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We like to say that our cities have been shaped by creative destruction the vast powers of capitalism to remake cities. But Marta Gutman shows that other forces played roles in the late nineteenth and early twentieth centuries as cities responded to industrialization and the onset of modernity. Gutman focuses on the use and adaptive reuse of everyday buildings, and most tellingly she reveals the determinative roles of women and charitable institutions. In Oakland, Gutman shows, private houses were often adapted for charity work and the betterment of children, in the process becoming critical sites for public life and for the development of sustainable social environments. Gutman makes a strong argument for the centrality of incremental construction and the power of women-run organizations to our understanding of modern cities. "
A study in the ideology of wealth and poverty
Examines the complex relationships between religion, society and charity in private and public life in Florence - Development of confraternities.
Since the mid-1990s, an exciting building project has been underway: new cancer care centers that offer a new approach to architecture and health. Named after Maggie Keswick and cofounded with her husband, the writer and landscape designer Charles Jencks, these centers aim to be at all the major British hospitals that treat cancer. "The Architecture of Hope" showcases these structures where, under one roof, patients can access help with information, benefits, psychological support, and stress-reducing strategies. The book offers a history of the centers, as well as profiles of individual centers throughout the U.K. "The Architecture of Hope" is a testament to these places of hope and healing, available to anybody, whether or not they are afflicted with this terrible disease.
Edirne is a vibrant city of historical importance where civilizations have concentrated throughout the ages, with a unique architectural heritage. Constructions like the Selimiye Mosque from Sinan, the Old Mosque from the fifteenth-century, Üç Şerefeli Mosque, Sultan Beyazid II Mosque, and its many complexes, imarets (public soup kitchens), Dar al-Shifa (medical centers), hans (public inns), baths, bridges, caravanserais, are refined examples of Ottoman-Islamic art. The Architecture Heritage of Edirne is an exploration of the city’s architectural Heritage. approaching the past with a historical perspective through works from all the periods it has endured. Starting with the history of Edirne, the book goes into the details of the historical neighborhood, the central district and the historical architecture in the present day city. The book includes notes on the architecture in each notable district and their respective monuments and sites. This is followed by coverage of the architecture of Edirne’s former districts. The book concludes with the author’s understanding of Edirne’s social and economic fabric, both in the past and present. This chapter details the traditional customs, dances, clothing and economic structure of the city. The book is a ley reference for scholars and enthusiasts of urban history, architectural heritage and design, fine arts, humanities and social sciences. The breadth of information covered in the book also makes it a resource for anyone interested in Turkish cultural heritage studies.
During the last 30 years, technological, social, economic and environmental changes have brought about the most dramatic evolution to architectural practice that has taken place since the profession emerged during the Italian Renaissance. Whilst these changes have transformed the way architects work, few contemporary books discuss architectural practice. The Architecture Chronicle sets out to define the role of the contemporary architect in the light of these changes. Most books on architecture start when a building is complete, carefully editing out any evidence of the design and production process. The Architecture Chronicle engages with the design and production process. It investigates how and by whom design decisions are made and executed. Chapter 1 is a diary reporting on the design and realisation of five stage sets and one urban intervention over a period of four years, starting on 16 December 2003. The diary is intercepted by references that are, where appropriate, carefully integrated in the overall narrative. Chapter 2 reflects on the diary to discover patterns and cross-references and to draw conclusions. The contemporary architect can be defined as three distinct characters. The architect-inventor challenges conventions and questions the social status quo. The architect-activist transgresses the boundary of the profession and enters the construction process. The architect-arbitrator engages the audience to realise the ambitious project. The Architecture Chronicle concludes that the contemporary architect still draws and writes, but that it is often the architect’s ability to engage and direct that asserts his or her status. To assert his or her status in the design team, the architect’s ability to talk and to act is more important than his or her ability to draw and write.
In Building a House in Heaven, Mona Atia makes the connection between Islam and capitalism to examine the surprising relations between charity and the economy, the state, and religion in the transition from Mubarak-era Egypt. She draws on interviews with key players, exploring the geography of Islamic charities through multiple neighborhoods, ideologies, sources of funding, projects, and wide social networks.