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Poetry. The Area of Sound Called the Subtone, Gordon's second full-length book, won the 2004 Sawtooth Poetry Prize, judged by Claudia Rankine. Rankine writes, "Noah Eli Gordon is a master of the shift between an epigrammatic and aphoristic line. Each utterance is a glance that implodes rhetorical strategies so spectacularly that the spray of intelligence that lingers in this reader's mind is not much different from a cooling shower from an illegally opened fire hydrant. Witty, vivid, and very, very vital, Gordon has entered a higher frequency"-Claudia Rakine.
An exciting new collection of prose poetry from an emerging talent, Noah Eli Gordon's Novel Pictorial Noise was a winner of the 2006 National Poetry Series Open Competition, selected by esteemed poet John Ashbery. For over twenty years, the National Poetry Series has discovered many new and emerging voices and has been instrumental in launching the careers of poets and writers such as Billy Collins, Mark Doty, Denis Johnson, Cole Swensen, Thylias Moss, Mark Levine, and Dionisio Martinez.
Possessing a singular musical gift, David Shapiro problematizes self and culture and challenges conventional notions of fixed and commodified identity in work that discovers and resists meaning. This title features essays that illuminate a useful range of Shapiro's major texts through diverse critical approaches.
Poetry. Includes DVD. What happens when a person loses hope and yet still has the urge to make a photograph or draw with a stick in the dirt? Kate Greenstreet would like you to read this book as if you had found it left behind on the empty bus seat next to you--a document not directly addressing the question "Why do we make art," but one that notices that one does make art, despite conditions, and that one would regardless. THE LAST 4 THINGS comes with a DVD of two movies created by the author. "A poem is made by composition, by putting things together, and when you read this book your hands tingle. THE LAST 4 THINGS brings craftsmanship to reverie; it turns dreaming into meaningful work. It is a serious approach to the grammar of our emotions and you do well to read it with your hands"--Thomas Basboll.
Poetry. In this winner of the 2006 Green Rose Prize "You can fairly hear the pinging of the world and all its parts-noises of earth's objects rubbing against each other and the spheres. In this ebullient music find the translation of colors, shapes, space, speech, integrity, destruction. It's as if the world's most believable cape were thrown back and below we found not a sham of seasons but all the body's most dynamic possibilities"--Eleni Sikelianos.
Acoustic and MIDI Orchestration for the Contemporary Composer, Second Edition provides effective explanations and illustrations to teach you how to integrate traditional approaches to orchestration with the use of the modern sequencing techniques and tools available to today’s composer. By covering both approaches, Pejrolo and DeRosa offer a comprehensive and multifaceted learning experience that will develop your orchestration and sequencing skills and enhance your final productions. A leading manual on its subject, the second edition allows experienced composers and producers to be exposed to sequencing techniques applied to traditional writing and arranging styles. The book continues to provide a comprehensive and solid learning experience and has been fully revised to include the latest tools and techniques. The new edition has been updated to include: A new chapter on cover writing and sequencing for vocal ensembles Coverage of writing for different ensemble sizes A new final chapter on writing and production techniques for mixed contemporary ensembles. All new techniques, tools, and sound libraries available to today’s composer. A companion website (www.routledge.com/cw/pejrolo) includes a wide selection of audio examples, templates, sounds, and videos showcasing operational processes, allows you the opportunity to listen to the techniques discussed within the book.
Poetry. Literary Nonfiction. Following the 26-year poetic odyssey of her long poem Drafts, Rachel Blau DuPlessis invites readers, with DAYS AND WORKS, to embark with her on not just one but a plurality of voyages. In 2014, drawing on a 1914 translation of Hesiod's Works and Days appearing at the beginning of World War I, DuPlessis began to write, bent on dealing--as did Hesiod--with the insoluble oddity of being in the world and in our time. Both works are built of evocative awe and practical "life" advice, in which conflicting sensations of the textures of historical time, personal time, cosmological time all fold together, in all their contradictions and vectors of stimuli--desired and painful. DuPlessis's work, with rips of feeling, newspaper clippings, and senses of historical fate, represents the oddity of all these registers involving us in different emotional twists. How can so many opposite things and washes of multiple emotions occupy the same daily space? Are these movements through the highly saturated consciousness of modern life "a lexicon? A listing, a relocation?" DuPlessis answers in both form and language--with a sense of the generative and constant "between" in this work expanding the everyday into a mini-encyclopedic poem on an intimate scale. The text offers an evocative political poetics including feminist, eco- poetical and anti-war thinking. It is an intense and generous book.