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The purpose of this book is to explain that the art of advocacy and persuasion, when tied to the “ many convincing proofs” (Acts 1:3) of the factual resurrection of Jesus Christ, is deeply Biblical and is best seen as “ logic supplemented” and not “ logic supplanted.” With examples, both good and bad, from our profession, the reader will learn how to “ think like a lawyer” when engaged in “ giving a reason for the hope that is within” them.We have all heard it said of someone: “ He thinks like a lawyer.” In spite of the generally negative public image of lawyers in our day, this characterization is usually a high compliment: It suggests clarity and precision of thought, coupled with a particular persuasive ability not shared by those outside the legal profession. In this book, we shall examine the reasoning process in general, together with those special styles of reasoning and presentation that lawyers and judges employ professionally to get to the truth in the best of cases. This book combines the “ is” and the “ ought” : we wish to offer a clear description of legal reasoning and also provide some normative guidelines to assist in the improvement of your reasoning faculties.
From a world-renowned painter, an exploration of creativity’s quintessential—and often overlooked—role in the spiritual life “Makoto Fujimura’s art and writings have been a true inspiration to me. In this luminous book, he addresses the question of art and faith and their reconciliation with a quiet and moving eloquence.”—Martin Scorsese “[An] elegant treatise . . . Fujimura’s sensitive, evocative theology will appeal to believers interested in the role religion can play in the creation of art.”—Publishers Weekly Conceived over thirty years of painting and creating in his studio, this book is Makoto Fujimura’s broad and deep exploration of creativity and the spiritual aspects of “making.” What he does in the studio is theological work as much as it is aesthetic work. In between pouring precious, pulverized minerals onto handmade paper to create the prismatic, refractive surfaces of his art, he comes into the quiet space in the studio, in a discipline of awareness, waiting, prayer, and praise. Ranging from the Bible to T. S. Eliot, and from Mark Rothko to Japanese Kintsugi technique, he shows how unless we are making something, we cannot know the depth of God’s being and God’s grace permeating our lives. This poignant and beautiful book offers the perspective of, in Christian Wiman’s words, “an accidental theologian,” one who comes to spiritual questions always through the prism of art.
Our world is changing dramatically, yet many Christians still rely on cookie-cutter approaches to evangelism and apologetics. In his magnum opus, Os Guinness presents the art and power of creative persuasion—the ability to talk to people who are closed to what we are saying. Discover afresh the persuasive power of Christian witness.
This is the story of a glorious defeat. Ordway, an atheist academic, was convinced that faith was superstitious nonsense. As a well-educated college English professor, she saw no need for just-so stories about God. Secure in her fortress of atheism, she was safe (or so she thought) from any assault by irrational faith. So what happened? How did she come to “lay down her arms” in surrender to Christ and then, a few years later, enter the Catholic Church? This is the moving account of her unusual journey. It is the story of an academic becoming convinced of the truth of Christianity on rational grounds — but also the account of God’s grace acting in and through her imagination. It is the tale of an unfolding, developing relationship with God — told with directness and honesty — and of a painful surrender at the foot of the Cross. It is the account of a lifelong, transformative love of reading and the story of how a competitive fencer put down her sabre to pick up the sword of the Spirit. Above all, this book is a tale of grace, acting in and through human beings but always issuing from God and leading back to Him. And it is the story of a woman being brought home.
Christians are increasingly interested in justice issues. Relief and development work are important, but beyond that is a need for advocacy. This book shows how transforming systems and structures results in lasting change, providing theological rationale and strategies of action for evangelicals passionate about justice. Each of the authors contributes both academic expertise and extensive practical experience to help readers debate, discuss, and discern more fully the call to evangelical advocacy. They also guide readers into prayerful, faithful, and wise processes of advocacy, especially in relation to addressing poverty.
What is the one aspect of this broken world that, when you see it, touch it, get near it, you just can’t stand? Very likely, that firestorm of frustration reflects your holy discontent, a reality so troubling that you are thrust off the couch and into the game. It’s during these defining times when your eyes open to the needs surrounding you and your heart hungers to respond that you hear God say, “I feel the same way about this problem. Now, let’s go solve it together!”Bill Hybels invites you to consider the dramatic impact your life will have when you allow your holy discontent to fuel instead of frustrate you. Using examples from the Bible, his own life, and the experiences of others, Hybels shows how you can find and feed your personal area of holy discontent, fight for it when things get risky, and follow it when it takes a mid-course turn. As you live from the energy of your holy discontent, you’ll fulfill your role in setting what is wrong in this world right!
Excerpt from The Christian Advocate, Vol. 11: For the Year 1833 In presenting to his readers the eleventh volume of the Christian Advocate, the Editor has little more to say, than to renew his do. Vout acknowledgments to a merciful God, for the prolonging of his life, and for crowning it, as heretofore, with innumerable blessings, both temporal and spiritual; and especially for the continuance, at an advanced age, of some capacity for active employment in the ser vice of his adored Redeemer; and while the Divine goodness is thus recognised as demanding the highest and warmest gratitude, to express also, the sincere thanks which he feels to be due to those who have long remained the steadfast patrons of this publication, as well as to those - a respectable number - who in the year past have added their names to the list of his subscribers. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Satan is not God’s enemy in the Bible, and he’s not always bad—much less evil. Through the lens of the Old and New Testaments, Erik Butler explores the Devil in literature, theology, visual art, and music from antiquity up to the present, discussing canonical authors (Dante, Milton, and Goethe among them) and a wealth of lesser-known sources. Since his first appearance in the Book of Job, Satan has pursued a single objective: to test human beings, whose moral worth and piety leave plenty of room for doubt. Satan can be manipulative, but at worst he facilitates what mortals are inclined to do anyway. “The Devil made me do it” does not hold up in the court of cosmic law. With wit and surprising examples, this book explains why.