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Annette Schemmel provides a highly illuminating case study of the major actors, discourses and paradigm that shaped the history of visual arts in Cameroon during the second part of the 20th century. Her book meticulously reconstructs the multiple ways of artistic knowledge acquisition - from the consolidation of the "Système de Grands Frères" in the 1970s to the emergence of more discursively oriented small artists' initiatives which responded to the growing NGO market of social practice art opportunities in the 2000s. Based on archival research, participant observation and in depth interviews with art practitioners in Douala and Yaoundé, this study is a must read for everyone who wants to better understand the vibrant artistic scenes in countries like Cameroon, which until today lack a proper state-funded infrastructure in the arts.
Written as part of the Bambui Museum and Ecotourism Project (BMEP), this stunningly illustrated book introduces readers to the history of the Bambui fondom in the western Grassfields of Cameroon, and presents an exhaustive interpretation of the artistic and cultural heritage of the fondom. Initially conceived as part of an initiative launched in 2001 by Centro Orientamento Educativo, an Italian NGO, aimed at creating museums in some palaces of the Cameroon Grassfields, the book serves as a pilot endeavour towards addressing problems associated with antiques and other cultural assets such as theft and the illegal traffic of objects, the exploitation of poor fondoms by African art dealers and researchers from the West, and the lack of education about the different ways and means the fondoms could employ to transform these resources to the benefit of all. For anyone aspiring to learn about the rich and diverse art of Bambui, in particular, and the western Grassfields as a whole, this book will prove useful, especially since it is written by someone who has lived, and is still living, the Bambui experience.
The ancient kingdoms of the Cameroon Grassfields are famous for their splendid artworks--ornamented thrones, wooden figures, enormous drums, finely carved jewelry made from ivory and brass, and fabulous masks. This book presents 150 masterpieces from the courts of the Grassfield kingdoms. Historical photographs illustrate the magnificent life at the courts encountered by European visitors in the late 19th century. Additional field photographs taken in recent years show that the traditions in the Grassfields are still alive today. Two leading scholars in the field of Cameroonian art give an important introduction to the fascinating and complex world of the Grassfield kingdoms: their rituals, secret societies, and, above all, the meaning of art in this context.
Cameroon, in Central Africa, has been called Africa in miniature. It is characterized by exceptional social and ethnic diversity, with more than 250 ethnicities now forming five major regional-culture groupings. This volume is the first to encapsulate Cameroon's rich indigenous and modern customs and traditions in depth. The narrative emphasizes those aspects that define its modern nation, its peoples, the unique societies, their institutions, and various lifestyles. The origins of Cameroon's diverse culture are traced back to the various ethnic groups and languages as well as the influence of European colonialism, Christianity, Islam, and other external factors, including globalization. In each topical chapter, examples from ethnic groups are presented to give some sense of the variety of experiences. Cameroon has had a turbulent and eventful modern history with German, English, and French incursions, and students and general readers will be able to understand the current struggle for democracy post independence. The history colors the substantial coverage of the many topics examined, from education, to marriage and women's roles, sports, and holidays, daily life, the arts, and much more. This volume will stand as the definitive, accessible introduction to Cameroon and will be essential for building a well-rounded Africa collection.
"In 1966 the century-old statue, Afo-A-Kom, mysteriously disappeared from its sanctuary in the remote Cameroon Kingdom of Kom, triggering a world-wide search that ended in a New York art gallery in the Fall of 1973. The story of Afo-A-Kom, how its absence threatened the very existence of the Kom people, and its eventual return to its home, are ... told by the journalist whose stories of Afo-A-Kom aroused immense international interest when they appeared on the front pages of The New York Times"--Dustjacket.
In the late 19th and early 20th centuries, artists working for the royal court of Bamum, in Cameroon, created elaborate bead-covered thrones and stools, wooden sculptures, masks in human and animal form, architectural carvings, and fine objects in bronze, ivory, and clay. This book focuses on the history, iconography, and meaning of these royal arts and looks at Western collectors who were fascinated by King Ibrahim Njoya (ruled 1886/7 to 1931) and the splendor of the royal court. Visual and written sources--including testimony by King Njoya and his courtiers, and extensive archival records--cast light on the strategies of a monarch who allowed visitors to acquire these arts to enhance the kingdom's reputation in distant Europe. The history of Bamum arts thus offers unique perspectives on African creativity and ingenuity, and European ways of collecting.