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The Art and Craft of Wood shows you how to mill, stack, dry, and flatten a log into useable lumber and build a variety of household furnishings. Trees are all around us. They provide shade, beautify our neighborhoods, filter our water, and clean our air, but when they die, we often don't know what to do with them. Now you can learn the skills to reclaim those trees as lumber. Perfect for the woodworking hobbyist, The Art and Craft of Wood introduces readers to the basics of wood craft. The Art and Craft of Wood will inspire you to make something of your own through simple, step-by-step photos. As a reader, you will learn valuable skills, including: Where to find wood that you can reclaim for your own use How to mill, stack, dry, and flatten your log into useable lumber Create a variety of useful household furnishings in 7 step-by-step projects ranging in difficulty from novice to more complicated What to do with leftover material, such as making firestarters and animal bedding Authors Silas Kyler and David Hildreth are also the filmmakers behind the documentary Felled, a film about giving new life to urban trees; they have lived the process of refining wood. The Art and Craft of Wood is their guide to you!
Innovative approach to bookbinding explains techniques that elevate handmade books into extraordinary artworks. Simple, well-illustrated directions explain how to make pop-up panels, pages that "explode" from the spine, slipcases, and more.
Where people live, trees live. They provide shade, beautify our neighborhoods, filter our water, and clean our air, but when they die, we often don't know what to do with them. More and more, that is changing as we learn the skills to reclaim those trees as lumber. Aimed at the woodworking hobbyist or aspiring DIYer, The Art and Craft of Wood introduces readers to the basics of wood craft.
A rich, authoritative look at a material that plays an essential role in human culture Wood has been a central part of human life throughout the world for thousands of years. In an intoxicating mix of science, history, and practical information, historian and woodworker Harvey Green considers this vital material's place on the planet. What makes one wood hard and one soft? How did we find it, tame it? Where does it fit into the histories of technology, architecture, and industrialization, of empire, exploration, and settlement? Spanning the surprising histories of the log cabin and Windsor chair, the deep truth about veneer, the role of wood in the American Revolution, the disappearance of the rain forests, the botany behind the baseball bat, and much more, Wood is a deep and satisfying look at one of our most treasured resources.
Beautifully illustrated guide by a master woodcrafter presents 12 projects, with mix-and-match suggestions for creating dozens of spoons and other implements. Perfect for beginners, the book features clear, detailed directions.
Although it is often referred to as woodburning, the art of pyrography can be worked on just about any natural surface, including gourds, leather, or cotton rag paper. Now Lora Irish, the author of the bestselling Great Book of Woodburning, offers thirty-five amazingly detailed new projects that explore the craft of pyrography across the full range of inventive pyro media. Inside her new book, readers will learn the basics of pyrography systems, tools, supplies and practice boards. Differences between the various substrates are examined and discussed, including both wood and non-wood working surfaces. Irish provides expert advice on temperature settings, fill patterns, hand positions, textures, stroke patterns and more. Chapters are included on creating tonal values, understanding shadows, adding color to your burnings, and finishing the work. Thirty-five new patterns illustrate the application of fine pyrography across a wide variety of imaginative media, including vegetable tanned leather, dried gourds, cotton fabric, artist paper, chipboard and papier-mâché. Irish is known for her amazingly detailed patterns that positively exude expression, and this book does not disappoint. Each fascinating project includes complete instructions plus photographs of both the finished piece and the work-in-progress across pale, medium, dark and detailed stages.
In this collection of nine essays some of the preeminent art historians in the United States consider the relationship between art and craft, between the creative idea and its realization, in Renaissance and Baroque Italy. The essays, all previously unpublished, are devoted to the pictorial arts and are accompanied by nearly 150 illustrations. Examining works by such artists as Michelangelo, Titian, Volterrano, Giovanni di Paolo, and Annibale Carracci (along with aspects of the artists' creative processes, work habits, and aesthetic convictions), the essayists explore the ways in which art was conceived and produced at a time when collaboration with pupils, assistants, or independent masters was an accepted part of the artistic process. The consensus of the contributors amounts to a revision, or at least a qualification, of Bernard Berenson's interpretation of the emergent Renaissance ideal of individual "genius" as a measure of original artistic achievement: we must accord greater influence to the collaborative, appropriative conventions and practices of the craft workshop, which persisted into and beyond the Renaissance from its origins in the Middle Ages. Consequently, we must acknowledge the sometimes rather ordinary beginnings of some of the world's great works of art--an admission, say the contributors, that will open new avenues of study and enhance our understanding of the complex connections between invention and execution. With one exception, these essays were delivered as lectures in conjunction with the exhibition The Artists and Artisans of Florence: Works from the Horne Museum hosted by the Georgia Museum of Art in the fall of 1992.
From William Morris and the roots of the Arts & Crafts movement, through Gustav Stickley, the Prairie School, and including contemporary pieces, this book celebrates the classic furniture--and the master craftsmen who made it. 500 photos.
Throughout the 21st century, various craft practices have drawn the attention of academics and the general public in the West. In Craft is Political, D Wood has gathered a collection of essays to argue that this attention is a direct response to and critique of the particular economic, social and technological contexts in which we live. Just as Ruskin and Morris viewed craft and its ethos in the 1800s as a kind of political opposition to the Industrial Revolution, Wood and her authors contend that current craft activities are politically saturated when perspectives from the Global South, Indigenous ideology and even Western government policy are examined. Craft is Political argues that a holistic perspective on craft, in light of colonialism, post-colonialism, critical race theory and globalisation, is overdue. A great diversity of case studies is included, from craft and design in Turkey and craft markets in New Zealand to Indigenous practitioners in Taiwan and Finnish craft education. Craft is Political brings together authors from a variety of disciplines and nations to consider politicised craft.
The Wood Burn Book teaches you everything you need to know to master the art of pyrography.