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An authoritative, easy-to-understand text covering all aspects of arranging. This beautifully bound edition contains a compact disc with examples performed by jazz greats such as George Benson, Freddie Hubbard, Hubert Laws and Don Sebesky's complete orchestra. The comb binding creates a lay-flat book that is perfect for study and performance.
Designed for the musician who wants to become a professional arranger-composer. Includes a section of dance band harmony and voicing.
A reference guide and how-to book that no serious student of arranging should ever be without - comprehensive, practical and versatile. 2 CD's containing 100 tracks demonstrate solo and ensemble instrumental colors, textures and styles. The presentation is thorough and logical - basics first, specific components next, then advanced techniques for putting it all together. Includes chapters on special purpose instruments, making MIDI work for you, and the symphonic band. 430-page book and 2 CDs available for download.
Showcasing more than 250 designs by more than 130 gifted amateur arrangers under the auspices of the World Association of Flower Arrangers (WAFA USA), Flower Arranging the American Way is a contemporary celebration of an art form dating back to the third millennium bce. Superbly photographed by Mick Hales and other talented photographers, with each arrangement explained in clear and inviting detail by author Nancy D'Oench, the selection of designs shown here is distinctly American. In addition to flowers and foliage, each design incorporates natural materials from the seashore, the roadside, and even the compost heap to make dramatic mixedmedia creations. Arrangers at all skill levels will find inspiration and advice aplenty.
An authoritative, easy-to-understand text covering all aspects of arranging.
This volume contains many examples of contemporary and traditional floral designs, useful information on the mechanics of arranging, explanations of the principles of design, guidance in the use of design elements (such as color) and useful advice for those arrangers.
Behind the iconic jazz orchestras, vocalists, and stage productions of the Swing Era lay the talents of popular music's unsung heroes: the arrangers. John Wriggle takes you behind the scenes of New York City's vibrant entertainment industry of the 1930s and 1940s to uncover the lives and work of jazz arrangers, both black and white, who left an indelible mark on American music and culture. Blue Rhythm Fantasy traces the extraordinary career of arranger Chappie Willet--a collaborator of Louis Armstrong, Cab Calloway, Duke Ellington, Gene Krupa, and many others--to revisit legendary Swing Era venues and performers from Harlem to Times Square. Wriggle's insightful music analyses of big band arranging techniques explore representations of cultural modernism, discourses on art and commercialism, conceptions of race and cultural identity, music industry marketing strategies, and stage entertainment variety genres. Drawing on archives, obscure recordings, untapped sources in the African American press, and interviews with participants, Blue Rhythm Fantasy is a long-overdue study of the arranger during this dynamic era of American music history.
The age-old battle of good and evil actually revolves around the battlefield of humankind. Each faction influences people to their resolve. However, between these two great combatants is a third entity: the Arrangers. Neither evil nor holy, their duty is to pick up the pieces by giving rewards for the good and evil done by man. Evil retribution is given in the form of twists of fate, commonly called karma. The person who seems to have evaded justice becomes the victim of an uncanny accident. This is the job of the Arrangers. The Arrangers are in need of one last member of their group, and they have chosen Tom Evans. Tom is in need of a simple and stable life that he has never known. He has always been on the move. Finally this small town is his chance at rest. But the Arrangers have chosen this to be his chance at immortality. It is his choice.
The Book aims to be a guide through the little universe which is the working place of the man who writes music. As such it talks predominantly to the layman, although the expert composer may also find some stimulation in it... From the center of basic theory our discussion will spread out into all the realms of experience which border the technical aspect on composing, such as aesthetics, sociology, philosphy and so on... We must be grateful that with our art we have been placed halfway between science and religion, enjoying equally the advantages of exactitude in thinking... and of the unlimeted world of faith. Paul Hindemith, from the preface
Film festivals around the world are in the business of making experiences for audiences, elites, industry, professionals, and even future cultural workers. Cinema and the Festivalization of Capitalism explains why these non-profit organizations work as they do: by attracting people who work for free, while appealing to businesses and policymakers as a cheap means to illuminate the creative city and draw attention to film art. Ann Vogel’s unprecedented systematic sociological analysis thus provides firm evidence for the ‘festival effect’, which situates the festival as a key intermediary in cinema value chains, yet also demonstrates the impact of such event culture on cultural workers’ lives. By probing the various resources and institutional pillars ensuring that the festivalization of capitalism is here to stay, Vogel urges us to think critically about publicly displayed benevolence in the context of cinema—and beyond.