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As soon as the armed man realized that iron and steel were the best defences for his body, he would naturally insist that some sort of a guarantee should be given him of the efficacy of the goods supplied by his armourer. This system of proving armour would be effected by using those weapons commonly in use, and these, in the early times, were the sword, the axe, the lance, the bow, and the crossbow. The latter seems to have been the more common forms of proof, though as late as the seventeenth century we have evidence that armour was proved with the "estramaon" or sword blow. -from "The Proof of Armour" Not a history of defensive armor but rather a guide to the actual making of armor, as well as the regulations that governed the artisans who made it, this is a fascinating-and practical-handbook on the production, selling, and wearing metal traditional medieval body armor. First published in 1912, this classic book-by British historian and author CHARLES JOHN FFOULKES (1868-1947), curator of London's Royal Armouries-draws on records of the time to detail the tools and appliances of the trade, the decoration and cleaning of armor, the use of leather and fabrics, and much more to offer a complete reference for readers of period fiction and history, wargamers, costumers, and anyone fascinated by the craft of the armorer. This replica of the 1912 edition is complete with all of the original diagrams, illustrations, and photos.
"The armourer and his craft from the XIth to the XVIth century" by Charles John Ffoulkes. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Excerpt from The Armourer and His Craft From the Xith to the Xvith Century I Do not propose, in this work,to consider the history of development of defensive armour, for this has been more or less fully discussed in works which deal with the subject from the historical side of the question. I have rather endeavoured to compile a work which will, in some measure, fill up a gap in the subject, by collecting all the records and references, especially in English documents, which relate to the actual making of armour and the regulations which controlled the Armourer and his Craft. At the same time it is impossible to discuss this branch of the subject without overlapping in some details the existing works on Arms and Armour, but such repetition has only been included because it bears directly on the making, selling, or wearing of armour. I have intentionally omitted all reference to the sword and other weapons of offence, for this would have unduly increased the size of the present work, and the subject is of such importance that it deserves a full consideration in a separate volume. The original limits of this work have been considerably enlarged since it was offered as a thesis for the Degree of Bachelor of Letters in the University of Oxford in the Michaelmas Term, 1911. A polyglot glossary has been included, as this is a detail which has been practically overlooked by all English writers. The subject of Arms and Armour has not, up to the present time, received the attention in England that it deserves, but I would be the first to admit the value of the works of Meyrick and Hewitt, which are the foundations upon which German and French as well as all English authors have based their investigations. At the same time it should be remembered that these two authors were pioneers, and statements which they made have been contradicted or modified by more recent research. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
There are seven chapters in this book which tell in detail the development and then decline of metal armour from simple chain mail to complex and intricate pieces of metalwork and craftsmanship. Armour for both men and horses is described, as are also the weapons commonly used during those times.
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The fourteenth century witnessed a late medieval arms race; an era that began with knightly combatants armed in mail - and ended with them dressed head-to-toe in the complete plate armour that is commonly associated with knights. Although well documented in art and effigies, only a very few examples of this early plate armour survive. In this first-of-its-kind series, Douglas Strong brings together three decades of research to offer a lavishly illustrated catalog of these surviving pieces with a detailed record of their provenance, characteristics, construction details, and current whereabouts. Filled with color and black-white photos, line-drawings, this 8.5 x 11 hardback is a piece of artwork in its own right. VOLUME I focuses on the bascinet, the ubiquitous helmet of the period. Developing out of a small skull-cap worn beneath the great helm, it quickly evolved into a complete head defense of its own, becoming the helmet that defines the knightly harness of the second half of the fourteenth century that survived in common usage into the early decades of the fifteenth century. Organizing the surviving examples into broad, morphological categories for both helmets and visors, Douglas Strong not only creates a catalog of surviving pieces, but presents a basic typology, the first of its kind, into which future discoveries can be fit.