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The batik designs of Java's North Coast are particularly varied in both design and colour. With their fanciful, highly imaginative motifs and luminous tints, they are more immediately appealing than the sombre blue and brown batik of Central Java. It was a chance encounter in a Hong Kong antique shop that inspired photojournalist Inger McCabe Elliot to devote over three decades to assembling one of the world's finest collections, which she presented to the Los Angeles Country Museum of Art in 1991. This volume, published in conjunction with an exhibition at the Museum, celebrates Elliott's gift and presents her collection. Essays by authorities on the subject examine the 82 featured batik textiles from historical, cultural and aesthetic perspectives. The essays are followed by biographies of some of the most distinguished batik designers and entrepreneurs and a descriptive catalogue of the batiks. Appendices document design formats and motifs, as well as the complete production process of North Coast batiks.
Batik occupies a special place in Indonesian culture. Each fabric has a rich story to tell--as a reflection of the nation's religious beliefs, sophisticated court cultures and cosmopolitan history. The extraordinary textiles in this book are from the collections of Rudolf Smend and Donald Harper. Most date from the period 1880 to 1930 when the art of batik reached its apogee. Having collected historical batik for over thirty years and published two books on the subject, Rudolf Smend has invited his friend and fellow batik specialist Donald Harper to contribute his fine collection to this publication as well. None of the batik in this book have been published before. They represent an exquisite cross-section of the batik production of Java--the most important batik-producing region in the world. The cloths are complemented by vintage photographs from the first quarter of the 20th century demonstrating how the batik were worn at court and at home. Three are from museums in Dresden and Cologne, while three are from the private collection of Leo Haks. The others have been collected over the past 30 years from private sources in Java. The captions are by Maria Wronska-Friend, an ethnologist and batik expert who frequently visits Indonesian batik centers and has worked for many years as an anthropologist in Papua New Guinea. Her contributions provide fundamental knowledge for lovers of this art form while at the same time providing new insights for experts. Rudolf Smend has invited other batik aficionados of his generation to share their passion for batik in this book. Inger McCabe Elliott, author of the bestselling Batik: Fabled Cloth of Java has contributed her lifelong experience. Other authorities like Annegret Haake, Brigitte Khan Majlis and Jonathan Hope share their views and expertise in these pages. This book represents a labor of love and a lifetime of friendship for the two authors, who hope it will provide inspiration to a whole new generation of batik lovers.
From one of the top batik dealers in the world, this book features over 70 pieces from the late 19th & early 20th centuries
Batik: Fabled Cloth of Java is richly illustrated with color plates of the finest antique and contemporary batik from thirty museums and private collections around the world. From the royal courts of Yogyakarta and Cirebon to the coastal towns of Pekalongan, Surabaya and Lasem, Inger McCabe Elliot takes the reader on a spellbinding tour of Java's north coast examining the customs, cultures and craftsmanship that distinguishes its magic cloth. Batik--Fabled Cloth of Java is a sumptuous book and now a classic, richly illustrated with color plates of the finest antique and contemporary batik batik from collections all over the world. It includes historical photographs, etchings, engravings, maps and photographs of modern Java. This new edition will be welcomed by designers, scholars and art lovers alike. it is the product of many years of collecting and on-the-scene exploration by a leading photojournalist, whose life was changed forever when she first laid eyes on the wondrous batik of Java's north coast.
This guide to Apache Batik—the Java library that can be used to read SVG files and translate the instructions in the files into graphics—shows how Batik can also be used to save the graphics as JPEG, TIFF, PNG, GIF, and other formats, so that the graphics can be transferred. Using Batik to create animation similar to Flash movies and its use for creating a drawing program such as Corel DRAW are also covered.
From about 1840 onwards, batiks found their way from what was called the Netherlands East Indies, then under Dutch colonial rule, to the Netherlands, where they were kept in private and public collections. Owing to Holland's great interest in Batik, Amsterdam's Tropenmuseum now owns a collection of over 3000 pieces. Many represent the major batik centres that emerged on Java, Madura and Sumatra. Batiks tell the stories of their maker, their wearers and eventual collectors. By studying the history of individual pieces from their creation to their arrival in the Tropenmuseum, we can relate them to their shared history. Batik became a product of intercultural contact in a society where different ethnic groups lived next to or with each other. This book focuses on this communication, on batiks as visual witnesses of cultural encounter within the East but also between the East and the West. This book will appeal to anyone interested in Indonesian arts and textiles. It is a rich source of study for scholars interested in the art of batik and the society in which it developed to its high level of perfection.
A vast archipelago noted for its varies, intricate and labour-intensive textile traditions. Contents: 1. Introduction 2. The Batik process 3. Traditional Batik clothing 4. Batik designs 5. Centres of Batik production 6. Condlusion.
Watercolor Batik: An Artist's Guide to Watercolor Batik on Rice Paper, by award winning artist Martha Heppard is the first book published worldwide devoted entirely to watercolor batik known to exist. She takes an artist through the history of batik and introduces them to the batik technique for watercolor on rice paper in a very clear and concise manner. She includes four demonstrations with step by step instructions. This book is written for the beginning artist as well as the more advanced painter looking to enhance their skills and take their watercolor to a new level. Martha's paintings are extraordinary because of how she uses multiple layers of paint to build up rich strong colors. The realm of batik is expanded by this book, for the technique of watercolor batik is similar but yet different from that of textile batik (and there is a different aesthetic experience in looking at the two). This book has 50 photos in 84 pages, allowing the reader to visualize, as well as read about, the process of watercolor batik on rice paper.