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The Archives of Cuba/Los archivos de Cuba is the first comprehensive guide to the archival holdings and manuscript collections located throughout the fourteen provinces of Cuba, and each is identified with its local address. The collections hold a vast assortment of research materials from the sixteenth through the twentieth centuries. Records encompass family papers, government documents, parish collections, notary records, corporate papers, archives of private associations, personal collections, and much more. Sites listed include the Archivo Nacional, the Biblioteca Nacional Jose Marti, provincial archives, municipal archives and museums, parish archives, cemetery archives, and many others. The volume also provides a general descriptive inventory of each archival holding and manuscript collection. It is an indispensable reference tool for anyone conducting research on Cuban history or culture.
A comprehensive history of crime and corruption in Cuba, The Cuban Connection challenges the common view that widespread poverty and geographic proximity to the United States were the prime reasons for soaring rates of drug trafficking, smuggling, gamblin
Cuban Studies 39 includes essays on: the recent transformation of the Cuban film animation industry; the influence of the liberal agenda of Justo Rufino Barrios on Jose Mart; a profile of the music of the Special Period and its social commentary; an in-depth examination of the contents, important themes, and enormous research potential of the Miscelnea de Expedientes collection at the Cuban National Archive; and a realistic assessment on the political future of Cuba.
As sites of documentary preservation rooted in various national and social contexts, artifacts of culture, and places of uncovering, archives provide tangible evidence of memory for individuals, communities, and states, as well as defining memory institutionally within prevailing political systems and cultural norms. By assigning the prerogatives of record keeper to the archivist, whose acquisition policies, finding aids, and various institutionalized predilections mediate between scholarship and information, archives produce knowledge, legitimize political systems, and construct identities. Far from being mere repositories of data, archives actually embody the fragments of culture that endure as signifiers of who we are, and why. The essays in Archives, Documentation, and Institutions of Social Memory conceive of archives not simply as historical repositories but as a complex of structures, processes, and epistemologies situated at a critical point of the intersection between scholarship, cultural practices, politics, and technologies.
Available in English for the first time, Cuban Music from A to Z is an encyclopedic guide to one of the world’s richest and most influential musical cultures. It is the most extensive compendium of information about the singers, composers, bands, instruments, and dances of Cuba ever assembled. With more than 1,300 entries and 150 illustrations, this volume is an essential reference guide to the music of the island that brought the world the danzón, the son, the mambo, the conga, and the cha-cha-chá. The life’s work of Cuban historian and musician Helio Orovio, Cuban Music from A to Z presents the people, genres, and history of Cuban music. Arranged alphabetically and cross-referenced, the entries span from Abakuá music and dance to Eddy Zervigón, a Cuban bandleader based in New York City. They reveal an extraordinary fusion of musical elements, evident in the unique blend of African and Spanish traditions of the son musical genre and in the integration of jazz and rumba in the timba style developed by bands like Afrocuba, Chucho Valdés’s Irakeke, José Luis Cortés’s ng La Banda, and the Buena Vista Social Club. Folk and classical music, little-known composers and international superstars, drums and string instruments, symphonies and theaters—it’s all here.
Archival Dissonance in the U.S. Cuban Post-Exile Novel documents a body of emergent US Cuban literature published in Spanish and English beyond the scope and historicity of exile. Focusing on the work of Roberto G. Fernández, Ana Menéndez, and Antonio Benítez Rojo, the book proposes that, rather than reinforce US Cuban exile ethnic identity developed between 1960 and the 1980s, or demonstrate a tendency toward cultural assimilation (“Americanization”) over three generations of writers, the discussed historical novels incorporate Caribbean and Latin American archival sources and interpretive frameworks in order to develop a critical and investigative approach to the politics of Cuban exile historiography. Published before the recent apertura between the US and Cuban governments, these post-exile novels anticipate themes of displacement, migration, and social marginalization as common, rather than exceptional, features of modern (and historical) life, as well as such other current (and historical) topics as gender construction and performance, figurations of race, the commoditization of culture, and urban poverty. The post-exile historical novel points to a future for US Cuban narrative and historiography, in part by investigating and featuring dissonances hidden or unacknowledged in previous Cuban exile historical fiction. The literature studied in this book further reinforces a view of two-way migration between Cuba and the United States as a normal phenomenon predating 1959, and, at the same time, as a likely shape of things to come.
Includes essays on: the role of race in the revolution of 1933; the subject of disaster in eighteenth-century Cuban poetry; developments in Cuban historiography over the past fifty years; a profile of the work of historian Jos Vega Suol; and a remembrance of essayist and literary critic Nara Arajo, who also contributed an article on travel in Cuba for this volume.
Includes sections "Reviews of books" and "Abstracts of archive publications (Western and Eastern Europe)."