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This extensively illustrated book provides a historical overview of Scottish buildings of government and assembly from the Middle Ages to the present day, setting Scotland's new parliament in the broader context of the nation's architectural and social history.
Marking the first twenty years of the Scottish Parliament, this collection of essays assesses its impact on Scotland, the UK and Europe, and compares progress against pre-devolution hopes and expectations. Bringing together the voices of ministers and advisers, leading political scientists and historians, commentators, journalists and former civil servants, it builds an authoritative account of what the Scottish Parliament has made of devolution and an essential guide to the powers Holyrood may need for Scotland to flourish in an increasingly uncertain world.
This illustrated book - a historical overview of Scottish buildings of government and assembly from the Middle Ages to the present day - sets Scotland's new parliament in the broader context of the nation's architectural and social history. The Architecture of Sovereignty is one of a series of authoritative books on key building types by RCAHMS - Scotland's national survey and archive of the historic built environment. In sharp contrast to the traditional Victorian and early 20th- century concept of the grand, monumental parliament building standing self-centred and in isolation, it shows how parliaments have found just one element in a complex and constantly changing mosaic of buildings of legislation and administration, both national and civic. And it demonstrates how this architectural complexity has mirrored the ever-shifting patterns of Scottish society itself. In The Architecture of Sovereignty, the evolution from feudalism to Presbyterian imperialism and, in turn, to modern social democracy is, literally, inscribed in stone - in the great halls of kingly power as much as in the town halls of Victorian civic pride and the towers of 20th-century welfare administration.
There are two kinds of great public buildings: those like the Guggenheim in Bilbao which are loved as soon as their construction is finished; and those, like the Eiffel Tower, which are hated momentarily before they are loved. Because great architecture
Existing studies of early modern Scotland tend to focus on the crown, the nobility and the church. Yet, from the sixteenth century, a unique national representative assembly of the towns, the Convention of Burghs, provides an insight into the activities of another key group in society. Meeting at least once a year, the Convention consisted of representatives from every parliamentary burgh, and was responsible for apportioning taxation, settling disputes between members, regulating weights and measures, negotiating with the crown on issues of concern to the merchant community. The Convention's role in relation to parliament was particularly significant, for it regulated urban representation, admitted new burghs to parliament, and co-ordinated and oversaw the conduct of the burgess estate in parliament. In this, the first full-length study of the burghs and parliament in Scotland, the influence of this institution is fully analysed over a one hundred year period. Drawing extensively on local and national sources, this book sheds new light upon the way in which parliament acted as a point of contact, a place where legislative business was done, relationships formed and status affirmed. The interactions between centre and localities, and between urban and rural elites are prominent themes, as is Edinburgh's position as the leading burgh and the host of parliament. The study builds upon existing scholarship to place Scotland within the wider British and European context and argues that the Scottish parliament was a distinctive and effective institution which was responsive to the needs of the burghs both collectively and individually.
Whilst there are some studies of architecture in Scotland post-devolution, writings on design are largely non-existent. Designs on Democracy seeks to fill that gap and ranges over the debates concerning architecture, urbanism, design and the Creative and Cultural Industries and the policies, people and places that stimulate and animate them. The book also tells a story about Scotland’s creatives –where they work and how their ideas and what they create and design contribute to Scotland’s democratic culture and identity. ,
For the first time, this book defines how social participation can be incorporated into architecture in a successful and practical manner, which will better serve both architecture and society. International cases and past experiences are looked at to analyse what lessons have been learnt, putting forward a set of recommendations for architectural practices and other key actors.