacher, I found that my students would ;gain a clearer understanding of a visual concept if my verbal explanation was combined with a diagram of that concept. A Visual Guide to Classical Art Theory is great for both traditional and non-traditional media. Each page, theory and diagram represents different tool for the artist to use. Through their use, the artist will find an infinite number of solutions. Artists also may use the book to create a trompe-l'oeil effect in graffiti art or the illusion of volume and depth on the computer. A Visual Guide to Art Theory is presented in a unique, non-verbal format that clearly illustrates the effect of perspective on color, light and shade.
Drawings and paintings are made, and the process of making creates unique meanings that transform our perception of space-time and our sense of finitude. By using a phenomenological approach, the understanding of art practice and its relation to particular historical and cultural contexts can be significantly enhanced.
In Drawing and Painting Animals, exceptional artwork and step-by-step lessons help aspiring artists draw wildlife that’s not only accurate but also captures the personality of the animal! First, readers will find sage how-to advice for finding the right subjects, working on location, drawing from photographs, and more. Next, captivating text and clear exercises help readers practice everything from preparing the working surface to painting, glazing, and varnishing. They’ll see how to add depth and texture, as well as discover tested tips for depicting fur, feathers, features, and even specific animals like big cats, monkeys, and birds. Finally, aspiring artists will be treated to hundreds of extraordinary, full-color reproductions from some of the world’s best wildlife artists, including Bob Kuhn, Dino Paravano, Raymond Harris-Ching, and Roland Jonsson. This all-in-one guide is the next best thing to having your own private teacher!
This is an essential resource for painting and drawing buildings of all sorts, from town houses to public buildings. There are exercises for composition and perspective and each finished artwork is annotated with tips and techniques.