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Fifty years after the Second Vatican Council, architectural historian Robert Proctor examines the transformations in British Roman Catholic church architecture that took place in the two decades surrounding this crucial event. Inspired by new thinking in theology and changing practices of worship, and by a growing acceptance of modern art and architecture, architects designed radical new forms of church building in a campaign of new buildings for new urban contexts. A focussed study of mid-twentieth century church architecture, Building the Modern Church considers how architects and clergy constructed the image and reality of the Church as an institution through its buildings. The author examines changing conceptions of tradition and modernity, and the development of a modern church architecture that drew from the ideas of the liturgical movement. The role of Catholic clergy as patrons of modern architecture and art and the changing attitudes of the Church and its architects to modernity are examined, explaining how different strands of post-war architecture were adopted in the field of ecclesiastical buildings. The church building’s social role in defining communities through rituals and symbols is also considered, together with the relationships between churches and modernist urban planning in new towns and suburbs. Case studies analysed in detail include significant buildings and architects that have remained little known until now. Based on meticulous historical research in primary sources, theoretically informed, fully referenced, and thoroughly illustrated, this book will be of interest to anyone concerned with the church architecture, art and theology of this period.
With over 6,000 entries, this is the most authoritative dictionary of architectural history available.
A comprehensive overview of the architectural and urban transformations that took place across the British Empire between the seventeenth and mid-twentieth centuries, exploring the built heritage of Britain's former colonial empire as a fundamental part of how we negotiate our postcolonial identities.
A “humdinging page-turner of a book” (The Spectator) that will “give great pleasure” (Country Life). The Old Rectory examines the history of the English parsonage through the centuries, and their many and varied styles of architecture. Explore the lives of famous inhabitants and discover the scandals of neglect.
Providing the first comprehensive account of George Pace's life and work, this text covers the fundamentals of church architecture, in terms of new buildings, restoration and furnishings. His ideas contribute to the current debate on the direction of modern architecture and design.
This volume sheds light on the pride of the region - the great medieval churches of York Minster, the Minster and St Mary at Beverley, and Holy Trinity, Hull but also on less well known architectural pleasures of town and county. Outstanding Victorian village churches, including masterpieces by Street & Pearson, are as rewarding as the major country houses of Burton Agnes, Burton Constable and Sledmere. The countryside offes a wide range of monuments, from the beautifully sited ruins of Kirkham Priory to the spectacular Humber Bridge. Farmhouses and cottages of the Wolds, picturesque estate villages and chapels, and industrial structures are all brought into focus. A large section is devoted to York and includes a survey of the historic buildings of the city centre from the Roman period onwards. This is complemented by a detailed exploration of York's eighteenth and nineteenth-century suburbs. Equal care has been applied to the descriptions of Beverley, with its attractive townscape, and the port of Hull, where unexpected highlights include seventeenth-century merchant houses, Georgian almshouses, ornate Victorian pubs, and grand Edwardian public buildings.
The book aims to provide an introductory overview of a period in British architecture which has been neglected hitherto but in which interest is now burgeoning. Using little-before-seen archival photographs from the RIBA's Photographs Collection, it investigates how architects went about the task of reconstruction during the 1950s and the varied influences at play upon them, from Swedish exemplars, Le Corbusier and Mies van der Rohe abroad, to indigenous sources such as the revival of the Picturesque and a heightened concern for Britain's 'functional tradition'. In a period which began with the strictures of post-war austerity and ended with a property boom, the coverage of such themes as the legacy of the Festival of Britain; the heterogeneous nature of post-war Modernism and its acceptance by a previously hostile public; the parallel robust survival of traditional styles; the flowering of public architecture seen especially in Hertfordshire's pioneering school building programme; the role of prefabrication; the development of the New Town movement; the resurgence of private sector architecture and the rise of New Brutalism; the increased involvement of developers in shaping the urban fabric, all combine to demonstrate the period's architectural diversity.