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The Arctic region has been the subject of much popular writing. This book considers nineteenth-century representations of the Arctic, and draws upon an extensive range of evidence that will allow the 'widest connections' to emerge from a 'cross-disciplinary analysis' using different methodologies and subject matter. It positions the Arctic alongside more thoroughly investigated theatres of Victorian enterprise. In the nineteenth century, most images were in the form of paintings, travel narratives, lectures given by the explorers themselves and photographs. The book explores key themes in Arctic images which impacted on subsequent representations through text, painting and photography. For much of the nineteenth century, national and regional geographical societies promoted exploration, and rewarded heroic endeavor. The book discusses images of the Arctic which originated in the activities of the geographical societies. The Times provided very low-key reporting of Arctic expeditions, as evidenced by its coverage of the missions of Sir John Franklin and James Clark Ross. However, the illustrated weekly became one of the main sources of popular representations of the Arctic. The book looks at the exhibitions of Arctic peoples, Arctic exploration and Arctic fauna in Britain. Late nineteenth-century exhibitions which featured the Arctic were essentially nostalgic in tone. The Golliwogg's Polar Adventures, published in 1900, drew on adult representations of the Arctic and will have confirmed and reinforced children's perceptions of the region. Text books, board games and novels helped to keep the subject alive among the young.
The Arctic and the accounts of its exploration and heroes fascinated people in Victorian Britain. But how was this distant region represented to them? Which stories had lasting appeal and which were soon forgotten? How were the indigenous people represented, and what difficulties confronted the artist, photographer and engraver in depicting the Arctic? How and why did the images and forms of representation change during the nineteenth century? As Robert David tells is in this fascinating book, Britain's imagined Arctic was created through a staggering variety of representations: from travel narratives to works of art and panoramas, from museum, displays, tableaux vivants, and international exhibitions, to engravings in the illustrated press, as well as lectures organised by the geographical societies, school text books and adventure stories for children. There were also numerous cartoons, advertisements and board games, all of which fed the obsession. In this epic study of so many forms of representation over an extended time span, David has been able to reassess the whole nature of Arctic representation and how it changed in importance over time. Using this rich material in illuminating new ways, he argues that Arctic representations followed a different dynamic from those associated with more familiar locations of Empire, and so opens up a whole new area of study and discussion. 'The Arctic in the British imagination' is illustrated with engravings, photographs and paintings drawn from a number of sources and in many cases not previously published. The book will be of essential interest to academics, students and enthusiasts interested in the Arctic, as well as historians of representations.
British interest in the Arctic has returned to heights not seen since the end of the Cold War; concerns about climate change, resources, trade, and national security are all impacted by profound environmental and geopolitical changes happening in the Arctic. Duncan Depledge investigates the increasing geopolitical significance of the Arctic and explores why it took until now for Britain – once an ‘Arctic state’ itself – to notice how close it is to these changes, what its contemporary interests in the region are, and whether the British government’s response in the arenas of science, defence, and commerce is enough. This book will be of interest to both academics and practitioners seeking to understand contemporary British interest and activity in the Arctic.
The Imagined Arctic in Speculative Fiction explores the ways in which the Arctic is imagined and what function it is made to serve in a selection of speculative fictions: non-mimetic works that start from the implied question "What if?" Spanning slightly more than two centuries of speculative fiction, from the starting point in Mary Shelley’s 1818 Frankenstein to contemporary works that engage with the vast ramifications of anthropogenic climate change, analyses demonstrate how Arctic discourses are supported or subverted and how new Arctics are added to the textual tradition. To illuminate wider lines of inquiry informing the way the world is envisioned, humanity’s place and function in it, and more-than-human entanglements, analyses focus on the function of the actual Arctic and how this function impacts and is impacted by speculative elements. With effects of climate change training the global eye on the Arctic, and as debates around future northern cultural, economic and environmental sustainability intensify, there is a need for a deepened understanding of the discourses that have constructed and are constructing the Arctic. A careful mapping and serious consideration of both past and contemporary speculative visions thus illuminate the role the Arctic has played and may come to play in a diverse set of practices and fields.
This is the guide to the exhibition, Turner and the Whale at the Hull Maritime Museum in Autumn 2017, which brings together for the first time in the UK, 3 of the 4 whaling pictures Turner was at work on in 1845-1846. As part of the city of Hull's year as the UK Capital of Culture the exhibition guide will bring the Turner whaling pictures into context with key parts of the Hull collections, including natural historical specimens, whaler carvings and Inuit art.
This groundbreaking book challenges standard interpretations of metropolitan strategies of rule in the early nineteenth century. After the Napoleonic wars, the British government ruled a more diverse empire than ever before, and the Colonial Office responded by cultivating strong personal links with governors and colonial officials through which influence, patronage and information could flow. By the 1830s the conviction that personal connections were the best way of exerting influence within the imperial sphere went well beyond the metropolitan government, as lobbyists, settlers and missionaries also developed personal connections to advance their causes. However, the successive crises in the 1830s exposed these complicated networks of connection to hostile metropolitan scrutiny. This book challenges traditional notions of a radical revolution in government, identifying a more profound and general transition from a metropolitan reliance on gossip and personal information to the embrace of new statistical forms of knowledge. The analysis moves between London, New South Wales and the Cape Colony, encompassing both government insiders and those who struggled against colonial and imperial governments.
Emigrant Homecomings addresses the significant but neglected issue of return migration to Britain and Europe since 1600. While emigration studies have become prominent in both scholarly and popular circles in recent years, return migration has remained comparatively under-researched, despite evidence that in the nineteenth and twentieth centuries between a quarter and a third of all emigrants from many parts of Britain and Europe ultimately returned to their countries of origin. Emigrant Homecomings analyses the motives, experiences and impact of these returning migrants in a wide range of locations over four hundred years, as well as examining the mechanisms and technologies which enabled their return. The book examines the multiple identities that migrants adopted and the huge range and complexity of homecomers’ motives and experiences. It also dissects migrants' perception of ‘home’ and the social, economic, cultural and political change that their return engendered.
Rethinking settler colonialism focuses on the long history of contact between indigenous peoples and the white colonial communities who settled in Australia, Aotearoa New Zealand, Canada and South Africa. It interrogates how histories of colonial settlement have been mythologised, narrated and embodied in public culture in the twentieth century (through monuments, exhibitions and images) and charts some of the vociferous challenges to such histories that have emerged over recent years. Despite a shared familiarity with cultural and political institutions, practices and policies amongst the white settler communities, the distinctiveness which marked these constituencies as variously, ‘Australian’, ‘South African’, ‘Canadian’ or ‘New Zealander’, was fundamentally contingent upon their relationship to and with the various indigenous communities they encountered. In each of these countries these communities were displaced, marginalised and sometimes subjected to attempted genocide through the colonial process. Recently these groups have renewed their claims for greater political representation and autonomy. The essays and artwork in this book insist that an understanding of the political and cultural institutions and practices which shaped settler-colonial societies in the past can provide important insights into how this legacy of unequal rights can be contested in the present. It will be of interest to those studying the effects of colonial powers on indigenous populations, and the legacies of imperial rule in postcolonial societies.
This is the first book wholly devoted to assessing the array of links between Scotland and the Caribbean in the later eighteenth century. It uses a wide range of archival sources to paint a detailed picture of the lives of thousands of Scots who sought fortunes and opportunities, as Burns wrote, ‘across th’ Atlantic roar’. It outlines the range of their occupations as planters, merchants, slave owners, doctors, overseers, and politicians, and shows how Caribbean connections affected Scottish society during the period of ‘improvement’. The book highlights the Scots’ reinvention of the system of clanship to structure their social relations in the empire and finds that involvement in the Caribbean also bound Scots and English together in a shared Atlantic imperial enterprise and played a key role in the emergence of the British nation and the Atlantic World.
King challenges the notion that Britain always exploited its empire. She presents a new picture of the trade, where the strong links between Indian designs, the English silk industry and prominent members of the English arts and crafts movement led to the production of beautiful and luxurious textiles.