Download Free The Art Album Book in PDF and EPUB Free Download. You can read online The Art Album and write the review.

What do Russell Simmons, Shepard Fairey, and Jay-Z, have in common, besides being some of the most respected influential people in the world? They felt the need to come together to represent their art for the sake of this book. The objective of the project is to showcase the art behind the lyrics of hip-hop in juxtaposition of similar themes in contemporary art, to encourage readers to consider the meaning and value behind these works and themes at large. It celebrates the long-standing relationship between the visual arts and hip-hop music, and is the result of a collaboration between two giants of the American music scene. Each chapter of the book will has a theme: for example, the chapter about New York, titled "Empire State of Mind" after Jay-Z's epic single, which peaked within the top ten in ten countries in 2009. Lyrics from the song are presented beside contemporary art inspired by New York, an exclusive commentary from Russell and Danny Simmons, and a contextualizing text from legendary writer and activist Nikki Giovanni, as well as other academics. This concept of presenting songs, art, and interviews alongside each other offers an incomparable insight into the influence that hip-hop has on contemporary culture, and the unrivaled significance that this subculture has risen to. This collaboration between so many big names in music, art, and academia is a unique project.
Like a well-made playlist, the album covers in this volume combine to create a portrait of cool and culture desired by art, music, and record lovers alike. Art Sleeves is a time capsule of visual art and music culture as shown through the most important record covers designed by visual artists and graphic designers in the past forty years. This tightly curated collection of covers chosen includes works with significant cultural impact as well as collaborations that themselves created cultural fascination. The eclectic roster of visual artist-musician collaborations presented spans art and musical genres as well as generations, including Ryan McGinley for Sigur Rós, Kara Walker for Arto Lindsay, Peter Saville for Joy Division, Barbara Kruger for Growing Up Skipper, Jeff Koons for Lady Gaga, Tauba Auerbach for Glasser, and Stanley Donwood for Radiohead, to name a few. From postmodernist paintings and minimalism to collage and photography, as well as New Wave, emo, pop, and punk, the albums chosen present a bright and rich visual and cultural history. This inspiring volume celebrates this long creative tradition of visual artist-musician collaborations and, just like a perfect album, it will be treasured by art, music, and record lovers alike.
This book traces right back to the 1940s and even before (including some great single sleeves from the 1930s). It covers over seven decades of music packaging and features stories and the work of many key designers, photographers, and artists who made it all happen.
"Hipgnosis was the design firm of choice for the biggest and best bands of the classic rock era. Formed by Storm Thorgerson and Aubrey Powell in 1968, Hipgnosis was a graphic design studio specializing in creative photography and working mainly in the music business designing album covers for many rock 'n' roll bands including Pink Floyd, Led Zeppelin, Genesis, 10cc, Yes, Peter Gabriel, Black Sabbath, Paul McCartney, Syd Barrett and Styx, amongst others. For a dozen years Hipgnosis created timeless rock iconography. This is the first book to document their output in detail, focusing on over 60 package designs - from cover to label - written about in entertaining detail by the men who created them. Also included are short essays by musicians (such as Pink Floyd's Nick Mason), artists (Peter Blake) and fellow designers (Paula Scher) on their favorite covers, plus a contextual commentary by Adrian Shaughnessy, as well as unseen photographs and ephemera."--BOOK JACKET.
Music lovers have been attracted to the distinct style and sleek sound of jazz since its birth at the turn of the century. The album covers collected in this comprehensive volume under the well-known Blue Note record label embody classic design and pioneering typography. Two hundred color photographs of the album sleeves, an informative history of the Blue Note record company, and a portrait of Reid Miles, who designed nearly 500 album covers, capture the integrity of this distinctive record label. Sophisticated jazz connoisseurs and young listeners alike, as well as those with an interest in style and graphic design, will enjoy this exciting book of jazz memorabilia.
Sexy, provocative, playful, beautiful: from their earliest days, LP covers have been objects of art and fascination. This celebration of album artistry presents more than 350 of the best covers, and departs from the usual approach by organizing the images by visual theme. Many of us remember the iconic album-cover images that defined our collective and individual histories—such as the smoldering pinup girl on the Cars’Candy-O, the plaintive baby following a dollar bill through water on Nirvana’sNevermind, and Andy Warhol’s controversial zippered pants on the Rolling Stones’Sticky Fingers. From perennial classics to lesser-known gems, here is the LP art that shook, rattled, and rolled us through music’s early formative years. The thematic chapters include: Art:Ornette Coleman,Empty Foxhole; The Sex Pistols,Never Mind the Bollocks; Santana,Abraxas Death:Otis Redding,History of Otis Redding; Frank Zappa,Hot Rats; Ice Cube,Kill At Will; Metallica,Master of Puppets Drugs:The Beatles,Sergeant Pepper’s Lonely Hearts Club Band; The Monkees,Head; Thelonious Monk,Underground; Peter Tosh,Bush Doctor Ego:Frank Sinatra,No One Cares; Astrud Gilberto,Nothing Better To Do; Joni Mitchell,Clouds; LL Cool J,Mama Said Knock You Out; Bjork,Debut Escape:Johnny Cash,Orange Blossom Special; Bob Dylan,Freewheelin’; Peter Gabriel,1 (car) Identity:The Jackson 5,ABC; Pink Floyd,Dark Side of the Moon; Blondie,Parallel Lines Politics:Funkadelic,America Eats Its Young; Bruce Springsteen,Born in the USA Rock & Roll:Jerry Lee Lewis,Jerry Lee Lewis and His Pumping Piano; Clash,London Calling Sex:The Ohio Players,Honey; Robert Palmer,Double Fun; Pulp,This Is Hardcore Real World:The Allman Brothers,Brothers & Sisters; Bob Marley,Catch A Fire; Lucinda Williams,Car Wheels on a Gravel Road
We find ourselves square in the middle of one of the greatest periods in music packaging. Events such as Record Store Day have pushed collectible packaging back to the cultural forefront; millennials have started buying physical records; and hip clothing outlets devote massive amounts of space to record players and racks of LPs.The designers collected here are at the forefront of this movement. Some have been working in the music industry for decades, while others are fresh on the scene. They all share a desire to elevate the simple record cover and the wrapping that surrounds these products into something more, something special, something unique, something memorable. Lifelong music fans, they pour every ounce of creative energy into coming up with solutions worthy of the music inside. They also need to be inventive in how they accomplish this. Coming up with a great concept in a sketch during a meeting and actually seeing it to fruition and sitting on a shelf in a record store are two different things. As Paula Scher details in her interview, today's designers are faced with a very different task than the record sleeve designers of the past. Outside of the mega stars, budgets are more or less non-existent, yet the pressure to deliver something jaw-dropping and mind-blowing remains.Packed with innovative artworks by one-of-a-kind designers, this is the definitive guide to album cover design in the 21st century.
The history of photography is teeming with portraits of musicians made iconic through their use on album covers: Thelonious Monk by W. Eugene Smith; Miles Davis by Irving Penn; Grace Jones by Jean Paul Goode; Laurie Anderson by Robert Mapplethorpe. Includes record albums featuring images by David Bailey, Guy Bourdin, Anton Corbijn, Roy DeCarava, Robert Frank, Lee Friedlander, Nan Goldin, Luigi Ghirri, John Paul Goode, Brian Griffin, William Klein, David LaChapelle, Danny Lyon, Robert Mapplethorpe, Jean-Baptiste Mondino, Ryan McGinley, Helmut Newton, Martin Parr, Anders Peterson, Pierre et Gilles, Hiro, Cindy Sherman, W. Eugene Smith, Pennie Smith, Jurgen Teller, Jeff Wall, Andy Warhol, Albert Watson, William Wegman, and more.
The second book by the esteemed journal Wax Poetics is a vivid exploration of an element of music culture that has withered with the advent of MP3s and digital downloading. Records possess a visual as well as an aural capacity for storytelling. The record cover - eye candy for the music lover - speaks a language rooted in the environment and era of the music itself.
Art Pepper (1925-1982) was called the greatest alto saxophonist of the post-Charlie Parker generation. But his autobiography, Straight Life, is much more than a jazz book--it is one of the most explosive, yet one of the most lyrical, of all autobiographies. This edition is updated with an extensive afterword by Laurie Pepper covering Art Pepper's last years, and a complete and up-to-date discography by Todd Selbert.