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Opmålingsskibet "Beagle"s togt til Sydamerika og videre jorden rundt
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Presents a wide selection of drawings, and oil and watercolour paintings, by prominent landscape artist, including many of his lesser-known works. Gives a detailed account of his life, which provides a fresh analysis of social context and characterises and identifies his major works. Includes references; a bibliography; a select, illustrated catalogue of works held by the State Library of NSW in Sydney, and an index. The author is Curator of Pictures, Mitchell Library, State Library of NSW.
Originally published in 1979, this volume gathers together an account of the voyage of HMS Beagle round the world in 1831-6.
The fascinating story of the Scott sisters, who transformed nature into art in their extraordinary paintings of butterflies and moths, is told here for the first time.With their collecting boxes, notebooks, and paintbrushes, Harriet and Helena Scott entered the masculine worlds of science and art and became two of nineteenth-century Australia's most prominent natural history painters. Transformations tells the complete story of the Scott sisters for the first time--their early lives in colonial Sydney, their training as naturalists and artists on the isolated Ash Island, and their professional triumphs. This is a rare pictorial record of two talented and determined women who transformed nature into art in their extraordinary paintings.
Early in 1836 Charles Darwin spent two months in Australia as part of his voyage around the world on the Beagle. During this time he visited the town of Sydney, travelled on horseback across the Blue Mountains to Bathurst, visited Hobart in Tasmania, and called into King George Sound in Western Australia. Darwin met with several of the leading figures of the Australian colonies, including members of the King and Macarthur families in Sydney, and Alfred Stephen and George Frankland in Hobart.