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“Marvelous . . . [Vonnegut] wheels out all the complaints about America and makes them seem fresh, funny, outrageous, hateful and lovable.”—The New York Times In Breakfast of Champions, one of Kurt Vonnegut’s most beloved characters, the aging writer Kilgore Trout, finds to his horror that a Midwest car dealer is taking his fiction as truth. What follows is murderously funny satire, as Vonnegut looks at war, sex, racism, success, politics, and pollution in America and reminds us how to see the truth. “Free-wheeling, wild and great . . . uniquely Vonnegut.”—Publishers Weekly
November 11, 1918. The final hours pulsate with tension as every man in the trenches hopes to escape the melancholy distinction of being the last to die in World War I. The Allied generals knew the fighting would end precisely at 11:00 A.M, yet in the final hours they flung men against an already beaten Germany. The result? Eleven thousand casualties suffered–more than during the D-Day invasion of Normandy. Why? Allied commanders wanted to punish the enemy to the very last moment and career officers saw a fast-fading chance for glory and promotion. Joseph E. Persico puts the reader in the trenches with the forgotten and the famous–among the latter, Corporal Adolf Hitler, Captain Harry Truman, and Colonels Douglas MacArthur and George Patton. Mainly, he follows ordinary soldiers’ lives, illuminating their fate as the end approaches. Persico sets the last day of the war in historic context with a gripping reprise of all that led up to it, from the 1914 assassination of the Austrian archduke, Franz Ferdinand, which ignited the war, to the raw racism black doughboys endured except when ordered to advance and die in the war’s last hour. Persico recounts the war’s bloody climax in a cinematic style that evokes All Quiet on the Western Front, Grand Illusion, and Paths of Glory. The pointless fighting on the last day of the war is the perfect metaphor for the four years that preceded it, years of senseless slaughter for hollow purposes. This book is sure to become the definitive history of the end of a conflict Winston Churchill called “the hardest, cruelest, and least-rewarded of all the wars that have been fought.”
An acclaimed historian chronicles the birth of weapons of mass destruction during World War I, including the use of poison gas by the Germans at Ypres, the torpedoes that sunk the Lusitania and an aerial bombardment of London by a zeppelin.
A vivid, intimate hour-by-hour account of Armistice Day 1918, including photographs: “A pleasure to read . . . full of fascinating tidbits.” —The Wall Street Journal This is the first book to focus on the day the armistice was signed between the Allies and Germany, ending World War I. In this rich portrait of Armistice Day, which ranges from midnight to midnight, Guy Cuthbertson brings together news reports, photos, literature, memoirs, and letters to show how the people on the street, as well as soldiers and prominent figures like D. H. Lawrence and Lloyd George, experienced a strange, singular day of great joy, relief, and optimism—and examines how Britain and the wider world reacted to the news of peace. “[A] brilliant portrayal of Britain on the day that peace broke out; when people could believe there was an end to the war to end all wars. He weaves a wonderful tapestry of the mood and events across the country, drawing on a wide range of local and regional newspapers . . . accessible history at its best . . . outstanding.” —The Evening Standard
Killing at its Very Extreme takes the reader to the heart of Dublin from October 1917 to November 1920, effectively the first phase of Dublin's War of Independence. It details pivotal aspects at the outset, then the ramping up of the intelligence war, the upsurge in raids and assassinations. Vividly depicting mass hunger-strikes, general strikes, prison escapes, and ruthless executions by the full-time IRA 'Squad', amid curfews and the functioning of an audacious alternative government. Intensity builds as the reader is embedded into Commandant Dick McKee's Dublin Brigade to witness relentless actions and ambushes. The authors' unprecedented access lays bare many myths about key players from both sides. The tempo escalates with deployment of the notorious Black and Tans and Auxiliaries, as well as a host of cunning political and propaganda ploys. Desperate plights and horrific reprisals are portrayed, the effects of mass sectarian pogroms and killings. Tthe sacking of Balbriggan, the killing of Seán Treacy, the death of Terence MacSwiney, and the capture and execution of teenager Kevin Barry. As in the authors' previous works the pulsating tension, elation, fear, desperation, hunger, the mercy and the enmity leap from the pages. The harrowing circumstances suffered by those whose sacrifices laid the bedrock for modern Ireland, and whose own words form the book's primary sources, are recounted in unflinching detail.
Beginning with the death of legendary IRA figure Sean South of Garryowen on New Year's Day 1957, the book describes the background to what we have now come to call 'the troubles' and paints vivid portraits of the major players whose actions sparked the violence that erupted on the streets of Belfast and Derry in the summer of 1969. Throughout the decades of bloodshed, paramilitary leaders on both sides of the political divide continued to search for more so-called legitimate targets. Milestones in Murder charts how more and more innocent people were unwittingly drawn into the conflict against their will. It examines the killings which marked new lows in the republican/loyalist terror war, from the bombing of pubs and clubs to the advent of 'human bomb' couriers. It revisits the horrific murders of the Shankhill Butchers, exclusively revealing exactly who leader Lennie Murphy's accomplices were. This, amongst other revelations, will piece together several parts of the Irish warfare jigsaw for the first time. The book also covers the more recent murder of the author's colleague Martin O'Hagan, an act which sent shock waves through a battle-hardened media in Northern Ireland. O'Hagan was the first journalist in Ireland to lose his life at the hands of the paramilitaries and his death pushed the parameters of slaughter to new limits.
A bewildering feature of so much contemporary political violence is its stunning impersonality, with every city centre a potential shooting gallery; every metro system a potential bomb alley. Killing Strangers explores how acts of political violence have changed over time, becoming 'unchained' from inter-personal relationships.
Creator of The Equalizer TV series--the basis for the feature films starring Denzel Washington--Michael Sloan reinvents the story of the mysterious Robert McCall, a former intelligence officer who helps desperate people in need of his unique skill set. Got a problem? Odds against you? Call the Equalizer. McCall's first client is a distraught mother who is desperate to locate her young daughter, drawn into the shadowy world of white slavery. But this client may not be all she appears to be. At the time same, McCall is approached by a diplomat who works for the United Nations. Her son, an American Captain in the US Army, is part of a contingent advising Syrian Rebel forces in their fight against the Jihadists. He has been reported KIA, but his body has not been found. His mother asks McCall to find out if her son is alive or dead. When McCall embarks on a suicidal rescue mission in Syria, he stumbles upon a terror plot aimed at the United States. The terrorists are being protected by mercenaries known as Momento Miro--Remember That You Must Die. McCall discovers the key to the terror attacks is his one-time boss, Control, the head of a spy organization called "The Company." He is missing. His life has been deleted from all personal and intelligence records, as if he never existed. McCall has to find his old friend and stop these terror attacks from being carried out on American soil. McCall also has to deal with an "Equalizer" wannabe, a psychotic vigilante whose attempts to be a "hero" and rid the New York streets of violent crime are getting innocent people killed.
The days of large force-on-force engagements with conventional fielded armies are seemingly gone. Today's persistent conflict, conducted among civilian populations and fought by small bands of combatants, will be remembered for this alteration in the tapestry of war and for the first large-scale use of unmanned vehicles. According to M. Shane Riza, this "war among the people" and the trend toward robotic warfare has outpaced deliberate thought and debate about the deep moral issues affecting justice and the warrior spirit.