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This detailed guide to Greater Cleveland's most significant architecture covers urban commercial avenues and towering buildings, opens up neighborhood streets and historic districts, and touches on significant architectural activity in the city's suburban perimeters. This second edition has been meticulously updated and includes all of Cleveland's most recent buildings, such as the Rock and Roll Hall of Fame, the Gateway sports complex, and the new Stokes Wing of the Cleveland Public Library.
This study looks at the architectural transformation of Cleveland during its "golden age"--roughly the period between Civil War reconstruction and World War I. By the early twentieth century, Cleveland, which would evolve into the fifth largest city in America, hoped to shed the gritty industrial image of its rapid growth period. Encouraged by the spectacle and enthusiastic response to the Beaux-Arts buildings of the Chicago World's Exposition of 1893, the city embarked upon a grand scheme to construct new governmental and civic structures known as the Cleveland Plan of Grouping Public Buildings, one of the earliest and most complete City Beautiful planning schemes in the country. The success of this plan led to a spillover effect that prompted architects to design all manner of new public buildings that adopted similar Beaux-Arts architectural characteristics over the ensuing decades.
Downtown Cleveland has many architectural landmarks that define this big, proud city on the lake. Most famous is Terminal Tower, the "grand dame" of Cleveland skyscrapers, which was the tallest office building outside of New York City from 1930 until 1967. Other notable high-rises such as the BP building, Key Tower (at 948 feet one of the tallest in the nation), and the new Federal Court House with its distinctive lighted cornice also dominate the city's beautiful Lake Erie skyline. And then there are the details-the terra-cotta "starburst" motif on the exterior of the Standard Building, the extensive metal decorative work inside the gargoyle-encircled atrium of The Arcade, and the immense stained-glass dome of the Cleveland Trust Rotunda.
Bestselling author Alain de Botton considers how our private homes and public edifices influence how we feel, and how we could build dwellings in which we would stand a better chance of happiness. In this witty, erudite look at how we shape, and are shaped by, our surroundings, Alain de Botton applies Stendhal’s motto that “Beauty is the promise of happiness” to the spaces we inhabit daily. Why should we pay attention to what architecture has to say to us? de Botton asks provocatively. With his trademark lucidity and humour, de Botton traces how human needs and desires have been served by styles of architecture, from stately Classical to minimalist Modern, arguing that the stylistic choices of a society can represent both its cherished ideals and the qualities it desperately lacks. On an individual level, de Botton has deep sympathy for our need to see our selves reflected in our surroundings; he demonstrates with great wisdom how buildings — just like friends — can serve as guardians of our identity. Worrying about the shape of our sofa or the colour of our walls might seem self-indulgent, but de Botton considers the hopes and fears we have for our homes at a new level of depth and insight. When shopping for furniture or remodelling the kitchen, we don’t just consider functionality but also the major questions of aesthetics and the philosophy of art: What is beauty? Can beautiful surroundings make us good? Can beauty bring happiness? The buildings we find beautiful, de Botton concludes, are those that represent our ideas of a meaningful life. The Architecture of Happiness marks a return to what Alain does best — taking on a subject whose allure is at once tantalizing and a little forbidding and offering to readers a completely beguiling and original exploration of the subject. As he did with Proust, philosophy, and travel, now he does with architecture.
Architectural Design for Tropical Regions is a complete guide to designing public and private buildings for tropical regions that are healthy, comfortable, and exist in harmony with both the natural environment and local traditions. In addition to proven design strategies, it brings together a wealth of detailed information on all of the technical and nontechnical issues that must be taken into consideration when designing for tropical environments.
Treating architecture as a social phenomenon as well as a fine art, this volume is the standard architectural history of Cleveland.
Eric Mendelsohn's modernist building, The Park Synagogue in Cleveland Heights, Ohio, is one of the most significant post-World War II buildings in the United States. Notable for its magnificent dome and its natural wooded setting, it also had an immense architectural influence on other religious structures in the Midwest. Erected during the late 1940s, the Synagogue was built in response to a large majority of the downtown Cleveland Jewish population moving to the eastern suburbs. In 1934, under the leadership of Rabbi Armond Cohen, the struggling Anshe Emeth Beth Tefilo congregation bought the twelve-acre property of the defunct Park School in Cleveland Heights and later purchased an additional twenty-one acres of land adjacent to the Park property owned by John D. Rockefeller. Plans were developed for a new synagogue to be designed and built by the famous European architect Eric Mendelsohn. Today The Park Synagogue, dedicated in 1950, is home to one of the nation's major Conservative congregations. Eric Mendelsohn's Park Synagogue tells the story of the construction of The Park Synagogue and examines how Mendelsohn consciously sought to express the ideals and traditions of the congregation and Judaism in its architectural forms. From one of the world's largest copper-clad domes weighing 680 tons to the shape of the sanctuary and spectacular bimah, Mendelsohn sought to incorporate the architecture into Jewish ritual and worship. He favored dramatic curves of glass walls, circular stairwells, and porthole windows, and he used the circle as a dominant form throughout his career. The Park Synagogue is one of the few Mendelsohn buildings that remains virtually as it was built. Author Walter C. Leedy Jr. discusses how the construction of The Park Synagogue solidified the congregation, attracted new members, and set the stage for expansion into the next century. Eric Mendelsohn's Park Synagogue brings unique insight into the development of the American Jewish community during the post-World War II period and into the evolution of Mendelsohn's architecture.
Designing Victory tracks Madison from his native Cleveland and several points further south in his extraordinary journey to a first-class education in domestic and international institutions. One prize at the end of Madison's struggles was an opportunity to collaborate with and learn from virtually every one of the twentieth century's most storied architects, including Le Corbusier, Philip Johnson, Walter Gropius, and I.M. Pei. Among Madison's signature design achievements are the U.S. Embassy in Dakar, Senegal, the Engineering & Nuclear Facility at Tuskegee Institute, and the Rock & Roll Hall of Fame.Designing Victory also recounts Madison's adventures in love and war-he's a Buffalo Soldier and a Purple Heart medal awardee-and explores his rise to become a cultural and civic leader in Cleveland. Designing Victory tells the tale of a talented, courageous man who learned early on how to win the long game and become one of the most celebrated living architects by refusing to listen to those who told him that a black architect would starve.