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Originally published: Baltimore, Md.: Penguin Books, 1954.
This is a paperback of a one-volume introduction to the history of Russian art and architecture from medieval times to the 1970s. Robin Millner-Gulland focuses on Old Russia down to the mid-nineteenth century, stressing some of the important discoveries made since the last war about methods of building in the Middle Ages. John Bowlt writes on the period from 1860 to the present day and highlights that socialist realism was by no means been the only form of expression produced during the half century before 1981, when this book was first published. Each chapter is fully illustrated and care has been taken to provide visual references to the principal artistic and architectural movements discussed in the text, as well as transliterations of Russian text for the non-specialist reader. The book treats art and architecture together and relating them to the wider social and intellectual pressures of the Russian age.
This is the first book to show the development of Russian architecture over the past thousand years as a part of the history of Western architecture. Dmitry Shvidkovsky, Russia’s leading architectural historian, departs from the accepted notion that Russian architecture developed independent of outside cultural influences and demonstrates that, to the contrary, the influence of the West extends back to the tenth century and continues into the present. He offers compelling assessments of all the main masterpieces of Russian architecture and frames a radically new architectural history for Russia. The book systematically analyzes Russian buildings in relation to developments in European art, pointing out where familiar European features are expressed in Russian projects. Special attention is directed toward decorations based on Byzantine models; the heritage of Italian master builders and carvers; the impact of architects and others sent by Elizabeth I; the formation of the Russian Imperial Baroque; the Enlightenment in Russian art; and 19th- and 20th-century European influences. With over 300 specially commissioned photographs of sites throughout Russia and western Europe, this magnificent book is both beautiful and groundbreaking.
This is a paperback of a one-volume introduction to the history of Russian art and architecture from medieval times to the 1970s. Robin Millner-Gulland focuses on Old Russia down to the mid-nineteenth century, stressing some of the important discoveries made since the last war about methods of building in the Middle Ages. John Bowlt writes on the period from 1860 to the present day and highlights that socialist realism was by no means been the only form of expression produced during the half century before 1981, when this book was first published. Each chapter is fully illustrated and care has been taken to provide visual references to the principal artistic and architectural movements discussed in the text, as well as transliterations of Russian text for the non-specialist reader. The book treats art and architecture together and relating them to the wider social and intellectual pressures of the Russian age.
Since its initial publication in 1993, A History of Russian Architecture has remained the most comprehensive study of the topic in English, a volume that defines the main components and sources for Russia's architectural traditions in their historical context, from the early medieval period to the present. This edition includes 80 new full-page color separations, many of which are published here for the first time, as well as a new Prologue and elegant photographic essay drawn from the author's research and fieldwork over the past decade in remote areas of the Russian north and Siberia. Subject to influences from east and west, Russian architecture's distinctive approaches to building are documented in four parts of this definitive study: early medieval Rus up to the Mongol invasion in the mid-twelfth century; the revival of architecture in Novgorod and Muscovy from the fourteenth to the seventeenth centuries; Peter the Great's cultural revolution, which extended through the eighteenth and nineteenth centuries; and the advent of modern, avant-garde, and monumental Soviet architecture. Beautifully illustrated and carefully researched, A History of Russian Architecture provides an invaluable cultural history that will be of interest to scholars and general audiences alike. View the William C. Brumfield Russian Architecture Collection online at http://content.lib.washington.edu/brumfieldweb/index.html
Offers a survey of the painting and architecture of Russia
The dramatic transformation of Russian architecture from the 1880s to the 1917 revolution reflected the profound changes in Russian society as it entered the modern industrial age. William Craft Brumfield examines the extraordinary diversity of architectural styles in this period and traces the search by architects and critics for a "unifying idea" that would define a new architecture. Generously illustrated with archival materials and with the author's own superb photographs, this is the first comprehensive study by a Western scholar of a neglected period in European architectural and cultural history. Brumfield explores the diverse styles of Russian modernism in part by analyzing the contemporary theoretical debate about them: the relation between technology and style, the obligation of architecture to society, and the role of architecture as an expression of national identity. Steeped in controversy, Russian modernism at the beginning of the century foreshadowed the radical restructuring of architectural form in the Soviet Union during the two decades after the revolution. This authoritative work provides a new understanding of Russian architecture's last brief entrepreneurial episode and offers insight on our own era, when individual freedom and initiative may once again find expression in Russian architecture. The dramatic transformation of Russian architecture from the 1880s to the 1917 revolution reflected the profound changes in Russian society as it entered the modern industrial age. William Craft Brumfield examines the extraordinary diversity of architectural styles in this period and traces the search by architects and critics for a "unifying idea" that would define a new architecture. Generously illustrated with archival materials and with the author's own superb photographs, this is the first comprehensive study by a Western scholar of a neglected period in European architectural and cultural history. Brumfield explores the diverse styles of Russian modernism in part by analyzing the contemporary theoretical debate about them: the relation between technology and style, the obligation of architecture to society, and the role of architecture as an expression of national identity. Steeped in controversy, Russian modernism at the beginning of the century foreshadowed the radical restructuring of architectural form in the Soviet Union during the two decades after the revolution. This authoritative work provides a new understanding of Russian architecture's last brief entrepreneurial episode and offers insight on our own era, when individual freedom and initiative may once again find expression in Russian architecture.
The rich and diverse architectural traditions of the Eastern Mediterranean and adjacent regions are the subject of this book. Representing the visual residues of a "forgotten" Middle Ages, the social and cultural developments of the Byzantine Empire, the Caucasus, the Balkans, Russia, and the Middle East parallel the more familiar architecture of Western Europe. The book offers an expansive view of the architectural developments of the Byzantine Empire and areas under its cultural influence, as well as the intellectual currents that lie behind their creation. The book alternates chapters that address chronological or regionally-based developments with thematic studies that focus on the larger cultural concerns, as they are expressed in architectural form.