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Winner of a 2017–2018 New York City Book Award presented by the New York Society Library Of all the world's great cities, perhaps none is so defined by its Art Deco architecture as New York. Lively and informative, New York Art Deco leads readers step-by-step past the monuments of the 1920s and '30s that recast New York as the world's modern metropolis. Anthony W. Robins, New York's best-known Art Deco guide, includes an introductory essay describing the Art Deco phenomenon, followed by eleven walking tour itineraries in Manhattan—each accompanied by a map designed by legendary New York cartographer John Tauranac—and a survey of Deco sites across the four other boroughs. Also included is a photo gallery of sixteen color plates by nationally acclaimed Art Deco photographer Randy Juster. In New York Art Deco, Robins has distilled thirty years' worth of experience into a guidebook for all to enjoy at their own pace.
New York calls to mind many things: the Chrysler Building with its innovative design and sunburst pattern, the Empire State building with its amazing views and dominating size, Rockefeller Center seamlessly merging commerce and art. Each of these cherished pieces of New York were created during one of the city's most stylish and dazzling decades: the 1920s and 30s. New York Deco profiles this magnificent period of creativity in architecture when art deco thrived with its emphasis on machinetooled elegance and sleek lines. Many of the New York City landmarks were born of this age, as well as dozens of lesser-known office buildings and apartment houses. Together, they make the skyline of the Big Apple what it is today. Richard Berenholtz's "extraordinary" and "voluptuous" photographs have offered the best of New York in the large scale New York New York and Panoramic New York and now brilliantly highlight the finest examples of NYC's art deco architecture. Berenholtz's photography is accompanied by text from writers, artists, and personalities of the era, including F. Scott Fitzgerald, Dorothy Parker, Edna St. Vincent Millay, Ogden Nash, and Frank Lloyd Wright to create a wonderful celebration of the era. A perfect gift for the New Yorker and tourist alike, this gem of a book is a window into one of city's most divine periods. This new edition is deluxe in every way: it is 25% larger, has a cloth case with foil stamping encased in a cloth slipcase, also with foil stamping, and a hand-tipped image, with shrinkwrapping. It contains six gatefolds not included in the original edition, bringing the new page count to 184 from 160 pages. Includes a limited edition print of the Chrysler Building, signed and number by the photographer. Limited to 5,000 copies.
Art Deco was the style-commentator of many architectural trends in the early decades of the twentieth century. Before it culminated in the architecture of the American skyscraper, Art Deco had become an international style in art, architecture, and design. The Art Deco skyscraper in New York is this style's most ambitious archi- tectural aspiration. The stylistic qualities of Art Deco - in particular, tight decorative surfaces with various forms of modernistic ornament - endowed the skyscraper with a cluster of architectural images which reached back to ancient forms of design as well as forward into the modernistic esthetic. In this book, the Art Deco skyscraper in New York is analyzed against the background of decoration, ornament, symbolism, eclecticism, and modernism in the art and architecture of the twentieth century.
The Chrysler building is surely the jewel in the crown of New York City's skyline. Completed in 1930, the 77-story Art Deco skyscraper quickly became the symbol of big city glamour. *These never-before-seen photos illustrate the day-by-day construction of this American icon. 170 photos.
"This book has been published in conjunction with the exhibition Ralph Walker: Architect of the Century, Walker Tower, New York City, 2012"--T.p. verso.
Art Deco New Yorktakes readers on a historically rich and visually spectacular journey through New York in the early decades of the 20th century, when the style known as art deco, with its emphasis on machine-tooled elegance and sleekness of line, replaced the voluptuous beaux arts style that preceded it. It was an era when floating art deco palaces like the Normandie and the Queen Mary, and elegant, speedy trains like Henry Dreyfuss' redesigned Twentieth Century Limited transformed the way people perceived travel. There are dazzling photographs-many never before published-of such art deco icons as Schultze and Weaver's soaring Waldorf Astoria, Jospeh Urban's Zeigfeld Theater and Central Park Casino, and the sky-piercing spire of William Van Alen's Chrysler Building. This book takes a wise, witty, and intimate look at a style that came to New York via Paris in the 1920s and almost overnight became a quintessential symbol of modernity. • The public's already strong interest in art deco will be enhanced by two major art deco exhibits to be mounted 2004 and 2005 • Author is a leading authority on art deco • A perfect book for lovers of New York and architecture
The metropolis of the future — as perceived by architect Hugh Ferriss in 1929 — was both generous and prophetic in vision. This illustrated essay on the modern city and its future features 59 illustrations.
Once the world’s tallest skyscraper, the Woolworth Building is noted for its striking but incongruous synthesis of Beaux-Arts architecture, fanciful Gothic ornamentation, and audacious steel-framed engineering. Here, in the first history of this great urban landmark, Gail Fenske argues that its design serves as a compelling lens through which to view the distinctive urban culture of Progressive-era New York. Fenske shows here that the building’s multiplicity of meanings reflected the cultural contradictions that defined New York City’s modernity. For Frank Woolworth—founder of the famous five-and-dime store chain—the building served as a towering trademark, for advocates of the City Beautiful movement it suggested a majestic hotel de ville, for technological enthusiasts it represented the boldest of experiments in vertical construction, and for tenants it provided an evocative setting for high-style consumption. Tourists, meanwhile, experienced a spectacular sightseeing destination and avant-garde artists discovered a twentieth-century future. In emphasizing this faceted significance, Fenske illuminates the process of conceiving, financing, and constructing skyscrapers as well as the mass phenomena of consumerism, marketing, news media, and urban spectatorship that surround them. As the representative example of the skyscraper as a “cathedral of commerce,” the Woolworth Building remains a commanding presence in the skyline of lower Manhattan, and the generously illustrated Skyscraper and the City is a worthy testament to its importance in American culture.