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""Maritz & Young built more than a hundred homes in the most affluent neighborhoods of St. Louis. This book features more than two hundred photographs, architectural drawings, and original floor plans of homes built in the early twentieth century"--Provided by publisher"--
By examining these and many other accomplishments of these families, Julius Hunter provides a unique historical perspective on the past century of American life. In addition to providing the historical background, Hunter presents vivid descriptions of glamorous social occasions in Westmoreland and Portland - weddings, balls, even funerals - and he shows that the residents were sometimes united, and sometimes split, by bonds of family, marriage, religion, club membership, and political preference. Interviews with people who lived on those streets early in this century provide a unique glimpse of what it was like to grow up in the prestigious neighborhood. Hunter's text is superbly illustrated. More than 200 color photographs depict the houses as they appear today, including architectural details and interior views. More than 200 black-and-white photographs provide a glimpse of St. Louis's past. Every house that has stood in either Westmoreland or Portland is shown.
The city of St. Louis has undergone substantial physical changes in recent years--dramatic new structures have been built in the rejuvenated downtown district and throughout the urban area; neglected buildings have been put to new, innovative uses; and historic neighborhoods and landmarks have been restored. Illustrating and describing over two hundred years of architecture from both the city and the surrounding region, A Guide to the Architecture of St. Louis includes over 500 photographs, elevation drawings, plans, diagrams, and maps. In addition, the entry for each structure gives the address, the name of the architect, the date, the date of construction, and descriptive and historic information. Introductory essays provide an overview of architectural developments in the city and stress its unique characteristics, such as its private streets and vernacular structures. Sponsored by the St. Louis Chapter, American Institute of Architects
"Reviews the history of various aspects of planning in St. Louis City and County and provides insight into planning successes and challenges"--Provided by publisher.
Five hundred stunning duotone photographs showcase the finest, most majestic, and interesting examples of architecture in one of the world's most beloved cities The greatest buildings, monuments, and structures of London come to life in these inspiring, neighborhood-by-neighborhood photographic tours. Each building is featured in a rich, fine-resolution duotone photograph. Information including the building's name, its address and location, and year of completion or renovation is included underneath the image. A brief description of each building, which highlights its distinctive features and places it in historical context, is included at the back of the book.
George Dance (1741-1825) was a pioneering architect who designed the first Neo-Classical building in England (All Hallows, London Wall) as well as the first Indian-style elevation (the City of London's Guildhall), introduced the circus and crescent to London town planning, invented the ammonite capital, designed a prototype art gallery and made early use of structural iron and other technical innovations. As architect to the City of London and a founding member of the Royal Academy, Dancewas an establishment figure and yet was considered by his contemporaries as a 'poet architect' who spoke of an 'Architecture unshackled'. The designs at the Soane Museum include drawings made during Dance's six years in Rome, designs for churches, monuments, prisons, a major hospital, town houses and country houses as well as an art gallery, bank, law court, library, museum, and anatomy theatre. His important role as a town planner and structural innovator is well illustrated and so is his skill as decorator and even garden designer. Dance's eloquent buildings, which include the strikingly austere Newgate Prison, as well as his use of daylight, canopy domes, stripped forms and decoration had a powerful influence on his protege John Soane, who acquired his master's drawings in 1836. They remain in Sir John Soane's Museum, an invaluable record of an exceptional architect. The catalogue also includes the drawings of the elder George Dance (1695-1768), architect to the City of London for more than 40 years. His major building, the Mansion House, is unusually well documented and is catalogued here by Sally Jeffery.