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One of the most significant shifts in contemporary art during the past two decades concerns artists and collectives who have moved their artistic focus from representation to direct social action. This publication shows why this transition might change our understanding of artistic production at large and make us reconsider the role of art in society. The book gathers internationally recognized artists, scholars, and experts in the field of socially engaged art to reflect upon historical developments in this field and explore the role that German artist Joseph Beuys?s concept of social sculpture played in its evolution. The contributions provide theoretical reflections, historical analysis, and frame critical debates about exemplary socially engaged art projects since the 1970s in order to examine the strategies, opportunities, and failures of this practice--Back cover.
A radical anthropologist studies the global justice movement.
Art has always played a significant role in the history of the labour movement. Songs, stories, poems, pamphlets, and comics, have inspired workers to take action against greedy bosses and helped shape ideas of a more equal world. They also help fan the flames of discontent. Radical social change doesn't come without radical art. It would be impossible to think about labour unrest without its iconic songs like "Solidarity Forever" or its cartoons like Ernest Riebe's creation, Mr. Block. In this vein, The Graphic History Collective has created an illustrated chronicle of the strike--the organized withdrawal of labour power--in Canada. For centuries, workers in Canada--Indigenous and non-Indigenous, union and non-union, men and women--have used the strike as a powerful tool, not just for better wages, but also for growing working-class power. This lively comic book will inspire new generations to learn more about labour and working-class history and the power of solidarity.
Direct Action tells the story of how a small group of "radical pacifists"—nonviolent activists such as David Dellinger, Staughton Lynd, A.J. Muste, and Bayard Rustin—played a major role in the rebirth of American radicalism and social protest in the 1950s and 1960s. Coming together in the camps and prisons where conscientious objectors were placed during World War II, radical pacifists developed an experimental protest style that emphasized media-savvy, symbolic confrontation with institutions deemed oppressive. Due to their tactical commitment to nonviolent direct action, they became the principal interpreters of Gandhism on the American Left, and indelibly stamped postwar America with their methods and ethos. Genealogies of the Civil Rights, antiwar, and antinuclear movements in this period are incomplete without understanding the history of radical pacifism. Taking us through the Vietnam war protests, this detailed treatment of radical pacifism reveals the strengths and limitations of American individualism in the modern era.
Banksy, the Yes Men, Gandhi, Starhawk: the accumulated wisdom of decades of creative protest is now in the hands of the next generation of change-makers, thanks to Beautiful Trouble. Sophisticated enough for veteran activists, accessible enough for newbies, this compact pocket edition of the bestselling Beautiful Trouble is a book that’s both handy and inexpensive. Showcasing the synergies between artistic imagination and shrewd political strategy, this generously illustrated volume can easily be slipped into your pocket as you head out to the streets. This is for everyone who longs for a more beautiful, more just, more livable world – and wants to know how to get there. Includes a new introduction by the editors. Contributors include: Celia Alario • Andy Bichlbaum • Nadine Bloch • L. M. Bogad • Mike Bonnano • Andrew Boyd • Kevin Buckland • Doyle Canning • Samantha Corbin • Stephen Duncombe • Simon Enoch • Janice Fine • Lisa Fithian • Arun Gupta • Sarah Jaffe • John Jordan • Stephen Lerner • Zack Malitz • Nancy L. Mancias • Dave Oswald Mitchell • Tracey Mitchell • Mark Read • Patrick Reinsborough • Joshua Kahn Russell • Nathan Schneider • John Sellers • Matthew Skomarovsky • Jonathan Matthew Smucker • Starhawk • Eric Stoner • Harsha Walia
300+ pages of diagrams, descriptions of techniques and a comprehensive overview of the role direct action plays in resistance--from planning an action, doing a soft blockade, putting up a treesit or executing a lockdown; to legal and prisoner support, direct action trainings, fun political pranks, and more. The DAM has been compiled and updated by frontline activists from around the US to help spread the knowledge and get these skills farther out in the world.
The collision of activism and contemporary art, from the Seattle protests to Occupy and beyond The collision of activism and contemporary art, from the Seattle protests to Occupy and beyond What is the relation of art to the practice of radical politics today? Strike Art explores this question through the historical lens of Occupy, an event that had artists at its core. Precarious, indebted, and radicalized, artists redirected their creativity from servicing the artworld into an expanded field of organizing in order to construct of a new—if internally fraught—political imaginary set off against the common enemy of the 1%. In the process, they called the bluff of a contemporary art system torn between ideals of radical critique, on the one hand, and an increasing proximity to Wall Street on the other—oftentimes directly targeting major art institutions themselves as sites of action. Tracking the work of groups including MTL, Not an Alternative, the Illuminator, the Rolling Jubilee, and G.U.L.F, Strike Art shows how Occupy ushered in a new era of artistically-oriented direct action that continues to ramify far beyond the initial act of occupation itself into ongoing struggles surrounding labor, debt, and climate justice, concluding with a consideration of the overlaps between such work and the aesthetic practices of the Black Lives Matter movement. Art after Occupy, McKee suggests, contains great potentials of imagination and action for a renewed left project that are still only beginning to ripen, at once shaking up and taking flight from the art system as we know it.
A lifetime of activist experience from a civil rights legend informs this playbook for building and conducting nonviolent direct action campaigns In an era of massive worldwide protests for racial and economic justice, it is important to remember that marching is only one way to take to the streets. Protest must be supplemented with the sustained direct action campaigns that are crucial to winning major reforms. Beginning as a trainer in the civil rights movement of the 1960s, George Lakey has spent decades helping direct action tactics flourish and succeed on the front lines of social change. Now, in this timely and down-to-earth guide, he passes the torch to a new generation of activists. Lakey looks to successful campaigns across the world to help us see what has worked, what hasn’t, and why: from choosing the right target to designing a creative campaign; from avoiding burnout within your group to building a movement of movements to achieve real progressive victories. Drawing on the experiences of a diverse set of ambitious change-makers, How We Win shows us the way to justice, peace, and a sustainable economy. This is what democracy looks like.
'Direct Action & Sabotage' (1912) by William Trautman, 'Sabotage: It's History, Philosophy And Function' (1913) by Walker Smith, and Elizabeth Gurley Flynn's 'Sabotage: The Conscious Withdrawal Of The Workers' Industrial Efficiency' (1916), edited, and with an introduction by Salvatore Salerno. The activist authors of the text s in this collection challenged the prevailing stereotype....As they point out, the practice of direct action, and of sabotage, are as old as class society itself, and have been an integral part of the everyday worklife of wage-earners in all times and places. To the Industrial Workers of the World (IWW) belongs the distinction of being the first workers' organization in the US to discuss these common practices openly, and to recognize their place in working class struggle. View direct action and sabotage in the spirit of creative nonviolence, Wobblies readily integrated these tactics into their struggle to build industrial unions. [From the Introduction]
The acclaimed author of My Birth asks: can photographs help us live? A timely and explosive book by acclaimed artist and writer Carmen Winant, Instructional Photography offers an investigation of a genre of photographs Winant calls "instructional." It asks: can photographs teach, in and of themselves? Alternating between found images and shorter, text-based observations, Winant delves into this category of images through her own collection, understanding them as something beyond, or at least in between, documentary and fine art. Included in the volume are pictures of dog-training techniques, home gynecological exams and sitting Shiva, among many others. The book builds on a presentation that Winant delivered at the MoMA Contemporary Photo Forum in September 2020. Carmen Winant (born 1983) is an artist and writer based in Columbus, Ohio, where she is the Roy Lichtenstein Endowed Chair of Studio Art at Ohio State University. Her recent artist's books, My Birth and Notes on Fundamental Joy, were published by SPBH Editions, ITI Press and Printed Matter.