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The text's elaborate illumination also brings to life a vibrant artistic center, the Monastery of Gladzor, which long ago disappeared." "The Armenian Gospels of Gladzor includes sixty color reproductions of the manuscript's illuminated pages, ten black-and-white illustrations, and two maps along with an essay that explores the book's artistic richness and theological complexity."--BOOK JACKET.
The Armenians traces the evolution of Armenia and Armenian collective identity from its beginnings to the Armenian nationalist movement over Gharabagh in 1988. Applying theories of national-identity formation and nationalism, Razmik Panossian analyzes different elements of Armenian identity construction and argues that national identity is modern, predominantly subjective, and based on a political sense of belonging. Yet he also acknowledges the crucial role of history, art, literature, religious practice, and commerce in preserving the national memory and shaping the cultural identity of the Armenian people. Panossian explores a series of landmark events, among them Armenians' first attempts at liberation, the Armenian renaissance of the nineteenth century, the 1915 genocide of the Ottoman Armenians, and Soviet occupation. He shows how these influences led to a "multilocal" evolution of Armenian identity in various places in and outside of Armenia, notably in diasporan communities from India to Venice. Today, these numerous identities contribute to deep divisions and tensions within the Armenian nation, the most profound of which is the cultural divide between Armenians residing in their homeland and those who live in the United States, Canada, the Middle East, and elsewhere. Considering the diversity of this single nation, Panossian questions the theoretical assumption that nationalism must be homogenizing. Based on extensive research conducted in Armenia and the diaspora, including interviews and translation of Armenian-language sources, The Armenians is an engaging history and an invaluable comparative study.
Armenia was the first country to recognize Christianity as the official state religion in 301 AD, twelve years before Constantine's decree granting tolerance to Christianity within the Roman Empire. Ever since, Armenia has claimed the privilege of being the first Christian nation, and the wealth of Christian art produced in Armenia since then is testimony to the fundamental importance of the Christian faith to the Armenian people. This extensive new survey of Armenian Christian art, published to accompany a major exhibition at The British Library, celebrates the Christian art tradition in Armenia during the last 1700 years. The extraordinary quality and range of Armenian art which is documented includes sculpture, metalwork, textiles, ceramics, wood carvings and illuminated manuscripts and has been drawn together from collections throughout the world—many of the examples have never before been seen outside Armenia. In his authoritative text, Dr. Vrej Nersessian, Curator at The British Library, charts the development of Christianity in Armenia. This fascinating history is essential to an understanding of the art and religious tradition of Armenia, a country in which the sense of the sacred extends well beyond the purely religious, infiltrating the entire fabric of Armenian affairs to create a fascinating culture. This sumptuously illustrated book will be of immense value to anyone with an interest in Byzantine art and culture, the history of Christianity and the history of Armenia and the Middle Orient.
"Armenian Christianity manifests a unique blend of patriotism and piety - given its ethnic character from the outset and the fact of its having survived the unfavorable currents of history. Beginning from the inception of Armenian letters at the turn of the fifth century, the author surveys that blend in ancient Armenian sources spanning a thousand years. He shows how the theme finds its fullest manifestation as a literary motif in the medieval panegyrics dedicated to St. Gregory the Illuminator, founder of the Armenian Church at the dawn of the fourth century. Of these, the panegyric by Hovhannes of Erzenka (a prolific author of the thirteenth century) exhibits all the characteristics of the motif in ancient Armenian literature. Consequently, his work receives ample coverage in this unique study, including a translation of the entire text with commentary. Annotated selections from the other panegyrics on St. Gregory complete the book, the second volume in the AVANT series devoted to the study of the Armenian Christian heritage."--BOOK JACKET.
In this literary gem Vigen Guroian chronicles not merely the changing seasons but the course of his own life as he and his family move from Maryland to a new home near the Blue Ridge Mountains of Virginia. Leaving the old garden behind and cultivating another garden become an emblem of our journey through life, marked as it is by both bitter losses and sweet new blessings. While deeply personal, The Fragrance of God vividly unfolds the great biblical themes of the grandeur of God s creation, the senses as paths to experiencing God, and the garden as a place of birth, death, and renewal. Laced throughout with quotations from Guroian s beloved church fathers and replete with theological reflection, The Fragrance of God will lead readers down a path of deeper insight into the creation and the Creator.
The momentous encounter between Christian thought and Greek philosophy reached a high point in fourth-century Byzantium, and the principal actors were four Greek-speaking Christian thinkers whose collective influence on the Eastern Church was comparable to that of Augustine on Western Latin Christendom. In this erudite and informative book, a distinguished scholar provides the first coherent account of the lives and writings of these so-called Cappadocians (named for a region in what is now eastern Turkey), showing how they managed to be Greek and Christian at the same time. Jaroslav Pelikan describes the four Cappadocians--Gregory of Nazianzus, Basil of Caesarea, Gregory of Nyssa, and Macrina, sister and teacher of the last two--who were trained in Classical culture, philosophy, and rhetoric but who were also defenders and expositors of Christian orthodoxy. On one issue of faith and life after another--the nature of religious language, the ways of knowing, the existence of God, the universe as cosmos, time, and space, free will and immortality, the nature of the good life, the purpose of the universe--they challenged and debated the validity of the Greek philosophical tradition in interpreting Scripture. Because the way they resolved these issues became the very definition of normative Christian belief, says Pelikan, their system is still a key to our understanding not only of Christianity's diverse religious traditions but also of its intellectual and philosophical traditions. This book is based on the prestigious Gifford Lectures, presented by Jaroslav Pelikan at the University of Aberdeen in 1992 and 1993.