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Tim Burton's latest motion picture, Dumbo, elegantly answers the question left at the end of Disney's animated film: What would the world do, if an elephant could fly? Burton is known for creating fantasy worlds, or fantastical real worlds, that are visually stunning and full of trademark characteristics: gothic sensibilities, spirals, stripes, bold colors, and elongated and exaggerated aesthetics. He populates them with unique and distinctive characters who are large-eyed and taper-limbed and often visibly different in some way. His films are quirky, humorous, emotional, and sympathetic to those who don't fit the definition of normal. Every single one is a celebration of individuality, and Burton's Dumbo is no exception. In The Art and Making of Dumbo, author and longtime Burton collaborator Leah Gallo, after first setting the stage with a thoughtful history on Disney's 1941 animated classic, shares a detailed account of how Burton and his talented team reimagined this tale into a magical new film. Through interviews with the cast and crew, a breathtaking collection of art and photography, and a stylish design by fellow Burton collaborator Holly Kempf, this book is an appreciation of the dozens of departments and thousands of people who overlapped, interacted, and collaborated to bring to life the story of a flying elephant and the humans who wanted to exploit him along with those who loved and helped him. Dumbo's story development, location scouting, casting, costuming, set design, special effects, music, and more are vividly presented here in a true celebration of heart and imagination.
For “fan[s] of all things Charlie Brown animated . . . gives you insight as to what . . . Charles M. Schultz felt about these TV and film adaptations” (MTV News). For the first time, this deluxe visual history treats Peanuts fans to an in-depth look at the art and making of the beloved animated Peanuts specials. From 1965’s original classic A Charlie Brown Christmas through the 2011 release of Happiness Is a Warm Blanket, animation historian Charles Solomon goes behind the scenes of all forty-five films, exploring the process of bringing a much-loved comic strip to life. The book showcases the creative development through the years with gorgeous, never-before-seen concept art, and weaves a rich history based on dozens of interviews with former Peanuts directors, animators, voice talent, and layout artists, as well as current industry folk. Filling a void in animation publishing—there is no other history or art book of the Peanuts specials—this volume celebrates five decades of the artistry and humor of Charles M. Schultz and the artists who reimagined the comic for the screen. “This engaging art book features dozens of interesting interviews, but the real treasure is all the often-seen images and little-seen artifacts associated with the five decades of Emmy-winning Peanuts specials.” —The Washington Post “The beautiful, display-worthy book unfolds the history of the Peanuts TV specials and is filled with interviews with the creators of the ’toons; insider scoop on the productions; and fun, exclusive material like storyboards, Charles Schulz’s model sheets, scripts, original cels, and publicity materials.” —Yahoo! TV “A compelling journey through Schulz’s world.” —Sioux City Journal
"Volume accompanies the exhibition ... presented at Japan Society Gallery, New York, from October 5, 2007, through January 13, 2008"--T.p. verso.
A collection of science-fiction short stories by the author of "Lucky's Harvest". They feature dozens of characters, a new way of travelling between the stars, a strange planet, magical powers, bravura set-pieces, and manoeuvres of narrative.
One of the most popular comic strips of the 1950s and the first to reference politics of the day, Walt Kelly's Pogo took on Joe McCarthy before the controversial senator was a blip on Edward R. Murrow's radar. The strip's satire was so biting, it was often relegated to newspaper editorial sections at a time when artists in other media were blacklisted for far less. Pogo was the vanguard of today's political comic strips, such as Doonesbury and Pearls Before Swine, and a precursor of the modern political parody of late night television. This comprehensive biography of Kelly reveals the life of a conflicted man and unravels the symbolism and word-play of his art for modern readers. There are 241 original Pogo comic strips illustrated and 13 other Kelly artworks (as well as illustrations by other cartoonists).
LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.
Demystifying Disney: A History of Disney Feature Animation provides a comprehensive and thoroughly up-to-date examination of the Disney studio's evolution through its animated films. In addition to challenging certain misconceptions concerning the studio's development, the study also brings scholarly definition to hitherto neglected aspects of contemporary Disney. Through a combination of economic, cultural, historical, textual, and technological approaches, this book provides a discriminating analysis of Disney authorship, and the authorial claims of others working within the studio; conceptual and theoretical engagement with the constructions of 'Classic' Disney, the Disney Renaissance, and Neo-Disney; Disney's relationship with other studios; how certain Disney animations problematise a homogeneous reading of the studio's output; and how the studio's animation has changed as a consequence of new digital technologies. For all those interested in gaining a better understanding of one of cinema's most popular and innovative studios, this will be an invaluable addition to the existing literature.
While Pixar Animation Studios was creating beloved feature-length films such as Monsters Inc., Ratatouille, and WALLE, it was simultaneously testing animation and storytelling techniques in dozens of memorable short films. Andre and Wally B proved that computer animation was possible; Tin Toy laid the groundwork for what would become Toy Story; and Mike's New Car exposed Pixar's finely tuned funny bone. In The Art of Pixar Short Films, animation expert and short film devotee Amid Amidi shines a spotlight on these and many more memorable vignettes from the Pixar archive. Essays and interviews illuminate more than 250 full-color pastels, pencil sketches, storyboards, and final rendered frames that were the foundation of Pixar's creative process.
Gentrification is transforming cities, small and large, across the country. Though it’s easy to bemoan the diminished social diversity and transformation of commercial strips that often signify a gentrifying neighborhood, determining who actually benefits and who suffers from this nebulous process can be much harder. The full story of gentrification is rooted in large-scale social and economic forces as well as in extremely local specifics—in short, it’s far more complicated than both its supporters and detractors allow. In Newcomers, journalist Matthew L. Schuerman explains how a phenomenon that began with good intentions has turned into one of the most vexing social problems of our time. He builds a national story using focused histories of northwest Brooklyn, San Francisco’s Mission District, and the onetime site of Chicago’s Cabrini-Green housing project, revealing both the commonalities among all three and the place-specific drivers of change. Schuerman argues that gentrification has become a too-easy flashpoint for all kinds of quasi-populist rage and pro-growth boosterism. In Newcomers, he doesn’t condemn gentrifiers as a whole, but rather articulates what it is they actually do, showing not only how community development can turn foul, but also instances when a “better” neighborhood truly results from changes that are good. Schuerman draws no easy conclusions, using his keen reportorial eye to create sharp, but fair, portraits of the people caught up in gentrification, the people who cause it, and its effects on the lives of everyone who calls a city home.
Made in Brooklyn provides a belated critique of the Maker Movement: from its origins in the nineteenth century to its impact on labor and its entanglement in the neoliberal economic model of the tech industry. This critique is rooted in a case study of one neighborhood in Brooklyn, where artists occupy former factory buildings as makers. Although the Maker Movement promises to revitalize the city and its dying industrial infrastructure by remaking these areas as centers of small-scale production, it often falls short of its utopian ideals. Through her analysis of the Maker Movement, the author addresses broader questions around the nature of artistic work after the internet, as well as what the term ‘hipster’ means in the context of youth culture, gentrification, labor, and the influence of the internet. Part history, part ethnography, this book is an attempt to provide a unified analysis of how the tech industry has infiltrated artistic practice and urban space.