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The romantic notion of the Cockney, the shrewd and slangy common man coming from nowhere and surviving by his wits, is best exemplified by E.J. Milliken's character 'Arry and the verse letters or ballads he writes. The letters and stories, as well as the character of 'Arry, were Milliken's vehicles for social criticism, namely the intolerance shown by the aristocracy. Those letters, colorful additions to Victorian history and humor, tell the story of 'Arry, a commoner who is enamored of the social hierarchy, and who is keenly aware how close the top and bottom rungs are. Central to the themes is the Cockney whose pride is his dialect. Confidence in the face of the class system and withering social criticism make Milliken's 'Arry ballads memorable. This work analyzes the Cockney ballads and contains extensive annotations. Each chapter is dedicated to a facet of the everyday life of the common man in Victorian England, including entertainment, travel, and politics. Each is prefaced with a short analytical history of the period which also places the letters in context.
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
This set reissues 29 books on the English language, originally published between 1932 and 2003. Together, the volumes cover key topics within the larger subject of the English Language, including grammar, dialect and the history of English. Written and edited by an international set of scholars, particular volumes employ comparisons with other languages such as French and German, whilst other volumes are devoted to specific English dialects such as Cockney and Canadian English, or English in general. This collection provides insight and perspective on various elements of the English language over a period of 70 years and demonstrates its enduring importance as a field of research.
First published in 1971. The book examines the presentation of the urban and industrial working classes in Victorian fiction. It considers the different types of working men and women who appear in fiction, the environments they are shown to inhabit, and the use of phonetics to indicate the sound of working class voices. Evidence is drawn from a wide range of major and minor fiction, and new light is cast on Dickens, Mrs Gaskell, Charles Kingsley, George Gissing, Rudyard Kipling and Arthur Morrison. This book would be of interest to students of literature, sociology and history.
First published between 1975 and 1991, this set reissues 13 volumes that originally appeared as part of the History Workshop Series. This series of books, which grew out of the journal of the same name, advocated ‘history from below’ and examined numerous, often social, issues from the perspectives of ordinary people. In the words of founder Raphael Samuel, the aim was to turn historical research and writing into ‘a collaborative enterprise’, via public gatherings outside of a traditional academic setting, that could be used to support activism and social justice as well as informing politics. Some of the topics examined in the set include: mineral workers, rural radicalism, and the lives and occupations of villagers in the nineteenth century; working class association; the development of left-wing workers theatre and the changing attitudes to mass culture across the twentieth century; the changing fortunes of the East End at the turn of the century; the position of women from the nineteenth century to the present; the miners’ strike of 1984-5; the social and political images of late-twentieth century London; and a three volume analysis of the myriad facets of English patriotism. This set will be of interest to students of history, sociology, gender and politics.