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"When Europeans first reached Australian shores, a long-held and expedient perception developed that Australian Aboriginal people did not have houses or settlements, that they occupied temporary camps, sheltering in makeshift huts or lean-tos of grass and bark. This book redresses that notion, exploring the range and complexity of Aboriginal-designed structures, spaces and territorial behaviour, from minimalist shelters to permanent houses and villages. 'Gunyah, Goondie and Wurley' encompasses Australian Aboriginal Architecture from the time of European contact to the work of the first Aboriginal graduates of university-based courses in architecture, bringing together in one place a wealth of images and research."--Publisher's website.
From the Sydney Opera House and the National Gallery of Victoria to sought-after homes across the country, the pervasive presence of modernism is inescapable in Australia. Led by the likes of Robin Boyd, Harry Seidler and Walter Burley Griffin, modernist architects and designers set out to rebuild at all scales, from vast infrastructure projects, to public health and education institutions, to new centres of culture, consumption and leisure.Australia Modern vividly captures this architectural legacy with a survey of 100 significant modern sites, richly illustrated with archival images and newly commissioned photographs. Contextual essays by leading voices in architecture and conservation explore modernism's influence on every facet of life in Australia and the ongoing challenges facing preservation. Showcasing projects from the iconic and the urban to the everyday, the regional and the lesser known, Australia Modern cultivates an appreciation for the modern architects and buildings that will increasingly constitute the heritage of tomorrow.
Fifty years after its first publication, Robin Boyd's bestselling The Australian Ugliness remains the definitive statement on how we live and think in the environments we create for ourselves. In it Boyd rallied against Australia's promotion of ornament, decorative approach to design and slavish imitation of all things American. 'The basis of the Australian ugliness,' he wrote, 'is an unwillingness to be committed on the level of ideas. In all the arts of living, in the shaping of all her artefacts, as in politics, Australia shuffles about vigorously in the middle - as she estimates the middle - of the road, picking up disconnected ideas wherever she finds them.' Boyd was a fierce critic, and an advocate of good design. He understood the significance of the connection between people and their dwellings, and argued passionately for a national architecture forged from a genuine Australian identity. His concerns are as important now, in an era of suburban sprawl and inner-city redevelopment, as they were half a century ago. Caustic and brilliant, The Australian Ugliness is a masterpiece that enables us to see our surroundings with fresh eyes. This handsome anniversary edition is complemented by Robin Boyd's original sketches for the book and a new afterword by major contemporary architects.
Until recently, scorned or ignored by many historians and commentators, Australia's Art Deco architecture of the 1920s and 1930s endures as a unique record of its time and a mirror of the hopes and aspirations of Australians in the years between the two world wars. A Spirit of Progress: Art Deco Architecture in Australia provides a valuable insight into this significant period in Australia's social, economic and artistic development. In his travels across Australia, photographer Patrick Van Daele has captured the wealth that is Australia's Art Deco architecture. From the corporate splendours of tall office buildings to the engineering marvels of great dams and the domestic style of the home, the photographs mirror the achievement and the human aspect of the inter-war era in this country. They are illuminated by Roy Lumby's authoritative text, which describes the history and development of this important style in Australia, and the fascinating times in which it appeared.
The story of Australian architecture might be said to parallel the endeavours of Australians to adapt & reconcile themselves with their home & neighbours. It is the story of 200 years of coming to terms with the land: of adaptation, insight & making do. Early settlers were poorly provisioned, profoundly ignorant of the land & richly prejudiced towards its peoples. They pursued many paths over many terrains. From the moist temperate region of Tasmania with heavy Palladian villas to the monsoonal north with open, lightweight stilt houses, the continent has induced most different regional building styles.
Crucial record of the best buildings created in one of the most fascinating and dynamic countries in the world. recording some two hundred of the most significant strauctures and places. These projects range from the breezy east-coast houses of Clare Design and Peter Stutchbury and the stadia built for the Sydney Olympics, to Melbourne's wave of daring monuments by Denton Corker Marshall, Peter Corrigan, Ashton Raggatt McDougall and Wood Marsh.
To understand how architecture is both built and practiced today, we often think of drawings and plans, digital visualisations and 3D models. Or, perhaps the tired 'napkin sketch' and its romantic progenitor, the architect's hand. However, these processes represent only a small portion of the full story.Better together: 33 documents of contemporary Australian architecture & their associated short stories does just that-examines 33 artefacts surrounding the design and construction of contemporary Australian buildings. The book's definition of architectural documents is expansive, encompassing not just working drawings, but correspondence, mock-ups and contracts, 1:1 models and conceptual sculptures, journalism, photography and other formats that expose the unique processes of contemporary architectural production.Through short stories, authors Guillermo Fernández-Abascal, Kate Finning, Urtzi Grau and Anna Tonkin contextualise documents from practitioners including Andrew Power, Edition Office, panovscott, Parlour, Richard Stampton, Sibling, Studio Bright, Trias, Vokes and Peters to unravel the artefacts' inner lives. Contributions by Giovanna Borasi, Bruther (Stephanie Bru), Sarah Hearne, Adam Jasper and Emma Letizia Jones, Erika Nakagawa, and Jesús Vassallo explore the potent conventions of gallery display, the value of big models and mock-ups, the multilayered relationships between photography and architecture, and the theatrics of the architect's studio. Originally presented as an exhibition at Monash University's MADA Gallery, this cross-section of the work of Australian architects highlights the best and most innovative in the field. It also presents a new blueprint for how we structure, document and understand contemporary Australian architecture.
MMXX tells the story of architecture in Australia in the first two decades of the 21st century. Shaped by unprecedented prosperity, urbanisation, uncertainty and internationalisation, the past two decades have produced some of the most significant and diverse architecture in this country. This richly illustrated volume reflects on and evaluates this period, taking the reader on a journey through varying scales and locations - from ambitious city-making projects to finely crafted homes and elegant sheds nestled in the scenic countryside. Showcasing 59 acclaimed projects completed between 2000 and 2019, the book features work by more than 100 practices. Turn the pages to experience the urban generosity of Harry Seidler & Associates' Riparian Plaza in Brisbane, visit the irreverent and culture-shaping Museum of Old and New Art in Hobart by Fender Katsalidis, and explore ARM Architecture's iconic Shrine of Remembrance on Melbourne's grand axis. Highlighting the impact of the buildings, each is paired with a number that tells a story of occupation: capacity concert audiences, the number of babies born and large crowds gathered to witness moments in history. Alongside the key projects, ten essays by leading thinkers document the cultures and ideas that have shaped architecture today. MMXX guides the reader through contemporary architecture in Australia, foregrounding its invaluable contribution to our built environment and inspiring an optimistic future.
Italy/Australia: Postmodern architecture in Translation casts light on a particular instance of international influence on Australian architecture and urbanism in the late 20th century, when the relationship between the two countries was significant to the making of postmodern architecture at the antipodes.
"Shifting Views draws together a selection of writing from across twenty-five years of these conferences to provide a fascinating view into the region's architectural history discipline. The essays collected here, from such diverse thinkers as Judith Brine, Joan Kerr, Miles Lewis, Sarah Treadwell, Philip Goad, Julie Willis and Mike Austin, reflect some of the most illuminating debates from these conferences. Together these essays capture a tone of critical inquiry and the conditions of writing architectural history in Australia and New Zealand." "Shifting Views takes us into the mechanics of architectural history-making, exposing its foundations and demonstrating how they can be called to account. It shows us how architectural history has been made and revised, giving us a glimpse of the means why which our past becomes our history."--BOOK JACKET.