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The peoples of Sri Lanka have participated in far-flung trading networks, religious formations, and Asian and European empires for millennia. This interdisciplinary volume sets out to draw Sri Lanka into the field of Asian and Global History by showing how the latest wave of scholarship has explored the island as a ‘crossroads’, a place defined by its openness to movement across the Indian Ocean.Experts in the history, archaeology, literature and art of the island from c.500 BCE to c.1850 CE use Lankan material to explore a number of pressing scholarly debates. They address these matters from their varied disciplinary perspectives and diverse array of sources, critically assessing concepts such as ethnicity, cosmopolitanism and localisation, and elucidating the subtle ways in which the foreign may be resisted and embraced at the same time. The individual chapters, and the volume as a whole, are a welcome addition to the history and historiography of Sri Lanka, as well as studies of the Indian Ocean region, kingship, colonialism, imperialism, and early modernity.
Volume Three offers 1643 annotated records on publications regarding the art and archaeology of South Asia, Central Asia and Tibet selected from the ABIA Index database at www.abia.net which were published between 2002 and 2007.
This inderdisciplinary inquiry seeks to uncover how Buddhism was expressed during the waning years of indigenous political power in Asia's oldest continuing Buddhist culture. It focuses on King Kirti Sri Rajasinha and how he successfully revised Sinhalese Theravada Buddhism.
This richly illustrated, four-colour textbook introduces the art and archaeology of ancient Greece, from the Bronze Age through to the Roman conquest. Suitable for students with no prior knowledge of ancient art, this textbook reviews the main objects and monuments of the ancient Greek world, emphasizing the context and function of these artefacts in their particular place and time. Students are led to a rich understanding of how objects were meant to be perceived, what 'messages' they transmitted and how the surrounding environment shaped their meaning. The book contains nearly five hundred illustrations (with over four hundred in colour), including specially commissioned photographs, maps, floorplans and reconstructions. Judith M. Barringer examines a variety of media, including marble and bronze sculpture, public and domestic architecture, painted vases, coins, mosaics, terracotta figurines, reliefs, jewellery and wall paintings. Numerous text boxes, chapter summaries and timelines, complemented by a detailed glossary, support student learning.
A fresh and exciting exploration of Southeast Asian history from the 5th to 9th century, seen through the lens of the region's sculpture
"The volume thoroughly examines the origins and principal types of Buddhist architecture in Asia primarily between the third century BCE-twelfth century CE with an emphasis on India. It aims to construct shared architectural traits and patterns alongwith the derivative relationships between Indian and Asian Buddhist monuments. It also discusses the historical antecedents in the Indus Civilization and the religious and philosophical foundations of the three schools of Buddhism and its founder, Buddha. Previously obscure topics such as Aniconic and Vajrayana (Tantric) architecture and the four holiest sites of Buddhism will also be covered in this comprehensive volume. The author further investigates the influences of Buddhist architecture upon Islamic, Christian, and Hindu architecture that have been overlooked by past scholars."
The Ṭämpiṭavihāras of Sri Lanka focuses on one distinctive Buddhist architectural practice from pre-modern Sri Lanka – the construction of Buddha image-houses on elevated wooden platforms supported by stone pillars. As a centre of Buddhism, Sri Lanka has a rich tradition of erecting Buddha image-houses, the origin of which dates to the fifth century. Yet, the ṭämpiṭavihāra tradition only existed from the thirteenth to the nineteenth centuries. The ṭämpiṭavihāra is an exceptional type of image-house, not only for its specific timeframe and unique construction technology, but also for its complex architectural conception of the Buddhist worldview and soteriology. Except for this period of Sri Lankan history, this architectural exemplar does not exist in anytime or anywhere in the entire Buddhist world. This book examines the significant aspects of ṭämpiṭavihāra architecture and documents some of the distinctive examples with an analysis of their architectural design and symbolic content. Richly illustrated with photographs and drawings, the book is organized into two parts. The first part examines the significant historical, cultural, and architectural aspects of ṭämpiṭavihāras in depth. The second part documents fifty of the distinctive examples of ṭämpiṭavihāras in the country with an analysis of their architectural designs and symbolic content. Each example is illustrated with architectural drawings of its plans, elevations, and sections along with photographs. The book also includes a list of over 200 extant tämpiṭavihāras in the country. This book is the very first comprehensive examination of the subject of tämpiṭavihāras published in any language and made available for a global audience. It narrates the story of ṭämpiṭavihāras from a multidimensional perspective that involves architecture, anthropology, archaeology, art history, geography, history, sociology, and theology. Consequently, it appeals to a vast array of enthusiasts of these disciplines in addition to scholars in Asian studies, South Asian studies, Sri Lankan studies, and Buddhist studies.