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The Armenian presence in the Holy Land can be traced back to Christianity's first centuries. The first monastery there was established by an Armenian, St Euthymius. It has been prominent and sustained through all the vicissitudes of this stormy country and the Armenian Quarter is an integral and distinctive part of Jerusalem's Old City today. This long history has created an unique form of Armenian life and language. The Armenians in Jerusalem and the Holy Land assembles essays by the world's leading authorities on numerous aspects of this ancient, richly traditional community. The essays were prepared on occasion of the thirtieth anniversary of the program in Armenian Studies at the Hebrew University of Jerusalem.
The Caucasian Archaeology of the Holy Land investigates the complete corpus of available literary, epigraphic and archaeological evidence of the Armenian, Georgian and Caucasian Albanian Christian communities’ activity in the Holy Land during the Byzantine and the Early Islamic periods. This book presents the first integrated approach to a wide variety of literary sources and archaeological evidence, previously unpublished or revised. The study explores the place of each of these Caucasian communities in ancient Palestine through a synthesis of literary and material evidence and seeks to understand the interrelations between them and the influence they had on the national churches of the Caucasus.
Nira Stone (1938-2013) was a scholar of Armenian and Byzantine Art. Her broad and close acquaintance with the field of Armenian art history covered many fields of Armenian artistic creativity. Nira Stone made notable contributions to the study of Armenian manuscript painting, mosaics, and other forms of artistic expression. Of particular interests are her researches on this art in its historical and religious contexts, such as the study of apocryphal elements in Armenian Gospel iconography, the place of the mosaics of Jerusalem in the context of mosaics in Byzantine Palestine, and of the interplay between religious movements, such as hesychasm, and Armenian manuscript painting.
These volumes comprise a collection of papers by Michael E. Stone, written over a period of 35 years. Stone is a leading scholar in two different fields of research, the Jewish literature of the Second Temple period including the Dead Sea Scrolls, and Armenian Studies. So this collection includes essays relating to the origins and nature of the Apocryphal literature and its relationship with the Dead Sea Scrolls, as well as more specific studies devoted to themes that have interested Stone throughout his career, including Messianism, 4 Ezra, Adam and Eve, and Aramaic Levi Document. His Armenian interests have embraced the Armenian Biblical text, Armenian pilgrimage to and presence in the Holy Land and Armenian paleography and epigraphy. Papers included in the volumes, some of which were originally published in obscure venues, touch on all these themes. A number of previously unpublished papers are included.
Medieval Jerusalem was a vibrant international center, home to multiple cultures, faiths, and languages. Harmonious and dissonant voices from many lands, including Persians, Turks, Greeks, Syrians, Armenians, Georgians, Copts, Ethiopians, Indians, and Europeans, passed in the narrow streets of a city not much larger than midtown Manhattan. Patrons, artists, pilgrims, poets, and scholars from Christian, Jewish, and Islamic traditions focused their attention on the Holy City, endowing and enriching its sacred buildings, creating luxury goods for its residents, and praising its merits. This artistic fertility was particularly in evidence between the eleventh and fourteenth centuries, notwithstanding often devastating circumstances—from the earthquake of 1033 to the fierce battles of the Crusades. So strong a magnet was Jerusalem that it drew out the creative imagination of even those separated from it by great distance, from as far north as Scandinavia to as far east as present-day China. This publication is the first to define these four centuries as a singularly creative moment in a singularly complex city. Through absorbing essays and incisive discussions of nearly 200 works of art, Jerusalem, 1000–1400: Every People Under Heaven explores not only the meaning of the city to its many faiths and its importance as a destination for tourists and pilgrims but also the aesthetic strands that enhanced and enlivened the medieval city that served as the crossroads of the known world.
Explore the intricate dynamics of the Holy Places with "The Status Quo in the Holy Places" by L. G. A. Cust. This non-fiction work, penned in the 1920s, delves into the governmental and societal aspects surrounding these sacred sites. A must-read for those interested in history, governance, and cultural heritage.
This book traces the history of conflict and contact between Muslims, Christians, and Jews in the Ottoman Middle East prior to 1914.
In Ordinary Jerusalem, 1840-1940, Angelos Dalachanis, Vincent Lemire and thirty-five scholars, mostly young academics, utilize new archives to revisit the global, extraordinary city of Jerusalem in the late Ottoman and Mandate periods.