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An illustrated guide to assist artists, craftsmen, designers, and architects.
As the premier livery company, the Mercers Company in medieval England enjoyed a prominent role in London's governance and exercised much influence over England's overseas trade and political interests. This substantial two-volume set provides a comprehensive edition of the surviving Mercers' accounts from 1347 to 1464, and opens a unique window into the day-to-day workings of one of England's most powerful institutions at the height of its influence. The accounts list income, derived from fees for apprentices and entry fees, from fines (whose cause is usually given, sometimes with many details), from gifts and bequests, from property rents, and from other sources, and then list expenditures: on salaries to priests and chaplains, to the beadle, the rent-collector, and to scribes and scriveners; on alms payments; on quit-rents due on their properties; on repairs to properties; and on a whole host of other costs, differing from year to year, and including court cases, special furnishings for the chapel or Hall, negotiations over trade with Burgundy, transport costs, funeral costs or those for attendance at state occasions, etc. Included also in some years are ordinances, deeds and other material of which they wanted to ensure a record was kept. Beginning with an early account for 1347-48, and the company's ordinances of that year, the accounts preserved form an entire block from 1390 until 1464. The material is arranged in facing-page format, with an accurate edition of the original text mirrored by a translation into modern English. A substantial introduction describes the manuscripts in full detail and explains the accounting system used by the Mercers and the financial vocabulary associated with it. Exhaustive name and subject indexes ensure that the material is easily accessible and this edition will become an essential tool for all studying the social, cultural or economic developments of late-medieval England.
Heraldry is often seen as a traditional prerogative of the nobility. But it was not just knights, princes, kings, and emperors who bore coats of arms to show off their status in the Middle Ages. The merchants and craftsmen who lived in cities, too, adopted coats of arms and used heraldic customs, including display and destruction, to underline their social importance and to communicate political messages. Medieval burgesses were part of a fascination with heraldry that spread throughout pre-modern society and looked at coats of arms as honoured signs of genealogy and history. Heraldry in Urban Society analyses the perceptions and functions of heraldry in medieval urban societies by drawing on both English- and German-language sources from the late fourteenth to the early sixteenth centuries. Despite variations that point to socio-political differences between cities (and their citizens) in the relatively centralized monarchy of medieval England and the more independent-minded urban governments found in the less closely connected Holy Roman Empire, urban heraldry emerges as a versatile and ubiquitous means of multimedia visual communication that spanned medieval Europe. Urban heraldic practices defy assumptions about clearly demarcated social practices that belonged to 'high'/'noble' as opposed to 'low'/'urban' culture. Townspeople's perceptions of coats of arms paralleled those of the nobility, as they readily interpreted and carefully curated them as visual expressions of identity. These perceptions allowed townspeople of all ranks, as well as noble outsiders, to use heraldry and its display - along with its defacement and destruction - in manuscripts, spaces (such as town houses, public monuments, halls, and churches), and performances (like processions and joyous entries) to address perennial problems of urban society in the Middle Ages. The coats of arms of burgesses, guilds, and cities were communicative means of individual and collective representation, social and political legitimization, conducting and resolving conflicts, and the pursuit of elevated status in the urban hierarchy. Likewise, heraldic communication negotiated the all-important relationship between the city and wider, extramural society - from the commercial interests of citizens to their collective ties to the ruler.
The Worshipful Company of Weavers, the oldest of all the London Livery Companies, can trace its origins to a twelfth-century craft guild. Largely based upon original records never before studied in depth, this authorized history of the company covers the period from the end of the reign of Elizabeth I to modern times. Alfred Plummer presents a portrait of the London Hand-loom weavers in their historical setting, living strenuous lives in an industry which was once essential but has now disappeared. He describes many fascinating aspects of the Company's 'eventful history', from the numbers of apprentices, to their parents and places of origin, the attitude towards the admission of women and the enlistment by the Weaver's Company of the powerful pen of Daniel Defoe. In addition, the work examines the impact of such catastrophes as the Great Plague and the Fire of London. The author deals with the dogged struggle for survival of the famous Spitalfields silk weavers, and explores the part played by the Weavers and their associated London Livery companies in the 'plantation of Ulster' under James I nearly four centuries ago. This book was first published in 1972.
This three-volume edition provides translations of the Goldsmiths' Company Register of Deeds with full explicatory annotation, and with a clear introduction to both the manuscript and the legal texts contained in it.
Insights from English and French writers on one of the most significant armed conflicts of the Middle Ages
The colourful history of the Worshipful Company of Musicians, from its medieval beginnings to the present day.